{"id":"32039","prompt":"9:16 vertical, modern East Asian woman's dream 3D papercut art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, epic oriental papercraft fantasy, contemporary oriental art poster. \\n\\nThe theme is 'She walks from the lights of Hongyadong to the river.'\\n\\nThe core narrative is: a young East Asian woman walks slowly from a layered paper-carved mountain city and lantern corridors towards the riverside steps, facing the river water, night wind, distant bridge, and moonlight. She emerges from the depths of the prosperous and noisy lights into the wider, open edge of the river, as if finally seeing the destination she truly wants to reach after the bustle.\\n\\nThe main character is an adult East Asian female visually aged about 25, clear-headed, independent, mysterious, and elegant, with a sense of calm after passing through prosperity. The character has a clear oval face, slender almond eyes slightly raised, and a restrained and focused expression. The character does not look at the camera, using a back or side-back narrative posture as the emotional core.\\n\\nHairstyle and accessories: black long hair low-tied, the hair tail extending into slender flowing paper art ribbons, wearing light gold lamp patterns and small flower branch hair accessories. The headwear is light and exquisite, not complex or high.\\n\\nClothing: deep crimson, warm gold, and ivory layered paper art long skirt, the hem and sash have extremely fine hollow structures of pavilions, lights, railings, waves, and city patterns. The outer sash is long and light, spreading out in a large area to the back and side-back. The clothing must have clear paper thickness, fine cut edges, fiber texture, slight creases, and a museum-level paper sculpture craft feel. The sash and skirt are like a whole piece of complex hollow paper-carved scroll.\\n\\nThe dream carrier is: a mountain city paper art pavilion group and riverside corridor.\\n\\nDream imagery includes: stilt houses, lights, long steps, river surface, distant bridge, birds, full moon, distant city light sea. All buildings, people, river water, sky, bridges, lanterns, railings, and plants must be unified in a high-completion 3D paper sculpture language, not realistic photography, not ordinary CG night scenes.\\n\\nThe overall paper-cut structure uses: multi-layer stage style.\\n\\nComposition and character movement: The left and upper part of the screen is a huge paper-carved mountain city growing vertically along the cliff wall. Layers of stilt houses, pavilions, corridors, terraces, railings, lanterns, and small bridges overlap from the foreground to the distance, forming an extremely complex and orderly vertical space. The right side is the open river surface, distant bridge, city skyline, and full moon night sky, forming a clear opening and closing relationship. The character is located on the riverside steps at the bottom left-center, body facing the river and the distance, walking slowly down or staying quietly, becoming the narrative focus connecting the 'prosperous mountain city' and the 'open river surface.'\\n\\nThe mountain city architecture must clearly refer to the Hongyadong style mountain stilt house group, but completely paper-cut: multi-layered wooden pavilions, dense lattices, layered corridors, cantilevered platforms, winding stairs, cornices, red lanterns, and warm light window scenes interweave, forming an overwhelming sense of vertical growth and strong depth. The architectural density is very high, but the order is clear; foreground buildings can be cropped by the frame to enhance the sense of spatial pressure and presence.\\n\\nContinuous paper art railings, lanterns, stone steps, platforms, and a few paper-carved plant silhouettes can appear in the foreground and middle ground as a frame for viewers to enter the mountain city. The right side river is open, the water has detailed paper-carved ripples and moonlight reflections, a bridge in the distance spans the river with lights on, and the distant city light sea forms dense light spots. A full moon and scattered birds are visible in the night sky; the moonlight is cold, forming a cold-warm contrast with the warm lights of the mountain city.\\n\\nThe overall color scheme is: deep crimson, warm gold, deep cyan-blue, and ivory, with a small amount of ink black for balance. Deep crimson for the pavilion bodies, character's main skirt, railings, and lantern structures; warm gold for lights, lattices, outlines, and local highlights; deep cyan-blue for the night sky, river water, and background shadows; ivory for hollow sashes, building highlights, moonlight, and some decorative paper layers. The overall colors are gorgeous and transparent, with obvious cold-warm contrast, but not muddy or dirty, do not overall black out.\\n\\nLighting and paper texture: Warm gold lights emanate from inside the pavilions, interweaving with the cold blue night and moonlight, paper layers of buildings partially glowing, river surface reflecting lights and moonlight. Paper thickness, cut patterns, hollow railings, lattices, lantern edges, and character clothing details must be extremely rich and clear. Enhance real paper fiber, slight creases, inter-layer shadows, edge translucency, and multi-layered paper sculpture structures, making the entire image look like a high-completion large East Asian paper sculpture art installation.\\n\\nThe overall image has a sense of an East Asian dream mountain city, paper-cut night tour, riverside moonlight, female growth narrative, and high-end art poster. The focus is not just 'Hongyadong night scene' but the emotional transition from 'prosperous lights to the open river.' The mountain city must be prosperous, complex, and grow upward in layers; the river surface must be open, cold, and leave breathing room; the character must become the emotional anchor from bustle to silence.\\n\\nSupplementary requirements: Strengthen the vertical space of the mountain city and the prosperity of the lights, the character is in the foreground or middle foreground but must not destroy the overall architectural pressure and depth; the entire scene must be unified as paper-cut, not just paper-art characters and realistic background.","promptEn":"9:16 vertical, modern East Asian woman's dream 3D papercut art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, epic oriental papercraft fantasy, contemporary oriental art poster. \\n\\nThe theme is 'She walks from the lights of Hongyadong to the river.'\\n\\nThe core narrative is: a young East Asian woman walks slowly from a layered paper-carved mountain city and lantern corridors towards the riverside steps, facing the river water, night wind, distant bridge, and moonlight. She emerges from the depths of the prosperous and noisy lights into the wider, open edge of the river, as if finally seeing the destination she truly wants to reach after the bustle.\\n\\nThe main character is an adult East Asian female visually aged about 25, clear-headed, independent, mysterious, and elegant, with a sense of calm after passing through prosperity. The character has a clear oval face, slender almond eyes slightly raised, and a restrained and focused expression. The character does not look at the camera, using a back or side-back narrative posture as the emotional core.\\n\\nHairstyle and accessories: black long hair low-tied, the hair tail extending into slender flowing paper art ribbons, wearing light gold lamp patterns and small flower branch hair accessories. The headwear is light and exquisite, not complex or high.\\n\\nClothing: deep crimson, warm gold, and ivory layered paper art long skirt, the hem and sash have extremely fine hollow structures of pavilions, lights, railings, waves, and city patterns. The outer sash is long and light, spreading out in a large area to the back and side-back. The clothing must have clear paper thickness, fine cut edges, fiber texture, slight creases, and a museum-level paper sculpture craft feel. The sash and skirt are like a whole piece of complex hollow paper-carved scroll.\\n\\nThe dream carrier is: a mountain city paper art pavilion group and riverside corridor.\\n\\nDream imagery includes: stilt houses, lights, long steps, river surface, distant bridge, birds, full moon, distant city light sea. All buildings, people, river water, sky, bridges, lanterns, railings, and plants must be unified in a high-completion 3D paper sculpture language, not realistic photography, not ordinary CG night scenes.\\n\\nThe overall paper-cut structure uses: multi-layer stage style.\\n\\nComposition and character movement: The left and upper part of the screen is a huge paper-carved mountain city growing vertically along the cliff wall. Layers of stilt houses, pavilions, corridors, terraces, railings, lanterns, and small bridges overlap from the foreground to the distance, forming an extremely complex and orderly vertical space. The right side is the open river surface, distant bridge, city skyline, and full moon night sky, forming a clear opening and closing relationship. The character is located on the riverside steps at the bottom left-center, body facing the river and the distance, walking slowly down or staying quietly, becoming the narrative focus connecting the 'prosperous mountain city' and the 'open river surface.'\\n\\nThe mountain city architecture must clearly refer to the Hongyadong style mountain stilt house group, but completely paper-cut: multi-layered wooden pavilions, dense lattices, layered corridors, cantilevered platforms, winding stairs, cornices, red lanterns, and warm light window scenes interweave, forming an overwhelming sense of vertical growth and strong depth. The architectural density is very high, but the order is clear; foreground buildings can be cropped by the frame to enhance the sense of spatial pressure and presence.\\n\\nContinuous paper art railings, lanterns, stone steps, platforms, and a few paper-carved plant silhouettes can appear in the foreground and middle ground as a frame for viewers to enter the mountain city. The right side river is open, the water has detailed paper-carved ripples and moonlight reflections, a bridge in the distance spans the river with lights on, and the distant city light sea forms dense light spots. A full moon and scattered birds are visible in the night sky; the moonlight is cold, forming a cold-warm contrast with the warm lights of the mountain city.\\n\\nThe overall color scheme is: deep crimson, warm gold, deep cyan-blue, and ivory, with a small amount of ink black for balance. Deep crimson for the pavilion bodies, character's main skirt, railings, and lantern structures; warm gold for lights, lattices, outlines, and local highlights; deep cyan-blue for the night sky, river water, and background shadows; ivory for hollow sashes, building highlights, moonlight, and some decorative paper layers. The overall colors are gorgeous and transparent, with obvious cold-warm contrast, but not muddy or dirty, do not overall black out.\\n\\nLighting and paper texture: Warm gold lights emanate from inside the pavilions, interweaving with the cold blue night and moonlight, paper layers of buildings partially glowing, river surface reflecting lights and moonlight. Paper thickness, cut patterns, hollow railings, lattices, lantern edges, and character clothing details must be extremely rich and clear. Enhance real paper fiber, slight creases, inter-layer shadows, edge translucency, and multi-layered paper sculpture structures, making the entire image look like a high-completion large East Asian paper sculpture art installation.\\n\\nThe overall image has a sense of an East Asian dream mountain city, paper-cut night tour, riverside moonlight, female growth narrative, and high-end art poster. The focus is not just 'Hongyadong night scene' but the emotional transition from 'prosperous lights to the open river.' The mountain city must be prosperous, complex, and grow upward in layers; the river surface must be open, cold, and leave breathing room; the character must become the emotional anchor from bustle to silence.\\n\\nSupplementary requirements: Strengthen the vertical space of the mountain city and the prosperity of the lights, the character is in the foreground or middle foreground but must not destroy the overall architectural pressure and depth; the entire scene must be unified as paper-cut, not just paper-art characters and realistic background.","promptZh":"9:16 竖屏，现代东亚女性梦幻 3D 剪纸艺术，现代东方剪纸艺术，分层剪纸插画，立体纸雕，精致纸刻，纸艺立体透视，分层影盒，史诗级东方纸艺奇幻，当代东方艺术海报。\n\n主题为“她从洪崖洞的灯火中走向江边”。\n\n核心叙事：一位年轻的东亚女性，从分层纸刻的山城与灯火长廊中缓缓走向江边台阶，面对江水、夜风、远桥与月光。她从繁华喧嚣的灯火深处，走向开阔、空旷的江岸边缘，仿佛在历经繁华后，终于看到了自己真正想要抵达的终点。\n\n主角为一名视觉年龄约 25 岁的成年东亚女性，清醒、独立、神秘且优雅，带有一种历经繁华后的沉静感。人物面部轮廓清晰，杏眼细长微挑，表情克制而专注。人物不看镜头，采用背影或侧背影的叙事姿态作为情感核心。\n\n发型与配饰：黑色长发低束，发尾延伸为细长飘逸的纸艺丝带，佩戴浅金色灯笼纹样与小花枝发饰。头饰轻盈精致，不复杂、不高耸。\n\n服装：深绯红、暖金与象牙白交织的分层纸艺长裙，裙摆与腰带上有极细的镂空结构，包含亭台、灯火、栏杆、波浪与城市纹样。外层腰带长而轻盈，大面积向后及侧后方铺开。服装必须具备清晰的纸张厚度、精细的切割边缘、纤维质感、轻微折痕以及博物馆级的纸雕工艺感。腰带与裙摆如同整片复杂的镂空剪纸卷轴。\n\n梦境载体为：山城纸艺亭台群与江边长廊。\n\n梦境意象包括：吊脚楼、灯火、长阶、江面、远桥、飞鸟、满月、远方城市灯海。所有建筑、人物、江水、天空、桥梁、灯笼、栏杆与植物，必须统一在高度完成的 3D 纸雕语言中，非写实摄影，非普通 CG 夜景。\n\n整体剪纸结构采用：多层舞台风格。\n\n构图与人物动线：画面左侧及上方为沿崖壁垂直生长的巨大纸刻山城。层层叠叠的吊脚楼、亭台、长廊、露台、栏杆、灯笼与小桥，从前景向远景重叠，形成极其复杂且有序的垂直空间。右侧为开阔的江面、远桥、城市天际线与满月夜空，形成明确的开合关系。人物位于左下方江边台阶处，身体朝向江面与远方，缓缓下行或静静伫立，成为连接“繁华山城”与“开阔江面”的叙事焦点。\n\n山城建筑必须明确参考洪崖洞风格的山地吊脚楼群，但完全呈现为剪纸形式：多层木质亭台、密集格栅、分层长廊、悬挑平台、蜿蜒楼梯、飞檐、红灯笼与暖光窗景交织，形成压倒性的垂直生长感与强烈的纵深感。建筑密度极高但秩序井然；前景建筑可被画框裁剪，以增强空间压迫感与临场感。\n\n连续的纸艺栏杆、灯笼、石阶、平台及少量纸刻植物剪影，可出现在前景与中景，作为观众进入山城的画框。右侧江面开阔，水面有细致的纸刻涟漪与月光倒影，远方桥梁横跨江面并亮起灯光，远方城市灯海形成密集的亮斑。夜空中可见满月与零星飞鸟；月光清冷，与山城的暖光形成冷暖对比。\n\n整体配色方案为：深绯红、暖金、深青蓝与象牙白，辅以少量水墨黑进行平衡。深绯红用于亭台主体、人物主裙、栏杆与灯笼结构；暖金用于灯火、格栅、轮廓与局部高光；深青蓝用于夜空、江水与背景阴影；象牙白用于镂空腰带、建筑高光、月光及部分装饰性纸层。整体色彩华丽通透，冷暖对比明显，但不浑浊、不脏，切忌整体黑掉。\n\n光影与纸张质感：暖金色灯光从亭台内部透出，与冷蓝色的夜空及月光交织，建筑纸层局部发光，江面反射灯光与月光。纸张厚度、切割纹样、镂空栏杆、格栅、灯笼边缘及人物服装细节必须极其丰富清晰。强化真实的纸张纤维、轻微折痕、层间阴影、边缘透光感及多层纸雕结构，使整幅画面看起来像是一件高完成度的大型东亚纸雕艺术装置。\n\n整体画面具有东亚梦幻山城、剪纸夜游、江边月色、女性成长叙事与高端艺术海报的质感。重点不在于“洪崖洞夜景”，而在于从“繁华灯火到开阔江面”的情感过渡。山城必须繁华、复杂且层层向上生长；江面必须开阔、清冷并留有呼吸感；人物必须成为从喧嚣走向寂静的情感锚点。\n\n补充要求：加强山城的垂直空间感与灯火的繁华感，人物位于前景或中前景，但绝不能破坏整体建筑的压迫感与纵深感；整个场景必须统一为剪纸风格，而非仅仅是纸艺人物配写实背景。"}