{"id":"32252","prompt":"9:16 vertical version, modern oriental female dreamscape dimensional papercut art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, poetic female dreamscape. The theme of the work is 'She walks into the unfinished page of a Dunhuang mural.' A visual 24-year-old oriental adult female, mysterious, elegant, quiet and determined, walking alone along long steps in a paper-carved cave. The character has a clear oval face, slender almond eyes slightly raised, and a quiet, focused expression. Long black hair is half-draped and half-tied, with strands naturally connecting to Feitian-style paper ribbons, wearing light gold floating clouds and small flower branch hair accessories. The character wears a multi-layered paper art long dress composed of ochre, stone green, peacock blue and gold. The hem features Feitian, caisson, sand patterns and Crescent Spring-style hollow patterns. The outer layer of silk ribbons flutters lightly behind her in the wind. The clothing has clear paper thickness, fiber texture, cut edges and dense hollow structures. The scene uses a relatively simple multi-layered stage-style composition, not crowded with mural characters. The main subject is a huge, nested Dunhuang-style paper-carved cave entrance. The arched door frame occupies the main space of the picture, with a large caisson paper-carved pattern at the top as a visual anchor. Only a few Feitian paper carvings and mural character silhouettes are kept on the left and right of the door, creating a sense of a dream of civilization, but avoiding complex crowding. The character is located in a small position at the lower center of the screen, facing away or two-thirds side-facing away from the camera, walking towards the huge door along several wide paper art steps. The scale of the character is significantly smaller than the door to emphasize the massive scale of the cave. Through the door, you can directly see another opened Dunhuang dream: vast golden sand dunes, curved blue water like the Crescent Spring, distant mountains, paper art clouds and a thin moon in the sky. The dunes and water surface are formed by multiple layers of paper, and the space is open and clean, without too many buildings. The overall colors are brighter and clearer than traditional Dunhuang colors: dominated by high-saturation but high-end peacock blue, stone green, ochre and warm sand gold, with an appropriate amount of cinnabar orange-red as a visual highlight. The outer layer of the door uses ochre and gold, the middle layer adds stone green and peacock blue, the distant desert uses warm gold and light ochre, and the Crescent Spring uses a bright blue-green. Colors are clearly separated from each other, without a uniform brownish-yellow filter, not gray or dirty. The lighting uses a transition from warm inside the cave to brighter outside. Golden celestial light shines from the direction of the distant dunes and Crescent Spring, passing through the paper-carved door and falling on the steps and the character's silhouette, forming a clear but soft guiding light. The edges of the caisson, Feitian, door frame and character's ribbons have a delicate translucent feel, while the dark areas still maintain layers of peacock blue, stone green and ochre. All caves, caissons, Feitian, sand dunes, Crescent Spring, clouds, characters and clothing must be unified into a high-level dimensional paper carving language. Strengthen the real paper fibers, paper layer thickness, hand-cut edges, slight creases and inter-layer projections. The whole piece is like a high-end Dunhuang-themed paper carving art installation, rather than a common mural illustration. The overall mood is: ancient, mysterious, quiet, vast, civilization is reawakening. The focus of the picture is 'Behind a huge doorway, another page of the ancient world is reopened', the composition is simple and powerful, the character is small, the space is large, and the colors are bright and transparent. Negative prompt: real-life photography, ordinary anime, plastic 3D, resin, clay, felt, children's handmade, ordinary Dunhuang tourism illustration, too many mural characters, accumulated decorations, overcrowded screen, oversized characters, large number of Buddha statues stacked, cave too dark, brownish-yellow filter, overall gray, dirty colors, saturation too low, dead black in shadows, inconspicuous Crescent Spring, sand dune space too small, doorway too small, messy paper layers, blurred paper edges, material separation between character and background, text, Logo, watermark.","promptEn":"9:16 vertical version, modern oriental female dreamscape dimensional papercut art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, poetic female dreamscape. The theme of the work is 'She walks into the unfinished page of a Dunhuang mural.' A visual 24-year-old oriental adult female, mysterious, elegant, quiet and determined, walking alone along long steps in a paper-carved cave. The character has a clear oval face, slender almond eyes slightly raised, and a quiet, focused expression. Long black hair is half-draped and half-tied, with strands naturally connecting to Feitian-style paper ribbons, wearing light gold floating clouds and small flower branch hair accessories. The character wears a multi-layered paper art long dress composed of ochre, stone green, peacock blue and gold. The hem features Feitian, caisson, sand patterns and Crescent Spring-style hollow patterns. The outer layer of silk ribbons flutters lightly behind her in the wind. The clothing has clear paper thickness, fiber texture, cut edges and dense hollow structures. The scene uses a relatively simple multi-layered stage-style composition, not crowded with mural characters. The main subject is a huge, nested Dunhuang-style paper-carved cave entrance. The arched door frame occupies the main space of the picture, with a large caisson paper-carved pattern at the top as a visual anchor. Only a few Feitian paper carvings and mural character silhouettes are kept on the left and right of the door, creating a sense of a dream of civilization, but avoiding complex crowding. The character is located in a small position at the lower center of the screen, facing away or two-thirds side-facing away from the camera, walking towards the huge door along several wide paper art steps. The scale of the character is significantly smaller than the door to emphasize the massive scale of the cave. Through the door, you can directly see another opened Dunhuang dream: vast golden sand dunes, curved blue water like the Crescent Spring, distant mountains, paper art clouds and a thin moon in the sky. The dunes and water surface are formed by multiple layers of paper, and the space is open and clean, without too many buildings. The overall colors are brighter and clearer than traditional Dunhuang colors: dominated by high-saturation but high-end peacock blue, stone green, ochre and warm sand gold, with an appropriate amount of cinnabar orange-red as a visual highlight. The outer layer of the door uses ochre and gold, the middle layer adds stone green and peacock blue, the distant desert uses warm gold and light ochre, and the Crescent Spring uses a bright blue-green. Colors are clearly separated from each other, without a uniform brownish-yellow filter, not gray or dirty. The lighting uses a transition from warm inside the cave to brighter outside. Golden celestial light shines from the direction of the distant dunes and Crescent Spring, passing through the paper-carved door and falling on the steps and the character's silhouette, forming a clear but soft guiding light. The edges of the caisson, Feitian, door frame and character's ribbons have a delicate translucent feel, while the dark areas still maintain layers of peacock blue, stone green and ochre. All caves, caissons, Feitian, sand dunes, Crescent Spring, clouds, characters and clothing must be unified into a high-level dimensional paper carving language. Strengthen the real paper fibers, paper layer thickness, hand-cut edges, slight creases and inter-layer projections. The whole piece is like a high-end Dunhuang-themed paper carving art installation, rather than a common mural illustration. The overall mood is: ancient, mysterious, quiet, vast, civilization is reawakening. The focus of the picture is 'Behind a huge doorway, another page of the ancient world is reopened', the composition is simple and powerful, the character is small, the space is large, and the colors are bright and transparent. Negative prompt: real-life photography, ordinary anime, plastic 3D, resin, clay, felt, children's handmade, ordinary Dunhuang tourism illustration, too many mural characters, accumulated decorations, overcrowded screen, oversized characters, large number of Buddha statues stacked, cave too dark, brownish-yellow filter, overall gray, dirty colors, saturation too low, dead black in shadows, inconspicuous Crescent Spring, sand dune space too small, doorway too small, messy paper layers, blurred paper edges, material separation between character and background, text, Logo, watermark.","promptZh":"9:16 竖屏版本，现代东方女性梦境立体剪纸艺术，现代东方剪纸艺术，分层剪纸插画，立体纸雕，精细纸刻，纸质立体模型，诗意女性梦境。作品主题为“她走进了一页未完成的敦煌壁画”。视觉主体为一位 24 岁的东方成年女性，神秘、优雅、安静且坚定，独自走在纸雕洞窟的长阶上。人物面部轮廓清晰，细长的杏眼微挑，神情安静专注。黑色长发半披半束，发丝自然延伸出飞天风格的纸质飘带，佩戴浅金色浮云和小花枝发饰。人物身着由赭石色、石绿色、孔雀蓝和金色组成的多层纸艺长裙。裙摆处饰有飞天、藻井、沙纹和月牙泉风格的镂空图案。外层的丝绸飘带在风中轻盈飘动。服装具有清晰的纸张厚度、纤维质感、切割边缘和致密的镂空结构。场景采用相对简洁的多层舞台式构图，避免壁画人物堆砌。主体是一个巨大的、嵌套式的敦煌风格纸雕洞窟入口。拱形门框占据画面主要空间，顶部巨大的藻井纸雕图案作为视觉锚点。门左右两侧仅保留少量飞天纸雕和壁画人物剪影，营造出文明之梦的意境，同时避免过度拥挤。人物位于画面下方中心的小位置，背对或以三分之二侧背对镜头，沿着几级宽阔的纸艺台阶走向巨大的门。人物比例远小于门，以强调洞窟的宏大尺度。透过门洞，可以直接看到另一个开启的敦煌梦境：广阔的金色沙丘、如月牙泉般弯曲的蓝色水面、远山、纸艺云朵和天边的一弯新月。沙丘和水面由多层纸张构成，空间开阔整洁，没有过多的建筑。整体色彩比传统敦煌配色更明亮通透：以高饱和度但高级的孔雀蓝、石绿色、赭石色和暖沙金为主，辅以适量的朱砂橙红作为视觉亮点。门的外层使用赭石色和金色，中层加入石绿色和孔雀蓝，远处的沙漠使用暖金色和浅赭石色，月牙泉使用明亮的蓝绿色。色彩彼此界限分明，没有统一的褐黄色滤镜，不灰暗也不脏。光影采用从洞内暖光到洞外明亮光线的过渡。金色的天光从远处沙丘和月牙泉的方向射入，穿过纸雕门洞，落在台阶和人物剪影上，形成清晰而柔和的引导光。藻井、飞天、门框和人物飘带的边缘具有细腻的半透明感，暗部依然保持着孔雀蓝、石绿色和赭石色的层次。所有的洞窟、藻井、飞天、沙丘、月牙泉、云朵、人物和服装必须统一在高级立体纸雕的语言中。强化真实的纸张纤维、纸层厚度、手工切割边缘、细微折痕和层间投影。整件作品如同高端的敦煌主题纸雕艺术装置，而非普通的壁画插画。整体氛围：古老、神秘、宁静、辽阔，文明正在苏醒。画面焦点在于“巨大的门洞后，古老世界的一页被重新开启”，构图简洁有力，人物渺小，空间宏大，色彩明亮通透。负面提示词：真实摄影，普通动漫，塑料感 3D，树脂，粘土，毛毡，儿童手工，普通敦煌旅游插画，壁画人物过多，装饰堆砌，画面拥挤，人物过大，大量佛像堆叠，洞窟太暗，褐黄色滤镜，整体灰暗，脏色，饱和度过低，阴影处死黑，月牙泉不明显，沙丘空间太小，门洞太小，纸层混乱，纸张边缘模糊，人物与背景材质分离，文字，Logo，水印。"}