{"id":"32038","prompt":"Please transform each photo I upload into an individual high-end design poster, outputting each photo separately without stitching them together. The overall composition uses a 3:4 vertical layout, with two areas of strictly 1:1 height, each occupying 50% of the screen.\\n\\nThe top half preserves the original photo, maintaining its structural integrity, realistic texture, natural lighting, and original color atmosphere, with only slight professional color grading to give it the feel of an art magazine, travel publication, or exhibition photography. To fit the aspect ratio, sky, ground, or environmental backgrounds can be naturally extended, but the subject must not be stretched, distorted, or changed.\\n\\nThe bottom half extracts the most recognizable **subject, silhouette, posture, and narrative relationship** from the photo, re-summarizing the original scene into a horizontal watercolor ticket stub that merges postcard and receipt forms. Instead of drawing an isolated object, it preserves the most memorable relationship between the subject and the necessary environment, reorganized with simple watercolor strokes so the image clearly corresponds to the photo above while looking like a carefully collected travel sketch ticket.\\n\\nThe ticket body is suspended in the center of a large area of ivory-white negative space, using a strict **large-left, small-right geometric partition**: about 74% on the left is the watercolor image, and about 26% on the right is the information stub, precisely separated by a vertical dashed line, perforations, or a tear line. Margins are uniform, and images, text, postmarks, and numbers all follow the same implicit grid and alignment lines, creating a neat, quiet, and professional editorial order. The paper is thick matte watercolor paper with fine serrated edges and very subtle natural shadows.\\n\\nThe watercolor on the left uses a **high-brightness, low-to-medium saturation healing color palette** to re-harmonize the original colors, avoiding direct copying of dirty gray values. Priority is given to the freshest and most vibrant colors from the original, translated into a soft natural color system such as sage green, mist blue, light cyan-gray, cream yellow, warm sand, and light terracotta. Use 2–4 similar colors to build a sense of airiness, with only minimal warm contrast colors to highlight the subject. The overall feel is bright, clean, transparent, and soft, avoiding gray, yellowish, heavy brown, gaudy contrasting colors, or cheap vintage filters.\\n\\nWatercolor strokes are clear and light, preserving the paper's transparency, soft blending, wet-and-dry variations, and a small amount of grain. The subject is slightly clearer, while the background and secondary environment are naturally softened without realistic lighting or complex details, giving the image a quiet, relaxed, and gentle feel of a picture book or travel journal.\\n\\nThe right-hand stub uses a restrained **geometric information layout system**, flexibly generating a few fields like DATE, PLACE, SUBJECT, MOMENT, FIELD, NO. based on the photo content, paired with dates, numbers, dashes, dot lists, coordinate-style numbers, and a circular seal. All text is strictly aligned along a uniform left margin, baseline, and spacing, with clear hierarchical font sizes and ample white space. Postmarks can slightly overlap with the dividing line or bottom grid, creating a clever relationship between information elements and the ticket structure rather than being randomly scattered. If the theme is not urban or travel, the location field can naturally transform into an object name, state, project, chapter, season, or emotional record.\\n\\nThe overall design refers to **high-end travel postcards, vintage receipts, artist journals, watercolor publications, and modern editorial design**, emphasizing healing colors, geometric order, paper texture, and a sense of collectability. It presents a visual temperament that is fresh, gentle, quiet, neat, and exquisite without being over-designed. Avoid dirty old tones, loose layouts, floating information, complex decorations, realistic illustrations, e-commerce template vibes, or cheap vintage effects.","promptEn":"Please transform each photo I upload into an individual high-end design poster, outputting each photo separately without stitching them together. The overall composition uses a 3:4 vertical layout, with two areas of strictly 1:1 height, each occupying 50% of the screen.\\n\\nThe top half preserves the original photo, maintaining its structural integrity, realistic texture, natural lighting, and original color atmosphere, with only slight professional color grading to give it the feel of an art magazine, travel publication, or exhibition photography. To fit the aspect ratio, sky, ground, or environmental backgrounds can be naturally extended, but the subject must not be stretched, distorted, or changed.\\n\\nThe bottom half extracts the most recognizable **subject, silhouette, posture, and narrative relationship** from the photo, re-summarizing the original scene into a horizontal watercolor ticket stub that merges postcard and receipt forms. Instead of drawing an isolated object, it preserves the most memorable relationship between the subject and the necessary environment, reorganized with simple watercolor strokes so the image clearly corresponds to the photo above while looking like a carefully collected travel sketch ticket.\\n\\nThe ticket body is suspended in the center of a large area of ivory-white negative space, using a strict **large-left, small-right geometric partition**: about 74% on the left is the watercolor image, and about 26% on the right is the information stub, precisely separated by a vertical dashed line, perforations, or a tear line. Margins are uniform, and images, text, postmarks, and numbers all follow the same implicit grid and alignment lines, creating a neat, quiet, and professional editorial order. The paper is thick matte watercolor paper with fine serrated edges and very subtle natural shadows.\\n\\nThe watercolor on the left uses a **high-brightness, low-to-medium saturation healing color palette** to re-harmonize the original colors, avoiding direct copying of dirty gray values. Priority is given to the freshest and most vibrant colors from the original, translated into a soft natural color system such as sage green, mist blue, light cyan-gray, cream yellow, warm sand, and light terracotta. Use 2–4 similar colors to build a sense of airiness, with only minimal warm contrast colors to highlight the subject. The overall feel is bright, clean, transparent, and soft, avoiding gray, yellowish, heavy brown, gaudy contrasting colors, or cheap vintage filters.\\n\\nWatercolor strokes are clear and light, preserving the paper's transparency, soft blending, wet-and-dry variations, and a small amount of grain. The subject is slightly clearer, while the background and secondary environment are naturally softened without realistic lighting or complex details, giving the image a quiet, relaxed, and gentle feel of a picture book or travel journal.\\n\\nThe right-hand stub uses a restrained **geometric information layout system**, flexibly generating a few fields like DATE, PLACE, SUBJECT, MOMENT, FIELD, NO. based on the photo content, paired with dates, numbers, dashes, dot lists, coordinate-style numbers, and a circular seal. All text is strictly aligned along a uniform left margin, baseline, and spacing, with clear hierarchical font sizes and ample white space. Postmarks can slightly overlap with the dividing line or bottom grid, creating a clever relationship between information elements and the ticket structure rather than being randomly scattered. If the theme is not urban or travel, the location field can naturally transform into an object name, state, project, chapter, season, or emotional record.\\n\\nThe overall design refers to **high-end travel postcards, vintage receipts, artist journals, watercolor publications, and modern editorial design**, emphasizing healing colors, geometric order, paper texture, and a sense of collectability. It presents a visual temperament that is fresh, gentle, quiet, neat, and exquisite without being over-designed. Avoid dirty old tones, loose layouts, floating information, complex decorations, realistic illustrations, e-commerce template vibes, or cheap vintage effects.","promptZh":"请将我上传的每一张照片转换为独立的高端设计海报，并分别输出，不要将它们拼接在一起。整体构图采用 3:4 竖向布局，包含两个高度严格为 1:1 的区域，各占屏幕的 50%。\n\n上半部分保留原始照片，维持其结构完整性、真实质感、自然光影和原始色彩氛围，仅进行轻微的专业调色，使其具有艺术杂志、旅游刊物或展览摄影的质感。为适配长宽比，天空、地面或环境背景可以自然延伸，但主体不得拉伸、变形或改变。\n\n下半部分从照片中提取最具辨识度的**主体、轮廓、姿态和叙事关系**，将原始场景重新概括为融合了明信片与收据形式的横向水彩票根。它并非绘制孤立的对象，而是保留了主体与必要环境之间最令人难忘的关系，并以简洁的水彩笔触重新组织，使图像既能与上方的照片清晰对应，又看起来像一张精心收藏的旅行写生票据。\n\n票据主体悬浮在象牙白的大面积留白中心，采用严格的**左大右小几何分区**：左侧约 74% 为水彩图像，右侧约 26% 为信息存根，由垂直虚线、穿孔或撕裂线精确分隔。页边距统一，图像、文字、邮戳和数字均遵循相同的隐性网格和对齐线，营造出整洁、安静且专业的编辑秩序。纸张为带有细微锯齿边缘和极淡自然阴影的厚实哑光水彩纸。\n\n左侧的水彩部分使用**高亮度、中低饱和度的治愈系配色方案**对原始色彩进行重构，避免直接照搬脏灰色值。优先选用原始照片中最清新、最鲜活的色彩，转化为鼠尾草绿、雾霾蓝、浅青灰、奶油黄、暖沙色和浅陶土色等柔和的自然色系。使用 2–4 种相近色构建空气感，仅用极少量的暖色对比来突出主体。整体感觉明亮、干净、通透且柔和，避免使用灰色、发黄、沉重的棕色、艳俗的对比色或廉价的复古滤镜。\n\n水彩笔触清晰轻盈，保留纸张的通透感、柔和的晕染、干湿画法变化以及少量的颗粒感。主体稍显清晰，而背景和次要环境则自然柔化，无需真实光影或复杂细节，赋予图像绘本或旅行日志般安静、放松且温柔的质感。\n\n右侧存根使用克制的**几何信息排版系统**，根据照片内容灵活生成如 DATE（日期）、PLACE（地点）、SUBJECT（主题）、MOMENT（时刻）、FIELD（领域）、NO.（编号）等字段，并配以日期、数字、短横线、点列表、坐标式数字和圆形印章。所有文字严格沿统一的左边距、基线和间距对齐，字号层级清晰，留白充裕。邮戳可以与分割线或底部网格略微重叠，在信息元素与票据结构之间建立巧妙的联系，而非随意散落。如果主题并非城市或旅行，地点字段可自然转换为对象名称、状态、项目、章节、季节或情感记录。\n\n整体设计参考**高端旅行明信片、复古收据、艺术家日志、水彩出版物和现代编辑设计**，强调治愈系色彩、几何秩序、纸张质感和收藏感。呈现出一种清新、温柔、安静、整洁且精致的视觉气质，避免过度设计。拒绝脏旧色调、松散布局、漂浮信息、复杂装饰、写实插画、电商模板感或廉价的复古特效。"}