{"id":"31937","prompt":"Wardrobe:\n\nWardrobe assembly rule:\nEach FINAL WORN STATE overrides conflicting wearing-state wording only for the item descriptions it explicitly scopes or names, and only for wearing role or use, count, position, side, orientation, routing, fastening, layering, folds, tucking, and draping. Preserve those descriptions for identity, design, material, color, pattern, construction, and proportions.\n\nTop:\n\nOne solid white cropped bustier top constructed from fine translucent floral lace and narrow opaque woven binding. The silhouette is close and compact, with a shallow rectangular front envelope, two broad straight straps, and a continuous narrow lower band. A low softly squared neckline spans between the straps. The front is divided into two shallow curved lace panels by a narrow center bridge, with a horizontal opaque binding defining the lower edge of the panels and a second binding completing the base. Dense floral-and-leaf lace fills every framed panel, retaining small irregular transparent cells between the embroidered threads. The broad straps continue into the rear band, where two narrow white tie extensions form one compact bow with two balanced loops and two short finished tails. Keep the lace panels flat and distinct, the binding widths consistent, the strap paths independent, the rear bow compact, and the open lacework crisp rather than blurred into solid white fabric.\n\nOne pale sky-blue and white pinstripe longline button-front shirt in fine, lightly crinkled cotton shirting, with dense narrow white stripes running longitudinally across the main panels and sleeves and following the cut direction of the collar, placket, and cuffs. The cut is relaxed and spacious, with dropped shoulders, a straight upper section, and softly expanding volume through the lower section. A broad pointed collar frames a short exposed upper placket that continues into a full center-front opening. Long sleeves follow a generous straight line from low armscyes and narrow into deep rectangular cuffs. Clean side seams, a narrow stitched front placket, and an extended shirttail hem with curved front and rear edges and short side separations complete the panels. Small matte cream four-hole buttons are evenly spaced along the placket. Preserve the fine stripe spacing, crisp pattern alignment, airy shirt volume, clean collar points, controlled cuff structure, and dry woven surface without swollen seams, melted stripes, or fuzzy edges.\n\nFinal worn state:\nFor the second item description above only:\n- Front closure: Engage every existing front closure from the top edge to the bottom edge and align the two front edges continuously on the anatomical center front. Leave no open interval, offset panel, or invented fastening. FINAL FASTENING STATE: every selected closed position is physically connected to its matching receiver; every selected open position is visibly disconnected, and panel overlap does not imitate a fastening.\n- Sleeves: Release both cuff and sleeve-placket closures, then turn each sleeve outward in broad folds. Position both rolled bands immediately below the elbow points. Preserve both cuffs and keep every fold below the elbows. Do not push either roll above an elbow, hide a cuff, or leave one sleeve at the wrist.\n- Layering: Layer this garment underneath the first item description under Top across the upper body regardless of whether either garment has a front opening. Preserve each garment's selected or source-default closure state and expose only the inner garment's neckline, collar, cuffs, sleeves, or hem where the outer garment does not physically cover them. Change only the inside-outside order; do not invent an opening or fastening, merge the garments, or route either garment through the other's neckline, armhole, sleeve, seam, or panel.\n- Finish — Natural: Use a few broad soft folds with modest overlap and small large-scale asymmetry while preserving every cuff, hem, seam, and hardware component.\n\nFor the second item description under Top and the first item description under Top together only:\n- Finish — Relaxed: At the real upper-body overlap at the neckline, armholes, sides, and hems, compress mainly this covered inner garment and let the outer target yield only locally; let only a few broad folds leave those boundaries and descend within each garment's own panels. Preserve both garments' necklines, armholes, straps, sleeves, seams, closures, and hems. Use light stable contact and broader material-correct ease without changing the selected layer order.\n\nBottom: One charcoal-grey two-tier pleated mini skirt made from lightweight opaque woven fabric with a smooth matte-to-soft-luster face, crisp fold memory, and fluid movement. A clean fitted waistband supports a full upper tier formed from broad regular knife pleats that open into a short circular flare. A second pleated tier is joined beneath the first tier and expands to a slightly deeper lower flare, producing two clearly separated horizontal levels without merging their pleat systems. Every tier edge is finished with one narrow white gathered ruffle tape that remains continuously visible as a bright border against the grey ground. One small muted lavender-grey rectangular woven label is centered on a lower-front outer section, framed by a narrow white scalloped border and carrying the exact two-line inscription “Moonlit” in large white cursive above “Daydream” in smaller white cursive. Keep both tiers evenly distributed, the pleat ridges sharply legible, the white edge trims narrow and continuous, and the rear construction consistent with the same two-tier pleated assembly.\n\nLegwear: One matching pair of warm-ivory knee-high socks, displayed side by side as complete footed products. Opaque fine-rib knit with a soft matte finish, straight tubular shafts, gently shaped heels and toes, and wide plain elasticized cuffs with a subtle folded appearance. Uniform warm-ivory color throughout, tonal linking at the toes, no logos, no stripes, no lace, no graphics.\n\nFootwear: Create one anatomically mirrored matching pair of white low-top lace-up sneakers with rounded shell toes and flat white rubber cupsoles. Build each upper from smooth white leather panels with a low padded collar, seven paired lace positions, flat white laces, a straight central tongue, and a ribbed molded rubber shell covering the complete toe cap. Apply three parallel black stepped bands to the outer quarter, each band formed from two solid diagonal rectangular segments separated by one narrow vertical gap; keep the three bands equal in width and evenly spaced. Add one compact white rectangular tongue label printed with the clearly legible uppercase word “SOLSTICE” in black condensed lettering. Finish the sole with a fine textured sidewall and shallow dark outsole edge, keeping the complete pair identical except for anatomical mirroring, with precise panel stitching, balanced lacing, clean black-white separation, and no graphics outside the confirmed quarter and tongue zones.\n\nBag:\n\nOne compact metallic-silver mini tote bag with a softly structured rectangular body, narrow side gussets, rounded lower corners, and a flat reinforced base. Smooth reflective synthetic leather covers the body with crisp silver edge binding and tonal stitching. Two short rolled top handles attach through rectangular stitched tabs, while one long narrow adjustable strap connects to small silver swivel clasps at the upper side rings and includes a matching slider buckle. A single silver zipper closes the straight top opening and terminates at compact end tabs. Keep the broad faces plain and uninterrupted, with pale-gray lining and no text, patches, appliqués, or decorative ornaments.\n\nFinal worn state:\n- Bag carry: VIEW: FRONT/NEAR-FRONT SUPPO","promptEn":"Wardrobe:\n\nWardrobe assembly rule:\nEach FINAL WORN STATE overrides conflicting wearing-state wording only for the item descriptions it explicitly scopes or names, and only for wearing role or use, count, position, side, orientation, routing, fastening, layering, folds, tucking, and draping. Preserve those descriptions for identity, design, material, color, pattern, construction, and proportions.\n\nTop:\n\nOne solid white cropped bustier top constructed from fine translucent floral lace and narrow opaque woven binding. The silhouette is close and compact, with a shallow rectangular front envelope, two broad straight straps, and a continuous narrow lower band. A low softly squared neckline spans between the straps. The front is divided into two shallow curved lace panels by a narrow center bridge, with a horizontal opaque binding defining the lower edge of the panels and a second binding completing the base. Dense floral-and-leaf lace fills every framed panel, retaining small irregular transparent cells between the embroidered threads. The broad straps continue into the rear band, where two narrow white tie extensions form one compact bow with two balanced loops and two short finished tails. Keep the lace panels flat and distinct, the binding widths consistent, the strap paths independent, the rear bow compact, and the open lacework crisp rather than blurred into solid white fabric.\n\nOne pale sky-blue and white pinstripe longline button-front shirt in fine, lightly crinkled cotton shirting, with dense narrow white stripes running longitudinally across the main panels and sleeves and following the cut direction of the collar, placket, and cuffs. The cut is relaxed and spacious, with dropped shoulders, a straight upper section, and softly expanding volume through the lower section. A broad pointed collar frames a short exposed upper placket that continues into a full center-front opening. Long sleeves follow a generous straight line from low armscyes and narrow into deep rectangular cuffs. Clean side seams, a narrow stitched front placket, and an extended shirttail hem with curved front and rear edges and short side separations complete the panels. Small matte cream four-hole buttons are evenly spaced along the placket. Preserve the fine stripe spacing, crisp pattern alignment, airy shirt volume, clean collar points, controlled cuff structure, and dry woven surface without swollen seams, melted stripes, or fuzzy edges.\n\nFinal worn state:\nFor the second item description above only:\n- Front closure: Engage every existing front closure from the top edge to the bottom edge and align the two front edges continuously on the anatomical center front. Leave no open interval, offset panel, or invented fastening. FINAL FASTENING STATE: every selected closed position is physically connected to its matching receiver; every selected open position is visibly disconnected, and panel overlap does not imitate a fastening.\n- Sleeves: Release both cuff and sleeve-placket closures, then turn each sleeve outward in broad folds. Position both rolled bands immediately below the elbow points. Preserve both cuffs and keep every fold below the elbows. Do not push either roll above an elbow, hide a cuff, or leave one sleeve at the wrist.\n- Layering: Layer this garment underneath the first item description under Top across the upper body regardless of whether either garment has a front opening. Preserve each garment's selected or source-default closure state and expose only the inner garment's neckline, collar, cuffs, sleeves, or hem where the outer garment does not physically cover them. Change only the inside-outside order; do not invent an opening or fastening, merge the garments, or route either garment through the other's neckline, armhole, sleeve, seam, or panel.\n- Finish — Natural: Use a few broad soft folds with modest overlap and small large-scale asymmetry while preserving every cuff, hem, seam, and hardware component.\n\nFor the second item description under Top and the first item description under Top together only:\n- Finish — Relaxed: At the real upper-body overlap at the neckline, armholes, sides, and hems, compress mainly this covered inner garment and let the outer target yield only locally; let only a few broad folds leave those boundaries and descend within each garment's own panels. Preserve both garments' necklines, armholes, straps, sleeves, seams, closures, and hems. Use light stable contact and broader material-correct ease without changing the selected layer order.\n\nBottom: One charcoal-grey two-tier pleated mini skirt made from lightweight opaque woven fabric with a smooth matte-to-soft-luster face, crisp fold memory, and fluid movement. A clean fitted waistband supports a full upper tier formed from broad regular knife pleats that open into a short circular flare. A second pleated tier is joined beneath the first tier and expands to a slightly deeper lower flare, producing two clearly separated horizontal levels without merging their pleat systems. Every tier edge is finished with one narrow white gathered ruffle tape that remains continuously visible as a bright border against the grey ground. One small muted lavender-grey rectangular woven label is centered on a lower-front outer section, framed by a narrow white scalloped border and carrying the exact two-line inscription “Moonlit” in large white cursive above “Daydream” in smaller white cursive. Keep both tiers evenly distributed, the pleat ridges sharply legible, the white edge trims narrow and continuous, and the rear construction consistent with the same two-tier pleated assembly.\n\nLegwear: One matching pair of warm-ivory knee-high socks, displayed side by side as complete footed products. Opaque fine-rib knit with a soft matte finish, straight tubular shafts, gently shaped heels and toes, and wide plain elasticized cuffs with a subtle folded appearance. Uniform warm-ivory color throughout, tonal linking at the toes, no logos, no stripes, no lace, no graphics.\n\nFootwear: Create one anatomically mirrored matching pair of white low-top lace-up sneakers with rounded shell toes and flat white rubber cupsoles. Build each upper from smooth white leather panels with a low padded collar, seven paired lace positions, flat white laces, a straight central tongue, and a ribbed molded rubber shell covering the complete toe cap. Apply three parallel black stepped bands to the outer quarter, each band formed from two solid diagonal rectangular segments separated by one narrow vertical gap; keep the three bands equal in width and evenly spaced. Add one compact white rectangular tongue label printed with the clearly legible uppercase word “SOLSTICE” in black condensed lettering. Finish the sole with a fine textured sidewall and shallow dark outsole edge, keeping the complete pair identical except for anatomical mirroring, with precise panel stitching, balanced lacing, clean black-white separation, and no graphics outside the confirmed quarter and tongue zones.\n\nBag:\n\nOne compact metallic-silver mini tote bag with a softly structured rectangular body, narrow side gussets, rounded lower corners, and a flat reinforced base. Smooth reflective synthetic leather covers the body with crisp silver edge binding and tonal stitching. Two short rolled top handles attach through rectangular stitched tabs, while one long narrow adjustable strap connects to small silver swivel clasps at the upper side rings and includes a matching slider buckle. A single silver zipper closes the straight top opening and terminates at compact end tabs. Keep the broad faces plain and uninterrupted, with pale-gray lining and no text, patches, appliqués, or decorative ornaments.\n\nFinal worn state:\n- Bag carry: VIEW: FRONT/NEAR-FRONT SUPPO","promptZh":"衣橱：\n\n衣橱搭配规则：\n每一项“最终穿着状态”仅针对其明确界定或命名的单品描述覆盖冲突的穿着状态措辞，且仅限于穿着角色或用途、数量、位置、侧向、朝向、方向、固定方式、叠穿、褶皱、塞入和垂坠。请保留这些单品在身份、设计、材质、颜色、图案、结构和比例方面的描述。\n\n上装：\n\n一件纯白色短款胸衣，由精致的半透明花卉蕾丝和窄边不透明织物包边制成。廓形紧凑贴身，正面呈浅矩形，配有两条宽直肩带和一条连续的窄底边。肩带之间为低位柔和的方形领口。正面由一条窄窄的中心连接带分为两个浅弧形蕾丝面板，水平的不透明包边定义了面板的下边缘，第二条包边构成了底座。致密的花叶蕾丝填满了每一个框架面板，在刺绣线之间保留了细小且不规则的透明网眼。宽肩带延伸至后背带，两条窄白色系带末端形成一个紧凑的蝴蝶结，带有两个对称的环和两条短而利落的尾端。保持蕾丝面板平整且轮廓分明，包边宽度一致，肩带路径独立，后背蝴蝶结紧凑，镂空蕾丝花纹清晰，而非模糊成纯白色织物。\n\n一件浅天蓝色与白色细条纹长款前开襟衬衫，采用精致、轻微褶皱的棉质衬衫面料，致密的窄白色条纹纵向贯穿主面板和袖子，并顺应衣领、门襟和袖口的剪裁方向。剪裁宽松宽敞，落肩设计，上部平直，下部体积柔和扩张。宽大的尖领勾勒出短小的外露上门襟，并延伸至完整的中心前开口。长袖从低位袖窿处顺延出宽大的直线，并在袖口处收窄为深矩形。利落的侧缝、窄缝合前门襟，以及带有弧形前后边缘和短侧开叉的加长衬衫下摆完善了整体面板。哑光奶油色四孔小纽扣沿门襟均匀排列。保留细条纹间距、清晰的图案对齐、空气感的衬衫体积、利落的领尖、受控的袖口结构以及干爽的织物表面，避免接缝肿胀、条纹融化或边缘模糊。\n\n最终穿着状态：\n仅针对上述第二项单品描述：\n- 前襟闭合：从顶端到底端扣好所有现有的前襟扣子，并将两个前边缘在人体解剖学中心位置连续对齐。不要留下开口间隙、错位面板或虚构的固定方式。最终固定状态：每个选定的闭合位置均物理连接至其对应的扣眼；每个选定的开启位置均可见地断开，且面板重叠部分不得模仿闭合效果。\n- 袖子：解开袖口和袖衩扣子，然后将每只袖子向外大范围翻折。将两个卷边位置固定在肘部正下方。保留袖口，并将所有褶皱保持在肘部以下。不要将任何卷边推至肘部以上，不要隐藏袖口，也不要让一只袖子保持在手腕处。\n- 叠穿：将此单品叠穿在“上装”第一项描述的单品之下，覆盖上半身，无论该单品是否有前开口。保留每件单品的选定或默认闭合状态，仅在外部单品未物理覆盖的地方露出内部单品的领口、衣领、袖口、袖子或下摆。仅改变内外顺序；不要虚构开口或固定方式，不要合并单品，也不要将一件单品穿过另一件单品的领口、袖孔、袖子、接缝或面板。\n- 呈现效果 — 自然：使用少量宽大柔和的褶皱，带有适度的重叠和细微的大尺度不对称感，同时保留每一个袖口、下摆、接缝和五金组件。\n\n仅针对“上装”下的第二项单品和第一项单品共同使用：\n- 呈现效果 — 休闲：在领口、袖孔、侧面和下摆的实际重叠处，主要压缩内部被覆盖的单品，让外部目标单品仅在局部产生形变；仅让少量宽大的褶皱离开这些边界，并在各自单品的面板内延伸。保留两件单品的领口、袖孔、肩带、袖子、接缝、闭合方式和下摆。使用轻盈稳定的接触和更符合材质特性的自然余量，且不改变选定的叠穿顺序。\n\n下装：一件炭灰色双层百褶迷你裙，采用轻质不透明织物制成，表面呈哑光至柔和光泽感，具有清晰的折痕记忆和流畅的动感。利落的合身腰头支撑着完整的上层，由宽大的规则刀褶组成，展开后呈短小的圆形裙摆。第二层百褶裙连接在第一层下方，并向外扩张形成稍深的下层裙摆，产生两个清晰分离的水平层次，且不合并其褶皱系统。每一层边缘均饰有一条窄白色褶皱饰带，作为灰色底色上的明亮边框持续可见。裙身前下方外侧居中位置有一枚小巧的哑光薰衣草灰色矩形织物标签，边缘饰有窄白色扇形花边，上面印有两行精确铭文：大号白色草书“Moonlit”，下方为较小的白色草书“Daydream”。保持两层分布均匀，褶皱脊线清晰可见，白色边缘饰带窄而连续，后部结构与双层百褶裙整体保持一致。\n\n袜类：一对配套的暖象牙色及膝袜，作为完整的足部产品并排展示。不透明细罗纹针织，哑光质感，直筒袜身，带有柔和塑形的脚后跟和脚趾，以及带有细微折叠外观的宽大平纹弹性袜口。通体呈现统一的暖象牙色，脚趾处采用同色系缝合，无标志、无条纹、无蕾丝、无图案。\n\n鞋类：制作一对解剖学镜像对称的白色低帮系带运动鞋，配有圆形贝壳头和扁平白色橡胶杯底。鞋面由光滑的白色皮革面板构成，配有低位加厚鞋领、七对系带孔、扁平白色鞋带、直中心鞋舌，以及覆盖整个鞋头的罗纹模压橡胶贝壳头。在外侧鞋身应用三条平行的黑色阶梯状条纹，每条条纹由两个实心对角矩形段组成，中间由一个窄垂直间隙隔开；保持三条条纹宽度相等且间距均匀。添加一个紧凑的白色矩形鞋舌标签，上面用黑色压缩字体清晰印有大写单词“SOLSTICE”。鞋底采用细纹侧壁和浅色外底边缘，确保整双鞋完全一致（解剖学镜像除外），面板缝合精确，系带平衡，黑白分界清晰，且在确认的鞋身和鞋舌区域外无任何图案。\n\n包袋：\n\n一个紧凑的金属银色迷你托特包，具有柔和结构的矩形包身、窄侧角撑、圆润的底部边角和扁平的加固底座。光滑的反光合成皮革覆盖包身，配有清晰的银色包边和同色系缝线。两个短卷式顶部手柄通过矩形缝合片连接，一条长而窄的可调节肩带通过上侧环上的小型银色旋转扣连接，并配有配套的滑动扣。单条银色拉链闭合直顶开口，并以紧凑的末端片收尾。保持宽大的包面平整且无干扰，内衬为浅灰色，无文字、贴布、贴花或装饰性饰品。\n\n最终穿着状态：\n- 包袋携带：视图：正面/近正面支撑"}