{"id":"32040","prompt":"Please transform each photo I upload into an individual high-end design poster, outputting each photo separately without stitching them together. The overall composition uses a 3:4 vertical layout, with two areas of strictly 1:1 height, each occupying 50% of the screen.\\n\\nThe top half preserves the original photo, maintaining its structural integrity, spatial relationships, realistic materials, natural lighting, and original color atmosphere, with only slight professional color grading to give it the feel of an art magazine, independent publication, or exhibition photography. The environmental background can be naturally extended to fit the frame, but the subject must not be stretched, distorted, or changed.\\n\\nThe bottom half uses a clean ivory background to extract the most recognizable subject, silhouette, posture, and narrative relationship from the photo, transforming it into minimalist abstract visuals according to the logic of 'deconstruction-screening-refinement-reconstruction.' The focus is on retaining the most unique volume proportions, axes, curves, interspersions, layering, occlusions, negative space, and asymmetrical relationships, reorganized with a few geometric shapes. Details are not fully replicated, but the correspondence to the original image above must be immediately felt. The composition emphasizes visual center of gravity, scale differences, hierarchical layers, positive/negative shapes, and the rhythm of white space, avoiding iconization, even arrangements, or cluttered piles.\\n\\nAll colors are extracted from the photo above and simplified into one primary color, one dark structural color, and one light/neutral color, with at most a few key accent colors. Priority is given to the most recognizable and spirited colors of the original, establishing layers through area proportions, light/dark relationships, and local contrasts, keeping it clean, restrained, and vibrant, avoiding overall graying or average use of color.\\n\\nThe text establishes a complete high-end editorial micro-typography system: a poetic 2-5 word English main title is refined from the photo's lighting, space, action, material, or emotion, paired with 2-4 sets of tiny auxiliary text. These can be freely combined from short phrases, status words, location or object info, numbers, chapter marks, serial numbers, scale-style numbers, direction words, material words, archive-style tags, or miniature descriptions, without using years. The main title handles emotion, while small text handles order and detail, making the text look like editorial annotations in an art book, architectural journal, or exhibition catalog rather than common titles.\\n\\nText must be composed together with abstract shapes, arranged along geometric axes, edges, outlines, or negative spaces, or vertically aligned, rotated, columned, widely spaced, edge-aligned, corner-pressed, crossing color blocks, embedded between shapes, or interspersed and aligned with the subject. One group of text can be tiny while another is slightly larger, establishing a reading path through font size contrast, spacing, direction, and position. A combination of restrained serif and thin editorial fonts is used, letting the abstract shapes handle visual memory while the text handles structure, rhythm, and high-end feel.\\n\\nThe overall visual temperament presents **Real Photography × Abstract Memory × Editorial Layout**. It is modern, quiet, restrained, exquisite, artistic, and collectible, avoiding complex collages, cheap decorations, commercial template vibes, or meaningless abstraction.","promptEn":"Please transform each photo I upload into an individual high-end design poster, outputting each photo separately without stitching them together. The overall composition uses a 3:4 vertical layout, with two areas of strictly 1:1 height, each occupying 50% of the screen.\\n\\nThe top half preserves the original photo, maintaining its structural integrity, spatial relationships, realistic materials, natural lighting, and original color atmosphere, with only slight professional color grading to give it the feel of an art magazine, independent publication, or exhibition photography. The environmental background can be naturally extended to fit the frame, but the subject must not be stretched, distorted, or changed.\\n\\nThe bottom half uses a clean ivory background to extract the most recognizable subject, silhouette, posture, and narrative relationship from the photo, transforming it into minimalist abstract visuals according to the logic of 'deconstruction-screening-refinement-reconstruction.' The focus is on retaining the most unique volume proportions, axes, curves, interspersions, layering, occlusions, negative space, and asymmetrical relationships, reorganized with a few geometric shapes. Details are not fully replicated, but the correspondence to the original image above must be immediately felt. The composition emphasizes visual center of gravity, scale differences, hierarchical layers, positive/negative shapes, and the rhythm of white space, avoiding iconization, even arrangements, or cluttered piles.\\n\\nAll colors are extracted from the photo above and simplified into one primary color, one dark structural color, and one light/neutral color, with at most a few key accent colors. Priority is given to the most recognizable and spirited colors of the original, establishing layers through area proportions, light/dark relationships, and local contrasts, keeping it clean, restrained, and vibrant, avoiding overall graying or average use of color.\\n\\nThe text establishes a complete high-end editorial micro-typography system: a poetic 2-5 word English main title is refined from the photo's lighting, space, action, material, or emotion, paired with 2-4 sets of tiny auxiliary text. These can be freely combined from short phrases, status words, location or object info, numbers, chapter marks, serial numbers, scale-style numbers, direction words, material words, archive-style tags, or miniature descriptions, without using years. The main title handles emotion, while small text handles order and detail, making the text look like editorial annotations in an art book, architectural journal, or exhibition catalog rather than common titles.\\n\\nText must be composed together with abstract shapes, arranged along geometric axes, edges, outlines, or negative spaces, or vertically aligned, rotated, columned, widely spaced, edge-aligned, corner-pressed, crossing color blocks, embedded between shapes, or interspersed and aligned with the subject. One group of text can be tiny while another is slightly larger, establishing a reading path through font size contrast, spacing, direction, and position. A combination of restrained serif and thin editorial fonts is used, letting the abstract shapes handle visual memory while the text handles structure, rhythm, and high-end feel.\\n\\nThe overall visual temperament presents **Real Photography × Abstract Memory × Editorial Layout**. It is modern, quiet, restrained, exquisite, artistic, and collectible, avoiding complex collages, cheap decorations, commercial template vibes, or meaningless abstraction.","promptZh":"请将我上传的每张照片转换为独立的高端设计海报，并分别输出，不要将它们拼接在一起。整体构图采用 3:4 竖版布局，包含两个高度严格为 1:1 的区域，各占画面 50%。\n\n上半部分保留原始照片，维持其结构完整性、空间关系、真实材质、自然光影及原始色彩氛围，仅进行轻微的专业调色，使其呈现出艺术杂志、独立出版物或展览摄影的质感。环境背景可自然延伸以适配画幅，但主体不得拉伸、变形或改变。\n\n下半部分使用干净的象牙白背景，从照片中提取最具辨识度的主体、轮廓、姿态及叙事关系，按照“解构-筛选-提炼-重构”的逻辑将其转化为极简抽象视觉。重点在于保留最独特的体积比例、轴线、曲线、穿插、层叠、遮挡、负空间及非对称关系，并用少量几何图形重新组织。细节无需完全复刻，但必须能让人一眼感受到与上方原图的对应关系。构图强调视觉重心、尺度差异、层级关系、正负形及留白的韵律，避免图标化、均匀排列或杂乱堆砌。\n\n所有颜色均从上方照片中提取，并简化为一种主色、一种深色结构色和一种浅色/中性色，最多辅以少量关键强调色。优先选用原图中最具辨识度和灵性的色彩，通过面积比例、明暗关系及局部对比建立层次，保持画面干净、克制且富有活力，避免整体灰暗或色彩平庸。\n\n文字部分建立一套完整的高端编辑微排版系统：从照片的光影、空间、动作、材质或情感中提炼出一个 2-5 个单词的诗意英文主标题，搭配 2-4 组微小的辅助文本。这些文本可自由组合，包括短语、状态词、地点或物体信息、数字、章节标记、序列号、比例式数字、方位词、材质词、档案式标签或微型描述，无需使用年份。主标题负责传达情感，小字负责秩序与细节，使文字看起来如同艺术画册、建筑期刊或展览目录中的编辑注释，而非普通的标题。\n\n文字必须与抽象图形结合排版，沿几何轴线、边缘、轮廓或负空间排列，或进行垂直对齐、旋转、分栏、宽间距、边缘对齐、压角、跨色块、嵌入图形间，或与主体穿插对齐。一组文字可以极小，另一组稍大，通过字体大小对比、间距、方向和位置建立阅读路径。采用克制衬线体与纤细编辑字体的组合，让抽象图形负责视觉记忆，文字负责结构、节奏与高端质感。\n\n整体视觉气质呈现“真实摄影 × 抽象记忆 × 编辑排版”。风格现代、安静、克制、精致、艺术且具有收藏感，避免复杂的拼贴、廉价的装饰、商业模板感或无意义的抽象。"}