{"id":"32127","prompt":"Please transform each photo I upload into an independent, high-end design poster, outputting each photo separately without stitching multiple images. The overall layout adopts a 3:4 vertical composition, with the top and bottom sections strictly at a 1:1 height ratio, each occupying 50% of the screen.\n\nThe upper half retains the original photo, maintaining the main structure, real texture, natural light and shadow, and the original color atmosphere, with only slight professional color grading to give it the feel of an art magazine, independent publication, or exhibition photography. To fit the frame, the sky, ground, or environmental background can be naturally extended, but the subject must not be stretched, distorted, or altered.\n\nThe lower half extracts the most recognizable subject, silhouette, posture, and narrative relationship from the photo, reconstructing it into a soft, misty atmospheric illustration with an oriental framing order. Use traditional Chinese architectural elements like round windows, latticed windows, moon gates, fan-shaped windows, hexagonal windows, or geometric window frames as the main structural framework, choosing the most suitable type based on the subject's form. Subjects, branch shadows, light spots, or abstract projections appear, pass through, block, or spill over within the window shape, so the frame fixes the order while creating spatial layers between void and solid.\n\nThe composition emphasizes visual focus, proportional relationships, positive/negative space, and the rhythm of white space. The window shape doesn't need to be perfectly centered; it can be slightly offset, partially cropped, or suspended on one side. The subject and light/shadow form a primary-secondary relationship around the window, establishing a stable yet poetic visual triangle through one main light area, a quiet white space, and a few soft projections. Avoid even filling, excessive symmetry, and complex decorations to keep the screen simple yet orderly with a sense of breathability.\n\nThe background is not fixed as dark blue; instead, extract a very light, low-saturation, clean composite color coordinated with the original image such as misty blue, light cyan, pale apricot, soft pink, grayish green, warm off-white, or very light purple-gray, creating a gentle and clear brightness contrast between the background and the subject. Light and shadow are refined from the most vibrant colors in the original image, moderately brightened or purified to form a soft warm-cold echo. Avoid dirty grays, heavy dark backgrounds, fluorescent colors, and harsh high contrast.\n\nThe texture uses fine inkjet particles, pastels, airy soft focus, and diffused light, with naturally blurred edges and slight grain, dust, and color bleeding. The window frames can be slightly sharper than the light and shadow but remain soft without hard architectural outlining; let the image look like sunlight projecting through traditional window frames onto a light-colored wall, gently blurred by memory and air.\n\nText intervenes as a small order in the composition, extracting a very short English title from the photo's emotion, time, action, temperature, or metaphor, paired with a few location words, status words, or tiny phrases. Text can be arranged along window edges, curves, axes, or light-and-shadow white space, forming alignment, surrounding, staggered, or interspersed relationships with the window shape, using very small font sizes, light weights, and wide letter spacing for a quiet, high-end editorial feel.\n\nThe overall presentation is an oriental modern visual composed of a light breathable background, traditional window framing, soft colored light and shadow, inkjet particles, void-solid projections, and large areas of white space. Whether the subject is a person, animal, plant, architecture, object, or natural landscape, it should maintain a clear echo with the upper photo while possessing a gentle, quiet, clear, poetic, healing, and high-end artistic temperament, avoiding cartoonishness, cheap filters, heavy dark colors, cluttered decorations, and template-like feels.","promptEn":"Please transform each photo I upload into an independent, high-end design poster, outputting each photo separately without stitching multiple images. The overall layout adopts a 3:4 vertical composition, with the top and bottom sections strictly at a 1:1 height ratio, each occupying 50% of the screen.\n\nThe upper half retains the original photo, maintaining the main structure, real texture, natural light and shadow, and the original color atmosphere, with only slight professional color grading to give it the feel of an art magazine, independent publication, or exhibition photography. To fit the frame, the sky, ground, or environmental background can be naturally extended, but the subject must not be stretched, distorted, or altered.\n\nThe lower half extracts the most recognizable subject, silhouette, posture, and narrative relationship from the photo, reconstructing it into a soft, misty atmospheric illustration with an oriental framing order. Use traditional Chinese architectural elements like round windows, latticed windows, moon gates, fan-shaped windows, hexagonal windows, or geometric window frames as the main structural framework, choosing the most suitable type based on the subject's form. Subjects, branch shadows, light spots, or abstract projections appear, pass through, block, or spill over within the window shape, so the frame fixes the order while creating spatial layers between void and solid.\n\nThe composition emphasizes visual focus, proportional relationships, positive/negative space, and the rhythm of white space. The window shape doesn't need to be perfectly centered; it can be slightly offset, partially cropped, or suspended on one side. The subject and light/shadow form a primary-secondary relationship around the window, establishing a stable yet poetic visual triangle through one main light area, a quiet white space, and a few soft projections. Avoid even filling, excessive symmetry, and complex decorations to keep the screen simple yet orderly with a sense of breathability.\n\nThe background is not fixed as dark blue; instead, extract a very light, low-saturation, clean composite color coordinated with the original image such as misty blue, light cyan, pale apricot, soft pink, grayish green, warm off-white, or very light purple-gray, creating a gentle and clear brightness contrast between the background and the subject. Light and shadow are refined from the most vibrant colors in the original image, moderately brightened or purified to form a soft warm-cold echo. Avoid dirty grays, heavy dark backgrounds, fluorescent colors, and harsh high contrast.\n\nThe texture uses fine inkjet particles, pastels, airy soft focus, and diffused light, with naturally blurred edges and slight grain, dust, and color bleeding. The window frames can be slightly sharper than the light and shadow but remain soft without hard architectural outlining; let the image look like sunlight projecting through traditional window frames onto a light-colored wall, gently blurred by memory and air.\n\nText intervenes as a small order in the composition, extracting a very short English title from the photo's emotion, time, action, temperature, or metaphor, paired with a few location words, status words, or tiny phrases. Text can be arranged along window edges, curves, axes, or light-and-shadow white space, forming alignment, surrounding, staggered, or interspersed relationships with the window shape, using very small font sizes, light weights, and wide letter spacing for a quiet, high-end editorial feel.\n\nThe overall presentation is an oriental modern visual composed of a light breathable background, traditional window framing, soft colored light and shadow, inkjet particles, void-solid projections, and large areas of white space. Whether the subject is a person, animal, plant, architecture, object, or natural landscape, it should maintain a clear echo with the upper photo while possessing a gentle, quiet, clear, poetic, healing, and high-end artistic temperament, avoiding cartoonishness, cheap filters, heavy dark colors, cluttered decorations, and template-like feels.","promptZh":"请将我上传的每一张照片转化为独立的高端设计海报，每张照片单独输出，不要进行多图拼接。整体布局采用 3:4 竖构图，上下部分严格保持 1:1 的高度比例，各占屏幕的 50%。\n\n上半部分保留原始照片，维持主体结构、真实质感、自然光影及原始色彩氛围，仅进行轻微的专业调色，使其具备艺术杂志、独立出版物或展览摄影的质感。为适配画框，天空、地面或环境背景可进行自然延伸，但主体不得拉伸、变形或改变。\n\n下半部分提取照片中最具辨识度的主体、剪影、姿态及叙事关系，将其重构为带有东方构图秩序的柔和朦胧氛围插画。使用中式传统建筑元素（如圆窗、花窗、月洞门、扇形窗、六角窗或几何窗框）作为主要结构框架，根据主体的形态选择最合适的窗型。主体、枝影、光斑或抽象投影在窗形内出现、穿过、遮挡或溢出，通过窗框固定秩序，同时营造虚实之间的空间层次。\n\n构图强调视觉焦点、比例关系、正负空间及留白的韵律。窗形无需完全居中，可略微偏移、局部裁切或悬挂于一侧。主体与光影围绕窗框形成主次关系，通过一个主要光区、一片静谧留白和少量柔和投影，建立稳定而富有诗意的视觉三角形。避免均匀填充、过度对称和繁杂装饰，保持画面简洁有序，具有呼吸感。\n\n背景不固定为深蓝色，而是提取一种 与原图协调的极浅、低饱和度、干净的复合色，如雾霾蓝、淡青色、浅杏色、柔粉色、灰绿色、暖米白或极浅的紫灰色，在背景与主体之间形成柔和明亮的对比。光影从原图中最鲜艳的色彩中提炼，适度提亮或纯化，形成柔和的冷暖呼应。避免脏灰色、沉重的深色背景、荧光色及强烈的对比度。\n\n质感采用细腻的喷墨颗粒、粉彩、空气感柔焦和漫射光，边缘自然模糊，带有轻微的颗粒感、尘埃感和色彩溢出。窗框可比光影稍显锐利，但保持柔和，避免生硬的建筑轮廓线；让画面看起来如同阳光透过传统窗棂投射在浅色墙面上，被记忆与空气温柔地模糊。\n\n文字作为构图中的微小秩序介入，从照片的情绪、时间、动作、温度或隐喻中提取一个 极简短的英文标题，搭配少量地点词、状态词或微型短语。文字可沿窗框边缘、曲线、轴线或光影留白处排列，与窗形形成对齐、环绕、错落或穿插关系，使用极小的字号、轻盈的字重和宽阔的字间距，营造静谧的高端编辑感。\n\n整体呈现为一种东方现代视觉风格，由轻盈透气的背景、传统窗棂构图、柔和彩色光影、喷墨颗粒、虚实投影及大面积留白构成。无论主体是人物、动物、植物、建筑、静物还是自然景观，都应与上方的照片保持清晰呼应，同时具备温柔、静谧、清透、诗意、治愈及高端的艺术气质，避免卡通感、廉价滤镜、沉重暗色、杂乱装饰及模板化感。"}