{"id":"36455","prompt":"Please turn each uploaded photo into an independent high-end design poster, do not stitch images together, output each photo separately. Use a 3:4 vertical composition, split into two halves like a folded card, with the fold line exactly on the horizontal centerline, both halves equal height, do not draw the fold line itself.\n\nTop half retains the original photo, preserving subject identity, structure, pose, realistic texture, natural lighting, and original color atmosphere, only applying slight high-end color grading to give it an art magazine, indie publication, and exhibition image quality. To fit the aspect ratio, naturally extend the environment background but do not stretch, distort, or change the subject; crop as panorama, leave sky above the subject's head, do not crop the top. No text in the top half, all text appears only in the bottom half.\n\nBottom half extracts only the most recognizable **subject, outline, structure, pose, and narrative relationships** from the photo, reconstructing them as a **Flat Silhouette Still Life on a Dark Ground**. Do not copy the photo completely, but compress the subject and a few adjacent items into flat silhouettes without outlines or internal details, making the correspondence with the top photo immediately identifiable. **Must have several unoutlined flat silhouettes overlapping into a cluster standing on a solid dark background, with only one block noticeably brightest, popping out as if lit**, this defines the style, missing it fails.\n\nBottom half requires new artistic judgment. Even if the original has poor composition, messy background, or small subject, save it by **removing environment, converting to front/side view, moving scattered items close into a cluster**; arrange silhouettes of varying heights staggered, as if quietly placed on an invisible surface. If the photo is a scene (street, corridor, landscape, interior), take only the most representative single object or fragment, do not draw the rest, do not draw the whole scene.\n\nForm focuses on **unoutlined front/side silhouette blocks**: each shape expressed with one color block, soft edges with slight hand-cut undulations, almost no internal structure, only using darker same-color small blocks where necessary to indicate openings, gaps, or turns. People, animals, buildings, objects, plants, and landscapes are unified into flat front or side silhouettes, depth read only through occlusion and color shade, no perspective or projection.\n\nTexture is **fine dry-brush gouache granules**: dark background and each silhouette covered with very fine powdery speckles, making color surfaces soft and slightly velvety; stop here, no scratches, stains, folds, or aging effects.\n\nComposition uses **a medium-sized silhouette cluster + large dark negative space**. Bottom half drawn as **panorama**, as if photographer stepped back, subject complete with empty space around, smaller than intuition suggests; **leave sky** above subject, like mounting header wider than footer, nothing touches the central fold. Silhouette cluster slightly off-center, base line on invisible horizontal, other side left for text. Prefer things quietly crowded together rather than spread across the canvas.\n\nColor extracted from the top photo's most emotional hues, remixed into **deep ground plus low-saturation pink-grey blocks**: darkest photo color further dimmed keeping some hue as majority background; other colors desaturated mixed with grey/white becoming soft pink-grey blocks; only one block lifted brightest near warm-white, sole highlight. Adjust warmth/coolness per photo, avoid pure black, high saturation, and gradients.\n\nText minimal editorial intervention, any language, no fixed title. Only one short name or word taken from specific things, places, actions, or details in the photo, no subtitles or second lines; text very small, much smaller than subject, using **thin serif uppercase glyphs** in dark space beside silhouette cluster, color one shade lighter than brightest, separated by quiet distance. No generic inspirational slogans.\n\nOverall like a still life illustration in indie publication or art postcard: dark ground, unoutlined silhouettes, overlapping layers, one bright color plane and thin small text composing quiet, warm, slightly nocturnal atmosphere.\n\nAvoid full scene replication, filled backgrounds, cartoonish feel, template poster look, avoid isolated silhouettes, adding outlines, multiple equally bright blocks without focus, 3D lighting, vivid candy colors, and overly neat vector edges.","promptEn":"Please turn each uploaded photo into an independent high-end design poster, do not stitch images together, output each photo separately. Use a 3:4 vertical composition, split into two halves like a folded card, with the fold line exactly on the horizontal centerline, both halves equal height, do not draw the fold line itself.\n\nTop half retains the original photo, preserving subject identity, structure, pose, realistic texture, natural lighting, and original color atmosphere, only applying slight high-end color grading to give it an art magazine, indie publication, and exhibition image quality. To fit the aspect ratio, naturally extend the environment background but do not stretch, distort, or change the subject; crop as panorama, leave sky above the subject's head, do not crop the top. No text in the top half, all text appears only in the bottom half.\n\nBottom half extracts only the most recognizable **subject, outline, structure, pose, and narrative relationships** from the photo, reconstructing them as a **Flat Silhouette Still Life on a Dark Ground**. Do not copy the photo completely, but compress the subject and a few adjacent items into flat silhouettes without outlines or internal details, making the correspondence with the top photo immediately identifiable. **Must have several unoutlined flat silhouettes overlapping into a cluster standing on a solid dark background, with only one block noticeably brightest, popping out as if lit**, this defines the style, missing it fails.\n\nBottom half requires new artistic judgment. Even if the original has poor composition, messy background, or small subject, save it by **removing environment, converting to front/side view, moving scattered items close into a cluster**; arrange silhouettes of varying heights staggered, as if quietly placed on an invisible surface. If the photo is a scene (street, corridor, landscape, interior), take only the most representative single object or fragment, do not draw the rest, do not draw the whole scene.\n\nForm focuses on **unoutlined front/side silhouette blocks**: each shape expressed with one color block, soft edges with slight hand-cut undulations, almost no internal structure, only using darker same-color small blocks where necessary to indicate openings, gaps, or turns. People, animals, buildings, objects, plants, and landscapes are unified into flat front or side silhouettes, depth read only through occlusion and color shade, no perspective or projection.\n\nTexture is **fine dry-brush gouache granules**: dark background and each silhouette covered with very fine powdery speckles, making color surfaces soft and slightly velvety; stop here, no scratches, stains, folds, or aging effects.\n\nComposition uses **a medium-sized silhouette cluster + large dark negative space**. Bottom half drawn as **panorama**, as if photographer stepped back, subject complete with empty space around, smaller than intuition suggests; **leave sky** above subject, like mounting header wider than footer, nothing touches the central fold. Silhouette cluster slightly off-center, base line on invisible horizontal, other side left for text. Prefer things quietly crowded together rather than spread across the canvas.\n\nColor extracted from the top photo's most emotional hues, remixed into **deep ground plus low-saturation pink-grey blocks**: darkest photo color further dimmed keeping some hue as majority background; other colors desaturated mixed with grey/white becoming soft pink-grey blocks; only one block lifted brightest near warm-white, sole highlight. Adjust warmth/coolness per photo, avoid pure black, high saturation, and gradients.\n\nText minimal editorial intervention, any language, no fixed title. Only one short name or word taken from specific things, places, actions, or details in the photo, no subtitles or second lines; text very small, much smaller than subject, using **thin serif uppercase glyphs** in dark space beside silhouette cluster, color one shade lighter than brightest, separated by quiet distance. No generic inspirational slogans.\n\nOverall like a still life illustration in indie publication or art postcard: dark ground, unoutlined silhouettes, overlapping layers, one bright color plane and thin small text composing quiet, warm, slightly nocturnal atmosphere.\n\nAvoid full scene replication, filled backgrounds, cartoonish feel, template poster look, avoid isolated silhouettes, adding outlines, multiple equally bright blocks without focus, 3D lighting, vivid candy colors, and overly neat vector edges.","promptZh":"请将每张上传的照片独立转化为高端设计海报，不要拼接图像，需分别输出每张照片。采用 3:4 竖版构图，像折叠卡片一样分为上下两半，折痕线位于水平中心线上，两半高度相等，但不要画出折痕线本身。\n\n上半部分保留原始照片，保持主体的身份、结构、姿态、写实纹理、自然光照和原始色彩氛围，仅应用轻微的高端调色，赋予其艺术杂志、独立出版物和展览图片的质感。为了适应宽高比，自然地延伸环境背景，但不得拉伸、扭曲或改变主体；按全景方式裁剪，在主体头部上方留出天空，不要裁剪顶部。上半部分不包含任何文字，所有文字仅出现在下半部分。\n\n下半部分仅提取照片中**最具辨识度的主体、轮廓、结构、姿态和叙事关系**，将其重构为**深色背景上的扁平剪影静物**。不要完全复制照片，而是将主体和几个相邻物品压缩成无轮廓、无内部细节的扁平剪影，使其与上方照片的对应关系一目了然。**必须有多个无轮廓的扁平剪影重叠成一簇，立于纯色深色背景之上，其中只有一块明显最亮，仿佛被照亮般突出**，这定义了风格，缺失则失败。\n\n下半部分需要新的艺术判断。即使原图构图不佳、背景杂乱或主体较小，也要通过**移除环境、转换为正面/侧面视图、将分散的物品聚拢成一簇**来挽救画面；安排高低错落的剪影，仿佛安静地放置在不可见的表面上。如果照片是场景（街道、走廊、风景、室内），只取最具代表性的单个物体或片段，不绘制其余部分，不绘制整个场景。\n\n形式聚焦于**无轮廓的正面/侧面剪影块**：每个形状用单色块表达，边缘柔和带有轻微的手工切割起伏感，几乎没有内部结构，仅在必要时使用同色系的较深小块来表示开口、间隙或转折。人物、动物、建筑、物体、植物和景观统一为扁平的正面或侧面剪影，深度仅通过遮挡和色彩明暗来体现，无透视或投影。\n\n纹理为**细腻的干笔水粉颗粒感**：深色背景和每个剪影都覆盖着极细的粉末状斑点，使色彩表面显得柔和且略带天鹅绒质感；到此为止，不要划痕、污渍、褶皱或老化效果。\n\n构图采用**中等大小的剪影簇 + 大面积深色留白**。下半部分绘制为**全景**，仿佛摄影师后退一步，主体完整且周围有空隙，比直觉感觉的要小；在主体上方**留出天空**，如同装裱时页眉宽于页脚，没有任何元素触及中央折痕。剪影簇略微偏离中心，基线位于不可见的水平线上，另一侧留给文字。偏好安静聚集的元素，而非散布在整个画布上。\n\n颜色从上方照片中最具情感色彩的色调中提取，重新混合为**深色背景加低饱和度的粉灰色块**：将照片中最深的颜色进一步调暗，保留部分色相作为主要背景；其他颜色降低饱和度并与灰/白混合，成为柔和的粉灰色块；仅提升一块至接近暖白色的最亮处，作为唯一的高光。根据每张照片调整冷暖色调，避免纯黑、高饱和度和渐变。\n\n文字进行极简编辑干预，可使用任何语言，无固定标题。仅从照片中的特定事物、地点、动作或细节中选取一个简短的名称或单词，无副标题或第二行；文字非常小，远小于主体，使用**细衬线大写字母字形**，置于剪影簇旁的深色空间中，颜色比最亮块浅一度，保持安静的间距。不使用通用的励志标语。\n\n整体风格类似独立出版物或艺术明信片中的静物插画：深色背景、无轮廓剪影、重叠层次、一个明亮的色块和细小的文字，构成安静、温暖、略带夜色的氛围。\n\n避免完整场景复制、填满的背景、卡通感、模板化海报外观，避免孤立的剪影、添加轮廓、多个同等明亮的块而无焦点、3D 光照、鲜艳的糖果色以及过于整洁的矢量边缘。"}