{"id":"32441","prompt":"A high-completion, photorealistic extreme close-up beauty portrait of a young adult Chinese woman. The subject is approximately 20–26 years old with natural and distinct Chinese female features. The overall temperament is pure, beautiful, clean, soft, agile, and enduringly attractive, with a clear sense of adulthood, not juvenile, not Westernized, not stylized like a generic influencer, and not replicating the specific bone structure of any reference figure, only drawing from ideal skin clarity, eye brightness, delicate pink-toned makeup relationship, close-up lens language, and soft-light beauty photography atmosphere. The character features a 'Type B | Bright-Eyed Cinematic Face.' The face shape and bone structure are a slightly elongated, soft oval, with a full forehead, light cheekbone support, a naturally full mid-face, and a clear yet soft jawline. The overall structure maintains a realistic and reasonable Oriental soft bone structure: naturally full forehead, smooth temples, cheekbones with slight support but not excessive outward expansion, naturally full mid-face, clear and soft jawline, and a delicate but not overly sharp chin, with soft and smooth facial lines, maintaining the aestheticized real-person structure of young Chinese women. The eye design consists of large, bright Oriental almond eyes, with a gradient iris from tea-brown to tea-amber brown, clear aegyo-sal (under-eye bags), and large window-shaped catchlights. The subject has large, bright Oriental almond eyes, horizontally stretched and with a relatively large vertical opening but maintaining real-person proportions, natural and soft double eyelid folds, and clear, soft aegyo-sal; the iris is a transparent tea-brown to tea-amber brown gradient with fine, realistic radial textures, a clear pupil border, and a natural dark brown outer ring. Under large-area frontal soft-light illumination, the light-receiving area of the iris shows subtle levels of honey brown and amber brown. The sclera is bright and clear but not pure white, the cornea is moist and transparent, the inner corners are slightly damp, and the lower eyelid retains an extremely fine, realistic waterline. Both eyes have large window-shaped or rectangular soft-light reflection highlights, making the eyes bright, transparent, moist, soulful, and clear overall, becoming the primary visual center of the portrait. The nose and lips are designed with a delicate, straight bridge, a small and rounded tip, soft cherry lips, and a slightly full lower lip. The root of the nose is natural, the bridge is slender and straight but not excessively sharp, the tip is small and rounded, and the nostrils are contained but retain real structure; the lips are naturally soft with a gentle Cupid's bow, the lower lip is slightly full, retaining slight realistic lip lines, with a soft, moist, and not overly glass-like delicate glow. The skin uses low-frequency, high-clarity cool white porcelain beauty real-person skin. The skin tone is a high-brightness, low-saturation, neutral-to-cool porcelain white base, overall white, pure, and bright, significantly reducing yellow, gray, earthy, and fleshy tones; large areas of the cheeks, forehead, and chin maintain a low-frequency, smooth, quiet, and delicate skin surface, with almost no visible large pores, rough particles, or high-frequency skin noise. Skin realism does not rely on large areas of pores and textures, but is mainly reflected through natural facial structures, subcutaneous light transmission, continuous light and shadow changes, and extremely slight real micro-structures around the nose, eyes, and lips. Large areas of the face remain cool and clean porcelain white, with very low concentrations of pale pink blood color retained only around the eyes, under the eyes, in a small area at the center of the apple muscles, the tip of the nose, and the lips, forming a color relationship where 'white is the main body and pink is the accent.' The forehead, bridge of the nose, apple muscles, and Cupid's bow have wide, soft micro-glows; the skin appears white, delicate, soft, moist, and transparent, but never plastic, never wax-like, and never CG-stylized. The makeup uses low-concentration pink-toned beauty close-up makeup, with pink concentrated around the eyes, under the eyes, and on the lips. The eye area is softly blended with light pink apricot, peach pink, or light tea pink, with a soft pink response between the upper and lower eyelids; the corners of the eyes are slightly extended with an extremely fine natural eyeliner; eyelashes are dark brownish-black or deep brownish-black, slender, well-defined, and naturally curled, with enough presence to form local contrast for the eyes. Blush is only softly concentrated in a small area under the eyes and the center of the apple muscles, not covering the cheeks in a large area. The lips use low-saturation tender pink, bean paste tender pink, or peach pink, presenting a delicate, soft, moist, lightly reflective, and lightly realistic lip line effect. The hairstyle is deep brownish-black smooth long hair, naturally parted in the middle, with a small amount of stray hair on the sides of the ears. The hair strands maintain a real-person photographic texture and a moderate amount of high-frequency detail, with individual strands naturally discernible, without plastic hair strands, wig feel, or hair-piece-style CG edges; the hair overall should not overshadow the subject but serve as a soft foil for the face. Photography uses 100mm extreme close-up frontal beauty portraiture, high-key soft light, and a cool gray-blue background. Using 100mm telephoto beauty portrait lens language to avoid wide-angle perspective distortion. The subject's face occupies about 70%–90% of the frame, with the eyes located in the upper visual center area. Focus is prioritized on the eyes, iris, and eyelashes, with the lips secondary in clarity, and the ears and back hair slightly blurred. The overall image follows the photographic principle of 'low-frequency skin + high-frequency features': large areas of skin have lower local contrast, while key facial features—especially eyelashes, iris, pupils, eyeliner, lip lines, and hair strands—maintain high realism and clarity. Lighting uses a high-key frontal beauty soft light system: a super large soft light source is positioned directly in front of the camera, slightly above the subject's eyes and close to the subject, shining softly downwards, combined with low-intensity soft fill light, making the face overall bright and even, with very shallow and clean shadows in the eye sockets, nose, under the eyes, and under the jaw. Skin highlights are wide and soft, white and transparent but not blown-out white, and shadows remain neutral or slightly cool, not yellowing, not grayish-green, and not dirty. The background uses low-saturation cool gray-blue, with brightness about half to one stop lower than the subject's face, maintaining high simplicity and weakening to highlight the subject's skin tone as whiter, more transparent, and purer. The aspect ratio is 9:16. The overall effect should present: a high-clarity Chinese porcelain-white pure beauty with real-person photographic authenticity, skin that is quiet, white, delicate, and low-frequency, eyes that are bright, moist, transparent, and rich in optical layers, makeup that is light and pink-toned, with the overall look being both realistic and possessing the high-class feel of a high-completion beauty close-up, without producing a plastic, CG, influencer, or uniform high-definition studio feel.","promptEn":"A high-completion, photorealistic extreme close-up beauty portrait of a young adult Chinese woman. The subject is approximately 20–26 years old with natural and distinct Chinese female features. The overall temperament is pure, beautiful, clean, soft, agile, and enduringly attractive, with a clear sense of adulthood, not juvenile, not Westernized, not stylized like a generic influencer, and not replicating the specific bone structure of any reference figure, only drawing from ideal skin clarity, eye brightness, delicate pink-toned makeup relationship, close-up lens language, and soft-light beauty photography atmosphere. The character features a 'Type B | Bright-Eyed Cinematic Face.' The face shape and bone structure are a slightly elongated, soft oval, with a full forehead, light cheekbone support, a naturally full mid-face, and a clear yet soft jawline. The overall structure maintains a realistic and reasonable Oriental soft bone structure: naturally full forehead, smooth temples, cheekbones with slight support but not excessive outward expansion, naturally full mid-face, clear and soft jawline, and a delicate but not overly sharp chin, with soft and smooth facial lines, maintaining the aestheticized real-person structure of young Chinese women. The eye design consists of large, bright Oriental almond eyes, with a gradient iris from tea-brown to tea-amber brown, clear aegyo-sal (under-eye bags), and large window-shaped catchlights. The subject has large, bright Oriental almond eyes, horizontally stretched and with a relatively large vertical opening but maintaining real-person proportions, natural and soft double eyelid folds, and clear, soft aegyo-sal; the iris is a transparent tea-brown to tea-amber brown gradient with fine, realistic radial textures, a clear pupil border, and a natural dark brown outer ring. Under large-area frontal soft-light illumination, the light-receiving area of the iris shows subtle levels of honey brown and amber brown. The sclera is bright and clear but not pure white, the cornea is moist and transparent, the inner corners are slightly damp, and the lower eyelid retains an extremely fine, realistic waterline. Both eyes have large window-shaped or rectangular soft-light reflection highlights, making the eyes bright, transparent, moist, soulful, and clear overall, becoming the primary visual center of the portrait. The nose and lips are designed with a delicate, straight bridge, a small and rounded tip, soft cherry lips, and a slightly full lower lip. The root of the nose is natural, the bridge is slender and straight but not excessively sharp, the tip is small and rounded, and the nostrils are contained but retain real structure; the lips are naturally soft with a gentle Cupid's bow, the lower lip is slightly full, retaining slight realistic lip lines, with a soft, moist, and not overly glass-like delicate glow. The skin uses low-frequency, high-clarity cool white porcelain beauty real-person skin. The skin tone is a high-brightness, low-saturation, neutral-to-cool porcelain white base, overall white, pure, and bright, significantly reducing yellow, gray, earthy, and fleshy tones; large areas of the cheeks, forehead, and chin maintain a low-frequency, smooth, quiet, and delicate skin surface, with almost no visible large pores, rough particles, or high-frequency skin noise. Skin realism does not rely on large areas of pores and textures, but is mainly reflected through natural facial structures, subcutaneous light transmission, continuous light and shadow changes, and extremely slight real micro-structures around the nose, eyes, and lips. Large areas of the face remain cool and clean porcelain white, with very low concentrations of pale pink blood color retained only around the eyes, under the eyes, in a small area at the center of the apple muscles, the tip of the nose, and the lips, forming a color relationship where 'white is the main body and pink is the accent.' The forehead, bridge of the nose, apple muscles, and Cupid's bow have wide, soft micro-glows; the skin appears white, delicate, soft, moist, and transparent, but never plastic, never wax-like, and never CG-stylized. The makeup uses low-concentration pink-toned beauty close-up makeup, with pink concentrated around the eyes, under the eyes, and on the lips. The eye area is softly blended with light pink apricot, peach pink, or light tea pink, with a soft pink response between the upper and lower eyelids; the corners of the eyes are slightly extended with an extremely fine natural eyeliner; eyelashes are dark brownish-black or deep brownish-black, slender, well-defined, and naturally curled, with enough presence to form local contrast for the eyes. Blush is only softly concentrated in a small area under the eyes and the center of the apple muscles, not covering the cheeks in a large area. The lips use low-saturation tender pink, bean paste tender pink, or peach pink, presenting a delicate, soft, moist, lightly reflective, and lightly realistic lip line effect. The hairstyle is deep brownish-black smooth long hair, naturally parted in the middle, with a small amount of stray hair on the sides of the ears. The hair strands maintain a real-person photographic texture and a moderate amount of high-frequency detail, with individual strands naturally discernible, without plastic hair strands, wig feel, or hair-piece-style CG edges; the hair overall should not overshadow the subject but serve as a soft foil for the face. Photography uses 100mm extreme close-up frontal beauty portraiture, high-key soft light, and a cool gray-blue background. Using 100mm telephoto beauty portrait lens language to avoid wide-angle perspective distortion. The subject's face occupies about 70%–90% of the frame, with the eyes located in the upper visual center area. Focus is prioritized on the eyes, iris, and eyelashes, with the lips secondary in clarity, and the ears and back hair slightly blurred. The overall image follows the photographic principle of 'low-frequency skin + high-frequency features': large areas of skin have lower local contrast, while key facial features—especially eyelashes, iris, pupils, eyeliner, lip lines, and hair strands—maintain high realism and clarity. Lighting uses a high-key frontal beauty soft light system: a super large soft light source is positioned directly in front of the camera, slightly above the subject's eyes and close to the subject, shining softly downwards, combined with low-intensity soft fill light, making the face overall bright and even, with very shallow and clean shadows in the eye sockets, nose, under the eyes, and under the jaw. Skin highlights are wide and soft, white and transparent but not blown-out white, and shadows remain neutral or slightly cool, not yellowing, not grayish-green, and not dirty. The background uses low-saturation cool gray-blue, with brightness about half to one stop lower than the subject's face, maintaining high simplicity and weakening to highlight the subject's skin tone as whiter, more transparent, and purer. The aspect ratio is 9:16. The overall effect should present: a high-clarity Chinese porcelain-white pure beauty with real-person photographic authenticity, skin that is quiet, white, delicate, and low-frequency, eyes that are bright, moist, transparent, and rich in optical layers, makeup that is light and pink-toned, with the overall look being both realistic and possessing the high-class feel of a high-completion beauty close-up, without producing a plastic, CG, influencer, or uniform high-definition studio feel.","promptZh":"一张高完成度、写实风格的年轻中国女性超近景美学人像。主体年龄约为 20 至 26 岁，具备自然且鲜明的中国女性特征。整体气质纯净、优美、干净、柔和、灵动且耐看，具有清晰的成年感，非幼态、非西化、非网红脸，不复刻任何特定参考对象的骨相，仅汲取理想的皮肤通透度、明亮的眼神、细腻的粉调妆容关系、近摄镜头语言以及柔光美学摄影氛围。角色采用“B 型 | 明眸电影感面孔”。脸型与骨相为略长的柔和椭圆，额头饱满，颧骨支撑力适中，中庭自然饱满，下颌线清晰而柔和。整体结构保持写实且合理的东方柔和骨相：额头自然饱满，太阳穴平滑，颧骨有微弱支撑但不过度外扩，中庭自然饱满，下颌线清晰柔和，下巴精致但不尖锐，面部线条柔和流畅，保持年轻中国女性审美化的真人结构。眼部设计为大而明亮的东方杏眼，虹膜呈现从茶棕色到茶琥珀色的渐变，拥有清晰的卧蚕和大型窗户状高光。主体拥有大而明亮的东方杏眼，横向拉长且纵向开口度适中，保持真人比例，双眼皮褶皱自然柔和，卧蚕清晰柔和；虹膜为透明的茶棕色至茶琥珀色渐变，带有细腻写实的放射状纹理，瞳孔边缘清晰，并带有自然的深棕色外环。在大面积正面柔光照射下，虹膜受光区呈现出微妙的蜂蜜棕与琥珀棕层次。巩膜明亮清晰但不死白，角膜湿润透明，内眼角微湿，下眼睑保留极细微且写实的泪线。双眼均有大型窗户状或长方形柔光反光高光，使双眼整体明亮、通透、湿润、有神，成为人像的视觉中心。鼻唇设计为精致直鼻，鼻头圆润小巧，樱桃小嘴，下唇微丰。鼻根自然，鼻梁细直但不突兀，鼻头小巧圆润，鼻翼收敛但保留真实结构；唇部自然柔软，唇峰柔和，下唇微丰，保留轻微写实的唇纹，呈现柔和、湿润、非玻璃质感的精致光泽。皮肤采用低频、高清晰度的冷白瓷感真人肤质。肤色为高亮度、低饱和度、中性偏冷的瓷白色基调，整体白皙、纯净、明亮，显著减少黄色、灰色、土色及肉色调；脸颊、额头及下巴大面积保持低频、平滑、静谧且细腻的皮肤表面，几乎无可见的大毛孔、粗糙颗粒或高频皮肤噪点。皮肤写实感不依赖大面积的毛孔与纹理，主要通过自然的脸部结构、皮下透光、连续的光影变化以及鼻翼、眼周、唇周极细微的真实微结构来体现。面部大面积保持冷净的瓷白色，仅在眼周、眼下、苹果肌中心小范围、鼻尖及唇部保留极低浓度的淡粉色血色，形成“以白为主，以粉为辅”的色彩关系。额头、鼻梁、苹果肌及唇峰有宽广柔和的微光；皮肤看起来白皙、细腻、柔和、湿润且通透，绝无塑料感、蜡像感或 CG 风格。妆容采用低浓度粉调美学近摄妆，粉色集中在眼周、眼下及唇部。眼部柔和晕染浅粉杏、桃粉或浅茶粉色，上下眼睑间有柔和的粉色呼应；眼尾用极细的自然眼线轻微拉长；睫毛为深棕黑色或深褐黑色，纤长、根根分明且自然卷翘，具备足够的视觉存在感以形成局部的眼部对比。腮红仅在眼下及苹果肌中心小范围柔和晕染，不进行大面积覆盖。唇部采用低饱和度嫩粉、豆沙嫩粉或桃粉色，呈现精致、柔和、湿润、微反光且带有轻微写实唇纹的效果。发型为深棕黑色顺滑长发，自然中分，耳侧有少量碎发。发丝保持真人摄影质感，具备适量的高频细节，单根发丝自然可辨，无塑料发丝、假发感或发片式的 CG 边缘；头发整体不喧宾夺主，作为面部的柔和衬托。摄影采用 100mm 超近景正面美学人像，高调柔光，冷灰蓝色背景。使用 100mm 长焦美学人像镜头语言以避免广角透视畸变。主体面部占据画面的 70%–90%，双眼位于上方视觉中心区域。对焦优先于双眼、虹膜及睫毛，唇部清晰度次之，耳部及后方头发轻微虚化。整体图像遵循“低频皮肤 + 高频特征”的摄影原则：大面积皮肤具有较低的局部对比度，而关键面部特征——尤其是睫毛、虹膜、瞳孔、眼线、唇纹及发丝——保持高写实度与清晰度。布光采用高调正面美学柔光系统：超大柔光光源置于相机正前方，略高于主体双眼且靠近主体，柔和向下照射，结合低强度柔光补光，使面部整体明亮均匀，眼窝、鼻翼、眼下及下颌下方仅有极浅且干净的阴影。皮肤高光宽广柔和，白皙通透但不溢出，阴影保持中性或略偏冷，不发黄、不发灰绿、不显脏。背景使用低饱和度冷灰蓝色，亮度比主体面部低约半档至一档，保持高度简洁，以弱化背景来衬托主体肤色更白、更透、更纯。比例为 9:16。整体效果应呈现：高清晰度中式瓷白纯净美学，具备真人摄影的真实感，皮肤静谧、白皙、细腻且低频，双眼明亮、湿润、通透且富有光学层次，妆容轻盈粉嫩，整体既写实又具备高完成度美学近摄的高级感，杜绝塑料感、CG 感、网红感或统一的高清影棚感。"}