{"id":"32130","prompt":"Please make each photo I upload into an independent high-end design poster, no multi-photo splicing, each photo output separately. The overall composition is 3:4 vertical, with the top and bottom regions strictly 1:1, each occupying 50% of the screen. The top half preserves the original photo, maintaining the subject structure, real texture, natural lighting, and original color atmosphere, with only slight high-end photography color grading to give it the exquisite texture of high-end brand advertising, art magazines, and exhibition visuals. To adapt to the frame, the sky, ground, or environmental background can be naturally extended, while the subject itself remains unchanged. The bottom half extracts the most recognizable **subject, outline, posture, and narrative relationship** of the photo, reconstructing it into a minimalist visual poster with high-end commercial aesthetics. The core language is **'real objects crossing geometric emotional windows'**: a narrow, restrained, low-saturation geometric color block is set in the screen as a visual anchor and spatial container. **The direction of the color block is not fixed, it can be horizontal, vertical, or diagonal**, naturally determined according to the center of gravity of the subject, the direction of movement, the trend of the outline, and the rhythm of the layout. The subject enters the color block in a real photographic or exquisite realistic way, and partially crosses the border, breaks the frame, extends or passes through the boundary, forming a sense of natural growth, spatial penetration, and white space breathing. The composition remains minimalist, clear, and balanced, establishing order through geometric color blocks, subject boundary-crossing relationships, and large areas of white space. The subject can be centered, off-center, growing vertically, or stretching horizontally, but always maintains a single focus. The background is mainly white, light gray, or very light warm colors, and very slight cultural patterns, linear graphics, topographic lines, water wave lines, lighting outlines, or abstract symbols can be added as faint auxiliary levels. The color matching extracts the most recognizable and energetic color relationships from the top photo, transforming them into a high-end system of **light-colored geometric windows + real subject colors + a minimal amount of neutral color typography**. The color of the color block can be softened into mist blue, light cyan, cream white, pale pink, warm gray, light gold, or other light tones consistent with the temperament of the original image, making the overall look light, clean, modern, and exquisite. Text naturally intervenes as part of the layout structure. A short English title can be extracted from the subject, emotion, action, state, or symbolic meaning of the photo, accompanied by a small number of subtitles, locations, status words, or micro-notes. The title can be arranged horizontally, vertically, or along the relationship between the color block and the subject. Auxiliary information is neatly arranged in small font size, thin font weight, and stretched letter spacing, making it present a high-end editorial feel like high-end real estate, luxury goods, aesthetic magazines, or seasonal solar term visuals. The overall temperament emphasizes **Eastern white space, modern order, natural vitality, and high-end commercial beauty**. Whether the subject is a person, animal, plant, building, utensil, food, vehicle, or natural landscape, it should maintain a clear, elegant, and transferable visual echo between real photography and geometric emotional windows. Please make each photo I upload into an independent high-end design poster, no multi-photo splicing, each photo output separately. The overall composition is 3:4 vertical, with the top and bottom regions strictly 1:1, each occupying 50% of the screen. The top half preserves the original photo, maintaining the subject structure, real texture, natural lighting, and original color atmosphere, with only slight high-end photography color grading to give it the exquisite texture of high-end brand advertising, art magazines, and exhibition visuals. To adapt to the frame, the sky, ground, or environmental background can be naturally extended, while the subject itself remains unchanged. The bottom half extracts the most recognizable **subject, outline, posture, and narrative relationship** of the photo, reconstructing it into a minimalist visual poster with high-end commercial aesthetics. The core language is **'real objects crossing geometric emotional windows'**: a narrow, restrained, low-saturation geometric color block is set in the screen as a visual anchor and spatial container. **The direction of the color block is not fixed, it can be horizontal, vertical, or diagonal**, naturally determined according to the center of gravity of the subject, the direction of movement, the trend of the outline, and the rhythm of the layout. The subject enters the color block in a real photographic or exquisite realistic way, and partially crosses the border, breaks the frame, extends or passes through the boundary, forming a sense of natural growth, spatial penetration, and white space breathing. The composition remains minimalist, clear, and balanced, establishing order through geometric color blocks, subject boundary-crossing relationships, and large areas of white space. The subject can be centered, off-center, growing vertically, or stretching horizontally, but always maintains a single focus. The background is mainly white, light gray, or very light warm colors, and very slight cultural patterns, linear graphics, topographic lines, water wave lines, lighting outlines, or abstract symbols can be added as faint auxiliary levels. The color matching extracts the most recognizable and energetic color relationships from the top photo, transforming them into a high-end system of **light-colored geometric windows + real subject colors + a minimal amount of neutral color typography**. The color of the color block can be softened into mist blue, light cyan, cream white, pale pink, warm gray, light gold, or other light tones consistent with the temperament of the original image, making the overall look light, clean, modern, and exquisite. Text naturally intervenes as part of the layout structure. A short English title can be extracted from the subject, emotion, action, state, or symbolic meaning of the photo, accompanied by a small number of subtitles, locations, status words, or micro-notes. The title can be arranged horizontally, vertically, or along the relationship between the color block and the subject. Auxiliary information is neatly arranged in small font size, thin font weight, and stretched letter spacing, making it present a high-end editorial feel like high-end real estate, luxury goods, aesthetic magazines, or seasonal solar term visuals. The overall temperament emphasizes **Eastern white space, modern order, natural vitality, and high-end commercial beauty**. Whether the subject is a person, animal, plant, building, utensil, food, vehicle, or natural landscape, it should maintain a clear, elegant, and transferable visual echo between real photography and geometric emotional windows.","promptEn":"Please make each photo I upload into an independent high-end design poster, no multi-photo splicing, each photo output separately. The overall composition is 3:4 vertical, with the top and bottom regions strictly 1:1, each occupying 50% of the screen. The top half preserves the original photo, maintaining the subject structure, real texture, natural lighting, and original color atmosphere, with only slight high-end photography color grading to give it the exquisite texture of high-end brand advertising, art magazines, and exhibition visuals. To adapt to the frame, the sky, ground, or environmental background can be naturally extended, while the subject itself remains unchanged. The bottom half extracts the most recognizable **subject, outline, posture, and narrative relationship** of the photo, reconstructing it into a minimalist visual poster with high-end commercial aesthetics. The core language is **'real objects crossing geometric emotional windows'**: a narrow, restrained, low-saturation geometric color block is set in the screen as a visual anchor and spatial container. **The direction of the color block is not fixed, it can be horizontal, vertical, or diagonal**, naturally determined according to the center of gravity of the subject, the direction of movement, the trend of the outline, and the rhythm of the layout. The subject enters the color block in a real photographic or exquisite realistic way, and partially crosses the border, breaks the frame, extends or passes through the boundary, forming a sense of natural growth, spatial penetration, and white space breathing. The composition remains minimalist, clear, and balanced, establishing order through geometric color blocks, subject boundary-crossing relationships, and large areas of white space. The subject can be centered, off-center, growing vertically, or stretching horizontally, but always maintains a single focus. The background is mainly white, light gray, or very light warm colors, and very slight cultural patterns, linear graphics, topographic lines, water wave lines, lighting outlines, or abstract symbols can be added as faint auxiliary levels. The color matching extracts the most recognizable and energetic color relationships from the top photo, transforming them into a high-end system of **light-colored geometric windows + real subject colors + a minimal amount of neutral color typography**. The color of the color block can be softened into mist blue, light cyan, cream white, pale pink, warm gray, light gold, or other light tones consistent with the temperament of the original image, making the overall look light, clean, modern, and exquisite. Text naturally intervenes as part of the layout structure. A short English title can be extracted from the subject, emotion, action, state, or symbolic meaning of the photo, accompanied by a small number of subtitles, locations, status words, or micro-notes. The title can be arranged horizontally, vertically, or along the relationship between the color block and the subject. Auxiliary information is neatly arranged in small font size, thin font weight, and stretched letter spacing, making it present a high-end editorial feel like high-end real estate, luxury goods, aesthetic magazines, or seasonal solar term visuals. The overall temperament emphasizes **Eastern white space, modern order, natural vitality, and high-end commercial beauty**. Whether the subject is a person, animal, plant, building, utensil, food, vehicle, or natural landscape, it should maintain a clear, elegant, and transferable visual echo between real photography and geometric emotional windows. Please make each photo I upload into an independent high-end design poster, no multi-photo splicing, each photo output separately. The overall composition is 3:4 vertical, with the top and bottom regions strictly 1:1, each occupying 50% of the screen. The top half preserves the original photo, maintaining the subject structure, real texture, natural lighting, and original color atmosphere, with only slight high-end photography color grading to give it the exquisite texture of high-end brand advertising, art magazines, and exhibition visuals. To adapt to the frame, the sky, ground, or environmental background can be naturally extended, while the subject itself remains unchanged. The bottom half extracts the most recognizable **subject, outline, posture, and narrative relationship** of the photo, reconstructing it into a minimalist visual poster with high-end commercial aesthetics. The core language is **'real objects crossing geometric emotional windows'**: a narrow, restrained, low-saturation geometric color block is set in the screen as a visual anchor and spatial container. **The direction of the color block is not fixed, it can be horizontal, vertical, or diagonal**, naturally determined according to the center of gravity of the subject, the direction of movement, the trend of the outline, and the rhythm of the layout. The subject enters the color block in a real photographic or exquisite realistic way, and partially crosses the border, breaks the frame, extends or passes through the boundary, forming a sense of natural growth, spatial penetration, and white space breathing. The composition remains minimalist, clear, and balanced, establishing order through geometric color blocks, subject boundary-crossing relationships, and large areas of white space. The subject can be centered, off-center, growing vertically, or stretching horizontally, but always maintains a single focus. The background is mainly white, light gray, or very light warm colors, and very slight cultural patterns, linear graphics, topographic lines, water wave lines, lighting outlines, or abstract symbols can be added as faint auxiliary levels. The color matching extracts the most recognizable and energetic color relationships from the top photo, transforming them into a high-end system of **light-colored geometric windows + real subject colors + a minimal amount of neutral color typography**. The color of the color block can be softened into mist blue, light cyan, cream white, pale pink, warm gray, light gold, or other light tones consistent with the temperament of the original image, making the overall look light, clean, modern, and exquisite. Text naturally intervenes as part of the layout structure. A short English title can be extracted from the subject, emotion, action, state, or symbolic meaning of the photo, accompanied by a small number of subtitles, locations, status words, or micro-notes. The title can be arranged horizontally, vertically, or along the relationship between the color block and the subject. Auxiliary information is neatly arranged in small font size, thin font weight, and stretched letter spacing, making it present a high-end editorial feel like high-end real estate, luxury goods, aesthetic magazines, or seasonal solar term visuals. The overall temperament emphasizes **Eastern white space, modern order, natural vitality, and high-end commercial beauty**. Whether the subject is a person, animal, plant, building, utensil, food, vehicle, or natural landscape, it should maintain a clear, elegant, and transferable visual echo between real photography and geometric emotional windows.","promptZh":"请将我上传的每一张照片制作成独立的高端设计海报，不要进行多图拼接，每张照片需单独输出。整体构图为 3:4 竖版，上下区域严格按照 1:1 分割，各占画面 50%。上半部分保留原始照片，维持主体结构、真实质感、自然光影及原始色彩氛围，仅进行轻微的高端摄影调色，使其呈现出高端品牌广告、艺术杂志及展览视觉的精致质感。为适配画幅，可对天空、地面或环境背景进行自然延伸，但主体本身保持不变。下半部分提取照片中最具辨识度的**主体、轮廓、姿态及叙事关系**，将其重构为具有高端商业美学的极简视觉海报。核心语言为**“真实物体穿梭于几何情感之窗”**：在画面中设置一个窄长、克制、低饱和度的几何色块作为视觉锚点与空间容器。**色块的方向不固定，可以是水平、垂直或对角线**，根据主体的重心、运动方向、轮廓走势及布局节奏自然决定。主体以真实摄影或精致写实的方式进入色块，并部分越过边界、打破画框、延伸或穿透界限，形成一种自然生长、空间渗透与留白呼吸感。构图保持极简、清晰且平衡，通过几何色块、主体越界关系及大面积留白建立秩序。主体可以居中、偏置、纵向生长或横向拉伸，但始终保持单一焦点。背景以白色、浅灰或极浅的暖色为主，并可添加极淡的文化纹样、线性图形、地形线、水波纹、光影轮廓或抽象符号作为辅助层次。配色方案从上半部分照片中提取最具辨识度且充满活力的色彩关系，将其转化为**“浅色几何之窗 + 真实主体色彩 + 极少量中性色排版”**的高端系统。色块颜色可柔化为雾霾蓝、浅青色、奶油白、淡粉色、暖灰色、浅金色或其他与原图气质相符的浅色调，使整体视觉轻盈、干净、现代且精致。文字作为布局结构的一部分自然介入。可从照片的主体、情感、动作、状态或象征意义中提取一个简短的英文标题，辅以少量副标题、地点、状态词或微注。标题可横排、竖排，或沿色块与主体的关系进行排布。辅助信息以小字号、细字重、拉伸字间距的方式整齐排列，呈现出高端地产、奢侈品、审美杂志或节气视觉般的高端编辑感。整体气质强调**东方留白、现代秩序、自然生命力与高端商业美感**。无论主体是人物、动物、植物、建筑、器物、食物、车辆还是自然景观，都应在真实摄影与几何情感之窗之间保持清晰、优雅且可转化的视觉呼应。"}