{"id":"33411","prompt":"Please turn each photo I upload into an independent high-end design poster, not a multi-image collage, with each photo output separately. The overall composition is a 3:4 vertical layout, with the upper and lower regions strictly 1:1 in height, each occupying 50% of the frame.\n\nThe upper part retains the original photo, maintaining the subject's identity, structure, posture, real texture, natural light and shadow, and original color atmosphere, with only slight high-end color grading to give it the texture of an art magazine, independent publication, or exhibition image. To adapt to the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed.\n\nThe lower part first understands the most memorable **subject, basic composition, perspective relationship, structural trend, visual memory points, and overall atmosphere** of the original photo, and then reconstructs it into a minimalist pixel landscape with a sense of material collage. Instead of completely copying the photo, delete irrelevant details and only keep the structures, trends, and visual memory points that best represent the original, summarizing them through the order of regular blocks and the texture of natural materials, so that people can instantly recognize its correspondence with the photo above.\n\nPixel modules are not standard digital color blocks, but like **small square and near-square fragments cut from rough shells, shell flakes, or natural mineral shell layers**. Maintain a clear geometric grid order, but the edges can be slightly chipped or not perfectly regular, with surfaces featuring natural bedding, powdery particles, slight bumps, wear, and uneven colors, mainly with a matte, natural, and gentle material feel. The core area of the subject is formed by relatively dense modules, with edges gradually decreasing, missing, breaking, and floating, allowing the form to naturally dissipate from clarity into white space. Strictly control the total number of modules to no more than 200, with individual module sizes being uniform or close to uniform, avoiding fine noise, standard mosaics, and a game pixel feel.\n\nThe composition maintains a relationship between **small-scale stamps and large areas of white space**, freely arranging positions based on the subject's own direction, proportion, and visual center, which can be off-center, edge-aligned, suspended, or partially cropped. The subject occupies about 30%–45% of the lower part, with the remaining space intentionally left blank. White space is not just a blank background, but a constituent element as important as the subject, module density, and disappearing boundaries, establishing a sense of breath, space, and pause through positive and negative forms, density, gathering and scattering, and asymmetric balance. It is better to delete information than to fill the screen, making the subject like a material stamp carefully placed on a large sheet of paper.\n\nThe color scheme extracts **the brightest, most vivid, and most vital colors from the upper photo and retunes them**, instead of taking average colors or faithfully copying original color values. Moderately increase brightness, purity, and transparency, naturally deriving clear sky blue, lake cyan, tender green, warm yellow, coral orange, peach pink, and other bright comprehensive colors from the original image, forming a warm and healing color rhythm through refreshing cold and warm relationships. Use a large amount of pure warm white or very light near-white coordinated with the original image's composite color temperature as a breathing space. The main colors are bright and energetic but not glaring, with local warm orange, golden yellow, coral red, or soft pink serving as sun-like highlight colors. Retain the slight natural color difference and bedding of the shell material itself, but avoid turning gray, old, or dirty. Avoid gray and dirty, old, low-saturation Morandi-style, dark brown filters, gloomy earth tones, fluorescent colors, and a cheap candy feel.\n\nText only makes minimal editorial intervention, with no language restrictions and no preset fixed titles or numbers. A small amount of words or short phrases can be freely extracted from the photo's subject, location, action, emotion, or metaphor, placed quietly in the white space or at the edge of the subject, forming a refined graphic relationship with the material modules without overwhelming the main subject.\n\nThe overall presentation is a high-end visual effect composed of **natural material collage, shell-textured pixels, regular geometric order, progressive fading, small-scale stamps, large-area artistic white space, and modern editorial layout**, more like a reconstructed poster from a contemporary material art and design studio rather than a common digital pixel painting. Avoid full duplication of photos, complex backgrounds, real details, standard solid color blocks, smooth vectors, plastic mosaics, strong pearlescence, game UI feel, filled screens, excessive text, and templated effects.","promptEn":"Please turn each photo I upload into an independent high-end design poster, not a multi-image collage, with each photo output separately. The overall composition is a 3:4 vertical layout, with the upper and lower regions strictly 1:1 in height, each occupying 50% of the frame.\n\nThe upper part retains the original photo, maintaining the subject's identity, structure, posture, real texture, natural light and shadow, and original color atmosphere, with only slight high-end color grading to give it the texture of an art magazine, independent publication, or exhibition image. To adapt to the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed.\n\nThe lower part first understands the most memorable **subject, basic composition, perspective relationship, structural trend, visual memory points, and overall atmosphere** of the original photo, and then reconstructs it into a minimalist pixel landscape with a sense of material collage. Instead of completely copying the photo, delete irrelevant details and only keep the structures, trends, and visual memory points that best represent the original, summarizing them through the order of regular blocks and the texture of natural materials, so that people can instantly recognize its correspondence with the photo above.\n\nPixel modules are not standard digital color blocks, but like **small square and near-square fragments cut from rough shells, shell flakes, or natural mineral shell layers**. Maintain a clear geometric grid order, but the edges can be slightly chipped or not perfectly regular, with surfaces featuring natural bedding, powdery particles, slight bumps, wear, and uneven colors, mainly with a matte, natural, and gentle material feel. The core area of the subject is formed by relatively dense modules, with edges gradually decreasing, missing, breaking, and floating, allowing the form to naturally dissipate from clarity into white space. Strictly control the total number of modules to no more than 200, with individual module sizes being uniform or close to uniform, avoiding fine noise, standard mosaics, and a game pixel feel.\n\nThe composition maintains a relationship between **small-scale stamps and large areas of white space**, freely arranging positions based on the subject's own direction, proportion, and visual center, which can be off-center, edge-aligned, suspended, or partially cropped. The subject occupies about 30%–45% of the lower part, with the remaining space intentionally left blank. White space is not just a blank background, but a constituent element as important as the subject, module density, and disappearing boundaries, establishing a sense of breath, space, and pause through positive and negative forms, density, gathering and scattering, and asymmetric balance. It is better to delete information than to fill the screen, making the subject like a material stamp carefully placed on a large sheet of paper.\n\nThe color scheme extracts **the brightest, most vivid, and most vital colors from the upper photo and retunes them**, instead of taking average colors or faithfully copying original color values. Moderately increase brightness, purity, and transparency, naturally deriving clear sky blue, lake cyan, tender green, warm yellow, coral orange, peach pink, and other bright comprehensive colors from the original image, forming a warm and healing color rhythm through refreshing cold and warm relationships. Use a large amount of pure warm white or very light near-white coordinated with the original image's composite color temperature as a breathing space. The main colors are bright and energetic but not glaring, with local warm orange, golden yellow, coral red, or soft pink serving as sun-like highlight colors. Retain the slight natural color difference and bedding of the shell material itself, but avoid turning gray, old, or dirty. Avoid gray and dirty, old, low-saturation Morandi-style, dark brown filters, gloomy earth tones, fluorescent colors, and a cheap candy feel.\n\nText only makes minimal editorial intervention, with no language restrictions and no preset fixed titles or numbers. A small amount of words or short phrases can be freely extracted from the photo's subject, location, action, emotion, or metaphor, placed quietly in the white space or at the edge of the subject, forming a refined graphic relationship with the material modules without overwhelming the main subject.\n\nThe overall presentation is a high-end visual effect composed of **natural material collage, shell-textured pixels, regular geometric order, progressive fading, small-scale stamps, large-area artistic white space, and modern editorial layout**, more like a reconstructed poster from a contemporary material art and design studio rather than a common digital pixel painting. Avoid full duplication of photos, complex backgrounds, real details, standard solid color blocks, smooth vectors, plastic mosaics, strong pearlescence, game UI feel, filled screens, excessive text, and templated effects.","promptZh":"请将我上传的每一张照片转化为独立的高端设计海报，而非多图拼贴，每张照片需单独输出。整体构图采用 3:4 竖版布局，上下区域高度严格保持 1:1，各占画面 50%。\n\n上部保留原始照片，维持主体的身份、结构、姿态、真实质感、自然光影及原始色彩氛围，仅进行轻微的高端调色，使其具备艺术杂志、独立出版物或展览影像的质感。为适应画幅，环境背景可自然延伸，但主体不得拉伸、变形或改变。\n\n下部首先理解原照片中最令人难忘的**主体、基本构图、透视关系、结构趋势、视觉记忆点及整体氛围**，随后将其重构为具有材质拼贴感的极简像素景观。不要完全复制照片，应删除无关细节，仅保留最能代表原图的结构、趋势和视觉记忆点，通过规则方块的排列和天然材质的纹理进行概括，使人们能瞬间识别其与上方照片的对应关系。\n\n像素模块并非标准的数字色块，而像是**从粗糙贝壳、贝壳薄片或天然矿物贝壳层上切割下来的小方块及近方块碎片**。保持清晰的几何网格秩序，但边缘可略有缺损或不完全规则，表面呈现天然层理、粉末颗粒、轻微凹凸、磨损及色泽不均，主要呈现哑光、自然且温润的材质感。主体核心区域由相对密集的模块构成，边缘逐渐减少、缺失、破碎并漂浮，使形态从清晰自然地消散至留白中。严格控制模块总数不超过 200 个，单个模块尺寸统一或接近统一，避免细碎噪点、标准马赛克及游戏像素感。\n\n构图保持**小尺度印章与大面积留白**的关系，根据主体自身的朝向、比例和视觉中心自由安排位置，可以是偏心、边缘对齐、悬浮或局部裁剪。主体占据下部约 30%–45% 的空间，其余空间刻意留白。留白不仅是空白背景，更是与主体、模块密度和消散边界同等重要的构成元素，通过正负形、疏密、聚散及非对称平衡，建立呼吸感、空间感和停顿感。宁可删除信息也不要填满画面，使主体如同被精心放置在大幅纸张上的材质印章。\n\n配色方案提取**原照片中最明亮、最生动、最具生命力的色彩并进行重调**，而非取平均色或忠实复制原始色值。适度提高亮度、纯度和透明度，从原图中自然衍生出清澈的天空蓝、湖泊青、嫩芽绿、暖黄色、珊瑚橙、蜜桃粉等明亮的综合色彩，通过清爽的冷暖关系形成温暖治愈的色彩节奏。使用大量纯暖白或极浅的近白色，配合原图的复合色温作为呼吸空间。主色调明亮有活力但不刺眼，局部点缀暖橙、金黄、珊瑚红或柔粉色作为如阳光般的提亮色。保留贝壳材质本身的轻微自然色差和层理，但避免发灰、陈旧或脏感。拒绝灰暗、陈旧、低饱和度的莫兰迪色系、深棕色滤镜、阴郁的大地色、荧光色以及廉价的糖果感。\n\n文字仅进行极简的编辑干预，无语言限制，无预设的固定标题或数字。可从照片的主体、地点、动作、情绪或隐喻中自由提取少量词汇或短语，安静地放置在留白处或主体边缘，与材质模块形成精致的图形关系，而不喧宾夺主。\n\n整体呈现为由**天然材质拼贴、贝壳纹理像素、规则几何秩序、渐进式消散、小尺度印章、大面积艺术留白及现代编辑排版**构成的高端视觉效果，更像是一张当代材质艺术与设计工作室重构的海报，而非普通的数字像素画。避免照片的完全复制、复杂背景、真实细节、标准纯色块、平滑矢量、塑料马赛克、强珠光感、游戏 UI 感、填满画面、文字过多及模板化效果。"}