{"id":"33596","prompt":"Please create each photo I upload into an independent, high-end design poster, no multi-image stitching, each photo output separately. The overall composition adopts a 3:4 vertical layout, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the screen. The upper part retains the original photo, maintaining the subject identity, structure, posture, real texture, natural light and shadow, and the original color atmosphere, with only slight high-end color grading to give it the texture of art magazines and exhibition images. To adapt to the frame, the environment background can be naturally expanded, but the subject must not be stretched, distorted, or changed. The lower part extracts only the most recognizable subject, outline, structure, posture, and narrative relationship from the photo, and reconstructs it into an architectural concept perspective sketch / architectural design presentation hand-drawing. Do not keep the full scene, do not copy the photo object by object; actively delete most of the background, surroundings, and irrelevant details, leaving only the core forms, spatial relationships, and visual memory points that best represent the original theme. The lower part re-evaluates the artistic judgment. Even if the original composition is poor, the background is messy, or the subject is small, it should be rescued into a valid work through deletion, reorganization, cropping, scale changes, and white space, truly giving the model the power to re-direct the scene. The drawing style uses freehand perspective line drawings + a small amount of selective color blocks. The lines are relaxed, restrained, slightly repetitive, and punctuated, allowing for a small number of auxiliary lines, extension lines, construction lines, and geometric reference lines of architectural drawings to form a clear sense of design deliberation. Color is only lightly applied in a few key parts to emphasize the subject, structural levels, local shadows, or spatial focuses, and other areas are mostly left unpainted. The screen must be centered on a large amount of conscious white space. The subject should be smaller and more refined, with large areas of other spaces left empty. White space is not just an empty background, but a part of the composition, forming a sense of breath, space, and rhythm together with the subject, line drawings, reference lines, shadows, and a small number of color blocks. The subject can be off-center, edge-aligned, partially cropped, or scaled down; it is better to draw less than to fill it up. A small amount of geometric shadow color blocks can be added to strengthen volume, depth, and spatial layers, but avoid heavy rendering, complex environments, and a realistic rendering feel. The background remains minimalist, retaining only a very small amount of necessary site suggestions. The color scheme extracts 2-4 of the most recognizable and vibrant colors from the photo above and rearranges them into a cleaner, more restrained, and appealing sketch color palette. The overall can be appropriately brightened, purified, and desaturated, mainly using off-white, light gray, warm gray, soft green, light wood color, light blue-gray, etc., with a small amount of more vivid but not dazzling accent colors reserved locally. Avoid dirty gray, dullness, excessive vintage feel, and cheap high-saturation. Text intervention is minimal and editorial, with no language restrictions. A few words, short phrases, or notes can be generated based on the subject, location, action, or emotion, quietly placed in the white space, forming a restrained graphic-text relationship with the image. The overall presentation is a high-end visual effect composed of architectural concept hand-drawings, free line drawings, geometric reference lines, a small number of color blocks, geometric shadows, massive white space, and editorial layout. Avoid complete scene retention, object-by-object duplication, complex backgrounds, full-frame coloring, realistic renderings, thick strokes, cartoonish feel, 3D feel, and template-like expressions.","promptEn":"Please create each photo I upload into an independent, high-end design poster, no multi-image stitching, each photo output separately. The overall composition adopts a 3:4 vertical layout, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the screen. The upper part retains the original photo, maintaining the subject identity, structure, posture, real texture, natural light and shadow, and the original color atmosphere, with only slight high-end color grading to give it the texture of art magazines and exhibition images. To adapt to the frame, the environment background can be naturally expanded, but the subject must not be stretched, distorted, or changed. The lower part extracts only the most recognizable subject, outline, structure, posture, and narrative relationship from the photo, and reconstructs it into an architectural concept perspective sketch / architectural design presentation hand-drawing. Do not keep the full scene, do not copy the photo object by object; actively delete most of the background, surroundings, and irrelevant details, leaving only the core forms, spatial relationships, and visual memory points that best represent the original theme. The lower part re-evaluates the artistic judgment. Even if the original composition is poor, the background is messy, or the subject is small, it should be rescued into a valid work through deletion, reorganization, cropping, scale changes, and white space, truly giving the model the power to re-direct the scene. The drawing style uses freehand perspective line drawings + a small amount of selective color blocks. The lines are relaxed, restrained, slightly repetitive, and punctuated, allowing for a small number of auxiliary lines, extension lines, construction lines, and geometric reference lines of architectural drawings to form a clear sense of design deliberation. Color is only lightly applied in a few key parts to emphasize the subject, structural levels, local shadows, or spatial focuses, and other areas are mostly left unpainted. The screen must be centered on a large amount of conscious white space. The subject should be smaller and more refined, with large areas of other spaces left empty. White space is not just an empty background, but a part of the composition, forming a sense of breath, space, and rhythm together with the subject, line drawings, reference lines, shadows, and a small number of color blocks. The subject can be off-center, edge-aligned, partially cropped, or scaled down; it is better to draw less than to fill it up. A small amount of geometric shadow color blocks can be added to strengthen volume, depth, and spatial layers, but avoid heavy rendering, complex environments, and a realistic rendering feel. The background remains minimalist, retaining only a very small amount of necessary site suggestions. The color scheme extracts 2-4 of the most recognizable and vibrant colors from the photo above and rearranges them into a cleaner, more restrained, and appealing sketch color palette. The overall can be appropriately brightened, purified, and desaturated, mainly using off-white, light gray, warm gray, soft green, light wood color, light blue-gray, etc., with a small amount of more vivid but not dazzling accent colors reserved locally. Avoid dirty gray, dullness, excessive vintage feel, and cheap high-saturation. Text intervention is minimal and editorial, with no language restrictions. A few words, short phrases, or notes can be generated based on the subject, location, action, or emotion, quietly placed in the white space, forming a restrained graphic-text relationship with the image. The overall presentation is a high-end visual effect composed of architectural concept hand-drawings, free line drawings, geometric reference lines, a small number of color blocks, geometric shadows, massive white space, and editorial layout. Avoid complete scene retention, object-by-object duplication, complex backgrounds, full-frame coloring, realistic renderings, thick strokes, cartoonish feel, 3D feel, and template-like expressions.","promptZh":"请将我上传的每张照片制作成独立的高端设计海报，不要进行多图拼接，每张照片单独输出。整体构图采用 3:4 竖版布局，上下区域高度比例严格为 1:1，各占画面 50%。上半部分保留原始照片，维持主体身份、结构、姿态、真实质感、自然光影以及原始色彩氛围，仅进行轻微的高端调色，使其呈现出艺术杂志和展览影像的质感。为适配画幅，环境背景可以自然延伸，但主体不得拉伸、变形或改变。下半部分仅提取照片中最具辨识度的主体、轮廓、结构、姿态和叙事关系，并将其重构为建筑概念视角草图 / 建筑设计展示手绘图。不要保留完整场景，不要逐一复制照片中的物体；主动删减大部分背景、环境及无关细节，仅保留最能代表原始主题的核心形态、空间关系和视觉记忆点。下半部分需重新进行艺术判断。即使原始构图不佳、背景杂乱或主体较小，也要通过删减、重组、裁剪、比例调整和留白，将其转化为有效的作品，真正赋予模型重新引导场景的能力。绘画风格采用手绘透视线条画 + 少量选择性色块。线条要放松、克制、略带重复且有顿挫感，允许出现少量建筑图纸的辅助线、延伸线、构造线和几何参考线，以形成清晰的设计推敲感。色彩仅在少数关键部位轻微点缀，以强调主体、结构层次、局部阴影或空间焦点，其余区域大部分留白。画面必须以大量的刻意留白为中心。主体应更小、更精致，其他空间留出大面积空白。留白不仅仅是空背景，而是构图的一部分，与主体、线条画、参考线、阴影和少量色块共同形成呼吸感、空间感和节奏感。主体可以偏心、边缘对齐、局部裁剪或缩小；宁可画得少，也不要填满。可以添加少量几何阴影色块来增强体积感、深度和空间层次，但要避免厚重的渲染、复杂的环境和写实渲染感。背景保持极简，仅保留极少量的必要场地暗示。配色方案从上方的照片中提取 2-4 种最具辨识度且鲜活的颜色，并将其重新整理为更干净、更克制、更具吸引力的草图调色板。整体可以适当提亮、净化和降低饱和度，主要使用米白色、浅灰色、暖灰色、柔和绿、浅木色、浅蓝灰等，局部保留少量更鲜艳但不刺眼的强调色。避免脏灰色、沉闷感、过度的复古感和廉价的高饱和度。文字介入应极简且具有编辑感，不限语言。可以根据主题、地点、动作或情绪生成少量单词、短语或注释，静谧地放置在留白处，与图像形成克制的图文关系。整体呈现出由建筑概念手绘、自由线条画、几何参考线、少量色块、几何阴影、大量留白和编辑排版组成的高端视觉效果。避免完整场景保留、逐一复制物体、复杂背景、全画幅填色、写实渲染、粗线条、卡通感、3D 感和模板化表达。"}