{"id":"32443","prompt":"9:16 vertical version, modern oriental female dreamscape 3D paper-cut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, poetic female dreamscape, contemporary oriental art poster. The theme of the work is 'She opens a skylight amidst the Guilin landscape.' An adult oriental woman, visual age approximately 24, cool, ethereal, quiet, and awake, stands alone on a circular waterside viewing platform amidst paper-sculpted mountains and waters. She has a delicate oval face, bright almond eyes, and a soft yet focused expression; she stands with her side and back to the camera, looking up slightly at a giant circular paper window in the distance. Her long black hair is half-down and half-up, with strands naturally connecting to slender vine-like paper strips, adorned with small light-gold flowers and crescent moon hair accessories. She wears a layered paper art gown in shades of cyan and moon white, with the hem featuring hollowed-out patterns of waves, peaks, clouds, and fine flower branches; her outer silk scarf is light and slender, flowing naturally behind her in the valley breeze. The clothing exhibits clear paper thickness, fiber texture, finely cut edges, slight creases, and exquisite light-gold outlines. The dream medium is a giant circular paper window floating deep within the mountain peaks. The entire composition uses a 'circular window peeking into a dream' style. The foreground is a circular paper art viewing platform protruding from the mountain edge, with exquisite hollowed-out railings, curved steps, paper-sculpted branches, and a few moon-white flowers. The character is positioned relatively small on the left side of the platform, serving only as an emotional anchor in the vast landscape. The midground is an open, quiet paper-sculpted lake surface extending from the character's feet into the distance. The lake is composed of multiple layers of light cyan, lake blue, and moon-white paper; water ripples appear as layered, long arcs cut by hand, with clear paper-sculpted floating structures and delicate reflections. Only a few tiny paper boats appear on the lake; one with an oriental pavilion roof is in the right midground, and a smaller shadow of a boat is further away to enhance scale and depth. Numerous Guilin karst-style paper-carved peaks rise on both sides of the lake. The peaks are slender, steep, and staggered in layers, transitioning from deep ink-green in the foreground to cyan, misty blue, and moon-white silhouettes in the background, creating a distinct depth-of-field. All peaks are made of multiple paper layers with light-gold lines and fiber textures on the edges; avoid realistic rock textures. In the upper middle part of the screen is an extremely giant circular paper-carved skylight, floating or embedded between the peaks, much larger in scale than the character. The circular window consists of several layers of ivory, moon-white, and light-cyan paper rings, with edges featuring fine vines, flower branches, cloud patterns, and hollowed-out botanical motifs. The interior of the window is not a simple void but looks as if another world is being opened. Through the giant window, more distant paper-carved peaks, clouds, morning light, and flying birds can be seen, forming a second world of 'mountains and rivers behind the window.' The distant peaks gradually vanish into bright mist and sky light, making the circular window look like an entrance to another layer of the landscape dream. Dream imagery includes: karst peaks, lake surface, paper boats, birds, clouds, giant circular window. All characters, mountains, water, branches, boats, clouds, and windows must be unified in a high-finish 3D paper sculpture language. The overall color scheme is dominated by turquoise, ink green, moon white, and light gold, with hints of pale pink. Foreground peaks use deep ink green and peacock blue; midground landscape uses turquoise and lake blue; the background transitions to light cyan, moon white, and warm white. Light gold is used for window edges, dress hems, water ripples, and mountain ridge highlights; pale pink is only used for a very small number of distant shore flower trees or foreground flowers. Colors are slightly more vivid than traditional ink wash but remain clear, sophisticated, and quiet—not greyish, muddy green, or uniformly blue. The lighting uses soft and bright morning sky light, shining obliquely from behind and above-right of the giant window. The interior of the window becomes the brightest area, with light extending along the lake, creating delicate rim light on the character's profile, shoulders, hair, dress, and the edges of the water and mountains. Paper-sculpted peaks and water edges are slightly translucent, while dark parts maintain ink-green paper textures. Enhance realistic paper art textures: clear paper fibers, paper layer thickness, hand-cut edges, slight creases, soft shadows between layers, hollowed patterns, and semi-transparent thin paper edges. No ordinary CG landscapes, no real people standing in paper-cut backgrounds. The composition highlights the triple space of 'peaks—lake—giant window': the character is small, the lake is wide, the peaks extend in layers, and the window is giant and distant. The image has the sense of 'white space' (liubai) from oriental landscape art, combined with the mystery and epic scale of a dream entrance. The overall mood is: awake, ethereal, quiet, vast, and discovering another world. The image should look like a high-finish large-scale oriental landscape paper sculpture art installation rather than a common Guilin travel illustration. Negative prompts: realistic photography, ordinary anime, plastic 3D, resin, clay, children's crafts, common landscape illustration, travel poster, realistic rocky peaks, character too large, character close-up, window too small, lake too narrow, insufficient peak layers, too many paper boats, too many buildings, crowded elements, no depth, no blank space, overall greyish, muddy green, uniform blue filter, dead black shadows, messy paper layers, blurred paper edges, material disconnect between character and background, text, logo, watermark."}