{"id":"36593","prompt":"Create a 4:5 vertical contemporary ceramic promotional poster, with the core composition being \"Kiln Fire Tree Rings.\" Present the scene with a direct top-down view, placing an irregular hand-thrown celadon tea bowl in the center. The bowl rim is slightly oval, with glaze flowing naturally from grey-cyan to moon-white, retaining a very thin iron-brown line at the edge; glaze thickness, micro-bubbles, and handmade traces are realistically visible.\n\nAround the tea bowl is not a regular table, but six concentric material bands shaped by kiln firing temperatures: the innermost ring is wet dark clay, moving outward through semi-dry mud, bisque ware, initial melting glaze, and a celadon vitrified layer, with the outermost ring becoming an ivory white glazed surface with slight crazing. Each ring is not a flat color band but a material slice with real thickness, grain, and firing variations; local crazing extends from the outer ring inward but cannot cross the complete tea bowl.\n\nThe title \"KILN\" is arranged along the left arc, using restrained high-contrast serif fonts; only \"CELADON / 1280°C\" is written in the bottom right corner. Add a small rectangular glaze sample chip in the top right corner showing the three-stage change from grey-cyan to moon-white, without using explanatory board arrows.\n\nLight comes from a large softbox in the top left, highlighting the height of the rings, subtle glaze reflections, and the tea bowl shadow. The overall look combines museum artifact photography with material experiment posters, but the reading center remains the product. Full opaque rectangular background covering the canvas, no transparency channels, no black corners, no feathered cuts. No people, no flower branches, no piling of Eastern symbols, no gold borders, no existing brands, no watermarks.","promptEn":"Create a 4:5 vertical contemporary ceramic promotional poster, with the core composition being \"Kiln Fire Tree Rings.\" Present the scene with a direct top-down view, placing an irregular hand-thrown celadon tea bowl in the center. The bowl rim is slightly oval, with glaze flowing naturally from grey-cyan to moon-white, retaining a very thin iron-brown line at the edge; glaze thickness, micro-bubbles, and handmade traces are realistically visible.\n\nAround the tea bowl is not a regular table, but six concentric material bands shaped by kiln firing temperatures: the innermost ring is wet dark clay, moving outward through semi-dry mud, bisque ware, initial melting glaze, and a celadon vitrified layer, with the outermost ring becoming an ivory white glazed surface with slight crazing. Each ring is not a flat color band but a material slice with real thickness, grain, and firing variations; local crazing extends from the outer ring inward but cannot cross the complete tea bowl.\n\nThe title \"KILN\" is arranged along the left arc, using restrained high-contrast serif fonts; only \"CELADON / 1280°C\" is written in the bottom right corner. Add a small rectangular glaze sample chip in the top right corner showing the three-stage change from grey-cyan to moon-white, without using explanatory board arrows.\n\nLight comes from a large softbox in the top left, highlighting the height of the rings, subtle glaze reflections, and the tea bowl shadow. The overall look combines museum artifact photography with material experiment posters, but the reading center remains the product. Full opaque rectangular background covering the canvas, no transparency channels, no black corners, no feathered cuts. No people, no flower branches, no piling of Eastern symbols, no gold borders, no existing brands, no watermarks.","promptZh":"创作一张 4:5 竖幅的当代陶瓷宣传海报，核心构图为“窑火年轮”。采用正俯视视角呈现场景，将一只不规则手工拉坯的青瓷茶碗置于画面中心。碗口略呈椭圆形，釉色自然地从灰青色过渡到月白色，边缘保留极细的铁褐色线条；釉层厚度、微小气泡及手工痕迹清晰可见，极具真实感。\n\n茶碗周围并非普通的桌面，而是由窑炉烧制温度形成的六圈同心材质带：最内圈是湿润的深色陶土，向外依次经过半干泥坯、素烧胎体、初熔釉层和青瓷玻化层，最外圈则变为带有细微开片的象牙白釉面。每一圈都不是平面的色块，而是具有真实厚度、颗粒感和烧制变化的材质切片；局部的开片裂纹从外圈向内延伸，但不会跨越完整的茶碗主体。\n\n标题 “KILN” 沿左侧弧线排列，使用克制的高对比度衬线字体；右下角仅标注 “CELADON / 1280°C”。右上角添加一个小的矩形釉料样本芯片，展示从灰青色到月白色的三阶段变化，不使用任何解释性的指示箭头或标签板。\n\n光线来自左上方的大型柔光箱，突出圆环的高度层次、微妙的釉面反光以及茶碗的阴影。整体视觉效果结合了博物馆文物摄影与材料实验海报的风格，但视觉焦点始终保持在产品本身。背景为完全不透明的矩形画布，无透明通道，无黑角，无羽化切割边缘。画面中无人物、无花枝、无堆砌的东方符号、无金边装饰、无现有品牌标识、无水印。"}