{"id":"32128","prompt":"Please turn each photo I upload into an individual high-end design poster, with each photo output separately rather than spliced together. The overall format is a 3:4 vertical composition, with top and bottom sections strictly 1:1 in height, each occupying 50% of the image.\n\nThe top half preserves the original photo, maintaining the subject structure, real texture, natural lighting, and original color atmosphere, with only slight high-end photographic color grading for an art magazine or exhibition photography feel. The background can be naturally extended, but the subject must not be distorted.\n\nThe bottom half extracts the most recognizable subject and posture to reconstruct as a minimalist black-and-white hand-drawn editorial illustration. Use a horizontal or vertical solid black rectangle as the main visual field, with the subject mostly inside but having key features like the head, roofline, or limbs naturally breaking the boundary, forming a clear \"crossing the line\" relationship. The subject shouldn't look pasted on, but rather emerging from the black space.\n\nThe subject uses only essential outlines and key structures shown in black hand-drawn lines + white negative space + slight gray blocks. The lines resemble ink pens or photocopied sketches with slight variations in thickness and manual errors, avoiding smooth vector precision. Internal details are minimal.\n\nThe composition highlights the conflict between the geometric order of the black rectangle and the free contour of the subject. A large area of white paper surrounds the black zone, creating a strong yet restrained area relationship between black, white, and gray.\n\nThe text forms a lightweight black-and-white editorial micro-typography system, extracting a short English title from the photo's mood or action, paired with tiny annotations or numbers. Use black handwriting or thin sans-serif fonts kept at a small scale to look like artist notes rather than commercial titles.\n\nThe overall aesthetic is white paper × black geometric field × naive hand-drawn lines × subject crossing borders × minimal grayscale—humorous, restrained, clever, slightly quirky, and artistic. Avoid color cartoons, smooth vector edges, 3D textures, or standard centered templates.","promptEn":"Please turn each photo I upload into an individual high-end design poster, with each photo output separately rather than spliced together. The overall format is a 3:4 vertical composition, with top and bottom sections strictly 1:1 in height, each occupying 50% of the image.\n\nThe top half preserves the original photo, maintaining the subject structure, real texture, natural lighting, and original color atmosphere, with only slight high-end photographic color grading for an art magazine or exhibition photography feel. The background can be naturally extended, but the subject must not be distorted.\n\nThe bottom half extracts the most recognizable subject and posture to reconstruct as a minimalist black-and-white hand-drawn editorial illustration. Use a horizontal or vertical solid black rectangle as the main visual field, with the subject mostly inside but having key features like the head, roofline, or limbs naturally breaking the boundary, forming a clear \"crossing the line\" relationship. The subject shouldn't look pasted on, but rather emerging from the black space.\n\nThe subject uses only essential outlines and key structures shown in black hand-drawn lines + white negative space + slight gray blocks. The lines resemble ink pens or photocopied sketches with slight variations in thickness and manual errors, avoiding smooth vector precision. Internal details are minimal.\n\nThe composition highlights the conflict between the geometric order of the black rectangle and the free contour of the subject. A large area of white paper surrounds the black zone, creating a strong yet restrained area relationship between black, white, and gray.\n\nThe text forms a lightweight black-and-white editorial micro-typography system, extracting a short English title from the photo's mood or action, paired with tiny annotations or numbers. Use black handwriting or thin sans-serif fonts kept at a small scale to look like artist notes rather than commercial titles.\n\nThe overall aesthetic is white paper × black geometric field × naive hand-drawn lines × subject crossing borders × minimal grayscale—humorous, restrained, clever, slightly quirky, and artistic. Avoid color cartoons, smooth vector edges, 3D textures, or standard centered templates.","promptZh":"请将我上传的每张照片分别制作成独立的高端设计海报，每张照片需单独输出，不要拼接在一起。整体格式为 3:4 竖构图，上下部分高度严格按照 1:1 比例，各占图像的 50%。\n\n上半部分保留原始照片，维持主体结构、真实质感、自然光影和原始色彩氛围，仅进行轻微的高端摄影调色，呈现艺术杂志或展览摄影的质感。背景可以自然延伸，但主体不得变形。\n\n下半部分提取最具辨识度的主体和姿态，重构为极简黑白手绘编辑风格插画。以横向或纵向的实心黑色矩形作为主要视觉区域，主体大部分位于框内，但头部、轮廓线或四肢等关键特征需自然地突破边界，形成清晰的“越界”关系。主体不应看起来像是贴上去的，而应像是从黑色空间中浮现出来。\n\n主体仅使用必要的轮廓和关键结构，表现形式为 黑色手绘线条 + 白色留白 + 轻微灰色块。线条类似墨水笔或复印草图，带有细微的粗细变化和手工痕迹，避免平滑的矢量精度。内部细节应极简。\n\n构图强调黑色矩形的几何秩序与主体自由轮廓之间的冲突。黑色区域周围留有大面积的白纸空间，在黑、白、灰之间营造出强烈而克制的区域关系。\n\n文字采用轻量级的黑白编辑微排版系统，从照片的意境或动作中提取 简短英文标题，并配以微小的注释或数字。使用黑色手写体或纤细的无衬线字体，字号保持较小，看起来像艺术家的笔记而非商业标题。\n\n整体美学为：白纸 × 黑色几何区域 × 质朴手绘线条 × 主体越界 × 极简灰度——幽默、克制、巧妙、略带怪诞且富有艺术感。避免使用彩色卡通、平滑的矢量边缘、3D 质感或标准的居中模板。"}