{"id":"36760","prompt":"Two vertically connected rounded rectangular panels are anchored by extremely thick, slightly undulating black hand-drawn outlines, with white buckles crossing the panel edges, forming striking paired modules and clear vertical rhythm. Content is organized using Gestalt proximity and layout zoning, with each panel internally divided into a stable left-image/right-text column, balancing left and right weights, titles and information read top-to-bottom in the right column; the overall visual center falls on the junction of the two panels and their respective prominent large titles, keeping the page header area independent with logos and main title. Images and text connect via juxtaposition and backing: the left side is reserved for character or theme illustrations, placed on irregular rounded clean light-colored bases; the right side uses prominent large characters to lead multiple lines of explanation, accompanied by small line-drawing symbols adjacent to text to indicate content. Text hierarchy is always distinct, large titles are thick and striking, explanatory text is thinner with generous line spacing, small text and symbols create rhythm points; glyph construction is upright and readable, with clear counters, crisp endings, and compact faces complementing handwritten images, maintaining this hierarchy regardless of text volume; when text is insufficient, secondary small text is supplemented based on the theme. Text edges are flat and clear, forming a clean typography layer outside the hand-drawn lines. Whitespace includes gaps between panels, backing whitespace around image bases, reading gaps between text lines, and pauses between header and body; each remains spacious, allowing thick frames, illustrations, and titles to stand out clearly. Illustration content is provided by the appended theme, adopting a complete, concentrated, slightly tilted hand-drawn composition within the left column, with simple main outlines, light dynamic details, and upright load-bearing parts; content density is about half-frame, mainly concentrated in the left column of each panel, the rest being white or light-colored rounded bases, flat panel color blocks, and bottom whitespace, generating no scenery. Uses a composite of techniques: outlining frames and characters with continuous, slightly shaky thick black lines; spreading large panel areas and local illustration colors with clean, smooth digital flat coloring; pressing information areas with crisp text typesetting; overall resembling an illustration arrangement synthesized from hand-drawn lines, computer flat coloring, and clear typesetting. Color scheme maintains a high-brightness keynote, colors vivid, saturated but not glaring, the most intense color surfaces fall within the paired panels echoed by character locals; pairing warm light backgrounds with varying brightness levels of light color surfaces, stabilizing layers with strong black-and-white line text contrast. Overall warm and cheerful, friendly and energetic, resembling matte digital color blocks combined with dense marker lines; hue follows the theme, but brightness/darkness, thickness/thinness, saturation/dilution, warm tendencies, and cheerful friendly psychological feelings maintain this personality regardless of theme. Overall temperament is light, friendly, and orderly. Appended theme, accurate text, usage, and aspect ratio take priority; grouping of upper/lower panels, left-image/right-text, thick black hand-drawn borders, image backing, clear text hierarchy, and high-brightness warm-thick color schemes remain unchanged.\n\n------\nTheme: Water Cycle Educational Poster","promptEn":"Two vertically connected rounded rectangular panels are anchored by extremely thick, slightly undulating black hand-drawn outlines, with white buckles crossing the panel edges, forming striking paired modules and clear vertical rhythm. Content is organized using Gestalt proximity and layout zoning, with each panel internally divided into a stable left-image/right-text column, balancing left and right weights, titles and information read top-to-bottom in the right column; the overall visual center falls on the junction of the two panels and their respective prominent large titles, keeping the page header area independent with logos and main title. Images and text connect via juxtaposition and backing: the left side is reserved for character or theme illustrations, placed on irregular rounded clean light-colored bases; the right side uses prominent large characters to lead multiple lines of explanation, accompanied by small line-drawing symbols adjacent to text to indicate content. Text hierarchy is always distinct, large titles are thick and striking, explanatory text is thinner with generous line spacing, small text and symbols create rhythm points; glyph construction is upright and readable, with clear counters, crisp endings, and compact faces complementing handwritten images, maintaining this hierarchy regardless of text volume; when text is insufficient, secondary small text is supplemented based on the theme. Text edges are flat and clear, forming a clean typography layer outside the hand-drawn lines. Whitespace includes gaps between panels, backing whitespace around image bases, reading gaps between text lines, and pauses between header and body; each remains spacious, allowing thick frames, illustrations, and titles to stand out clearly. Illustration content is provided by the appended theme, adopting a complete, concentrated, slightly tilted hand-drawn composition within the left column, with simple main outlines, light dynamic details, and upright load-bearing parts; content density is about half-frame, mainly concentrated in the left column of each panel, the rest being white or light-colored rounded bases, flat panel color blocks, and bottom whitespace, generating no scenery. Uses a composite of techniques: outlining frames and characters with continuous, slightly shaky thick black lines; spreading large panel areas and local illustration colors with clean, smooth digital flat coloring; pressing information areas with crisp text typesetting; overall resembling an illustration arrangement synthesized from hand-drawn lines, computer flat coloring, and clear typesetting. Color scheme maintains a high-brightness keynote, colors vivid, saturated but not glaring, the most intense color surfaces fall within the paired panels echoed by character locals; pairing warm light backgrounds with varying brightness levels of light color surfaces, stabilizing layers with strong black-and-white line text contrast. Overall warm and cheerful, friendly and energetic, resembling matte digital color blocks combined with dense marker lines; hue follows the theme, but brightness/darkness, thickness/thinness, saturation/dilution, warm tendencies, and cheerful friendly psychological feelings maintain this personality regardless of theme. Overall temperament is light, friendly, and orderly. Appended theme, accurate text, usage, and aspect ratio take priority; grouping of upper/lower panels, left-image/right-text, thick black hand-drawn borders, image backing, clear text hierarchy, and high-brightness warm-thick color schemes remain unchanged.\n\n------\nTheme: Water Cycle Educational Poster","promptZh":"两个纵向相连的圆角矩形面板由极粗、略带起伏的黑色手绘轮廓线锚定，白色卡扣横跨面板边缘，构成醒目的成对模块与清晰的纵向节奏。内容依托格式塔邻近性与版面分区进行组织，每个面板内部划分为稳定的左图右文双栏，左右视觉比重均衡，标题与信息在右栏自上而下阅读；整体视觉重心落在两块面板的交界处及各自醒目的大标题上，页眉区域保持独立，放置 logo 与主标题。图文通过并置与衬底相互衔接：左侧预留给角色或主题插画，置于不规则的圆角浅色干净底座之上；右侧以醒目的大字引领多行说明文字，并在文本旁搭配小型线描符号以提示内容。文字层级始终分明，大标题粗重醒目，说明文字较细且行距宽松，小字与符号形成节奏点；字形结构端正易读，字怀清晰、收笔利落、字面紧凑，与手绘图像相得益彰，无论文字多少均维持该层级；文字不足时，则根据主题补充次要小字。文本边缘平整清晰，在手绘线条之外形成干净的排版层。留白涵盖面板间距、图像底座周围的衬底留白、文本行间的阅读间隙以及页眉与正文之间的停顿；各处均保持宽裕，使粗边框、插画与标题得以清晰凸显。插画内容由所附主题提供，在左栏内采用完整、集中、略微倾斜的手绘构图，主体轮廓简洁，动态细节轻盈，承重部位端正；内容密度约占半幅画面，主要集中在各面板的左栏，其余部分为白色或浅色圆角底座、平整的面板色块及底部留白，不生成任何场景。采用复合技法：以连贯、略带抖动的粗黑线条勾勒边框与角色；以干净平滑的数字平涂铺展大面积面板与局部插画色彩；以利落的文字排版压住信息区；整体呈现出由手绘线条、电脑平涂与清晰排版合成的插画编排效果。配色保持高明度基调，色彩鲜活、饱和而不刺眼，最浓烈的色面落在成对面板内，并与角色局部色彩相呼应；暖调浅色背景与不同明度的浅色色面相互搭配，以强烈的黑白线文对比稳定层次。整体温暖明快、亲切有活力，宛如哑光数字色块与密集马克笔线条的结合；色调随主题变化，但明暗、粗细、饱和度、偏暖倾向以及欢快亲切的心理感受不受主题影响，始终保持这一性格。整体气质轻盈、友好且有序。所附主题、准确文案、用途与宽高比优先；上下面板分组、左图右文、粗黑手绘边框、图像衬底、清晰的文字层级以及高明度暖厚配色方案保持不变。\n\n------\n主题：水循环科普海报"}