{"id":"32243","prompt":"The following prompt should also be expressed using a similar logic. No punctuation at the end, leave blank lines where necessary.  Don't be preachy, be playful, use divergent thinking in expression. Golden quotes should be the kind that leave an aftertaste, even worth recording. Design knowledge should also be concentrated and precise, worth savoring.  In fact, you can focus just on this prompt, its core aesthetic creativity or style creation logic, and expand on it~ The lower part should be specific to life, rather than broad.  All expressions should make design-savvy people feel like you are not expressing clichés; don't always use a fixed expression structure, all kinds of possibilities are allowed.  The information density should be high, with at least 10 levels of information logic. Here is the prompt:  ————————  Please turn each photo I upload into an independent high-end design poster, no multi-image stitching, each photo output individually. The overall composition uses a 3:4 vertical layout, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the screen.  The upper part retains the original photo, maintaining the main structure, real texture, natural light and shadow, and the original color atmosphere, with only slight high-end photographic color grading to give it the texture of an art magazine, independent publication, or exhibition photography. To adapt to the frame, the sky, ground, or environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed.  The lower part extracts the most recognizable subjects, outlines, gestures, and narrative relationships from the photos, further understanding the emotions, subtext, or metaphors in the photos, and then reconstructs them into warm and vintage handmade patchwork collages. Do not mechanically copy the original image, but use plaid cotton, linen, washed burlap, patches, and stitching to summarize the most important forms and relationships into concise fabric pieces, so that people can recognize the original object at a glance, while feeling the quietness, companionship, distance, staying, growth, belonging, chance encounters, or sense of time behind the photo.  The composition emphasizes the art of white space and visual breathing, not filling elements evenly. According to the center of gravity, movement direction, and narrative relationship of the subject, freely arrange the size, density, layering, cutting, and crossing of the fabric pieces, so that the main forms and large areas of blank space form a relationship with tension; some branches, outlines, character movements, object edges, or scenery can naturally extend out of the patchwork area, making the picture look like it is growing, passing through, or continuing, rather than being sealed by borders. White space is not a gap, but a space that carries distance, emotion, time, and imagination.  The color scheme does not set a fixed color card. Extract the most vibrant colors that represent the spiritual temperament from the photo above, and adaptively transform them into a healing, humanistic soft fabric color palette. Maintain the warm and cold relationship and color identity of the original image, moderately soften, brighten, and coordinate, making the overall feeling warm, refreshing, cordial, and full of life; the main body can retain a more distinct key color, with other colors as soft foils. Different photos should produce different color sets, avoiding fixed beige, gray-brown, Morandi, and deliberate aging.  Keep real fabric patterns, fibers, raw edges, stitches, patches, cross-stitching, and slightly irregular splicing, making handmade traces naturally visible, but the whole still maintains the restraint and precision of high-end editorial design. The vintage feel comes from materials and handcrafting, rather than dirty colors, yellowing, or cheap aging.  Text is not just a simple English sentence, but should become part of the emotion and composition. Refine an extremely short English word or phrase from the emotions, movements, relationships, or metaphors that the original image did not directly say, avoiding just writing the location or object name. The text can be in the form of fine line embroidery, hand-sewn stitches, or slight handwriting, following the trend of the subject, close to the edge of the fabric piece, hidden in the negative space, or continuing or pausing with the stitches, so that the graphics and text together form a reading rhythm. The text should be few and meaningful, like an unfinished sentence, rather than an explanatory label.  The overall presentation is a healing, warm, quiet, human, vital, white-spaced, and story-telling visual temperament, like a work combining high-end lifestyle magazines, independent picture books, and contemporary textile art. Whether the subject is a person, animal, plant, architecture, object, food, vehicle, or natural landscape, one should first understand what the original image really wants to express, and then decide how to choose, leave space, stitch, and layout, avoiding a children's handicraft class feel, mechanical imitation, average composition, meaningless decoration, and a template feel."}