{"id":"31502","prompt":"Construct any future theme into a retro cultural poster with a black background and strong flattening: at first glance, you see a large-scale high-contrast title and a group of thematic graphics repeated along depth and misplaced layer by layer. Text and images together form an oppressive black-and-white geometric composition rather than independent information areas. Use a nearly pure black background to carry heavy warm white text, with small amounts of dark red-brown or old gold used only for fine horizontal lines, explanatory text, and weak emphasis; let the big title occupy the main visual weight at the top, and the information is divided into several nested cards with black backgrounds and white borders, interspersed with thematic objects along diagonal or stepped paths, creating a spatial rhythm like printed layouts being continuously copied, ghosted, and misplaced. The subject of the future theme should be dismantled into repeatable outlines, borders, or stacked slices, sharing the same hard-edged ink logic with cards, titles, and thin lines, forming a relationship where text and images block, intersperse, and nest within each other. The typeface adopts a high-contrast, narrow, and sculpted structure: heavy stems, obvious thickness contrast between horizontal and vertical strokes, sharp or slightly irregular corners at the endpoints, hard turns, and narrow internal cavities while maintaining long-distance recognition; no matter how the text system changes, it maintains tight character spacing, strong line spacing contrast, and a reading beat from large titles to small notes, making punctuation, accents, or other text marks obey the overall geometric axis. The image retains only a small amount of form that can support theme recognition, using layers of black, gray, and warm white and tough outlines, without adding soft gradients, commercial-grade polishing, or decorative details. Retain restrained traces of low-definition copying, slight misalignment, rough edges, local uneven inking, and old printing, but do not create serious damage out of thin air; the overall piece must look like a flat system completed by limited ink, repeating screens, and manual typesetting.","promptEn":"Construct any future theme into a retro cultural poster with a black background and strong flattening: at first glance, you see a large-scale high-contrast title and a group of thematic graphics repeated along depth and misplaced layer by layer. Text and images together form an oppressive black-and-white geometric composition rather than independent information areas. Use a nearly pure black background to carry heavy warm white text, with small amounts of dark red-brown or old gold used only for fine horizontal lines, explanatory text, and weak emphasis; let the big title occupy the main visual weight at the top, and the information is divided into several nested cards with black backgrounds and white borders, interspersed with thematic objects along diagonal or stepped paths, creating a spatial rhythm like printed layouts being continuously copied, ghosted, and misplaced. The subject of the future theme should be dismantled into repeatable outlines, borders, or stacked slices, sharing the same hard-edged ink logic with cards, titles, and thin lines, forming a relationship where text and images block, intersperse, and nest within each other. The typeface adopts a high-contrast, narrow, and sculpted structure: heavy stems, obvious thickness contrast between horizontal and vertical strokes, sharp or slightly irregular corners at the endpoints, hard turns, and narrow internal cavities while maintaining long-distance recognition; no matter how the text system changes, it maintains tight character spacing, strong line spacing contrast, and a reading beat from large titles to small notes, making punctuation, accents, or other text marks obey the overall geometric axis. The image retains only a small amount of form that can support theme recognition, using layers of black, gray, and warm white and tough outlines, without adding soft gradients, commercial-grade polishing, or decorative details. Retain restrained traces of low-definition copying, slight misalignment, rough edges, local uneven inking, and old printing, but do not create serious damage out of thin air; the overall piece must look like a flat system completed by limited ink, repeating screens, and manual typesetting.","promptZh":"将任何 未来主题 构建为一张具有 黑色背景 和强烈扁平化效果的复古文化海报：乍看之下，你会看到一个大比例的高对比度标题，以及一组沿深度方向重复并逐层错位的专题图形。文字与图像共同构成了一种压迫性的黑白几何构图，而非独立的视觉区域。使用近乎纯黑的背景承载厚重的暖白色文字，仅在细横线、说明性文字和微弱强调处使用少量 深红棕色或古金色；让大标题占据顶部的视觉重心，信息被划分为若干嵌套的黑底白边卡片，并沿对角线或阶梯路径穿插专题对象，营造出如同印刷版面被不断复制、重影和错位般的空间节奏。未来主题的主体应被拆解为可重复的轮廓、边框或堆叠切片，与卡片、标题和细线共享相同的硬边油墨逻辑，形成文字与图像相互遮挡、穿插和嵌套的关系。字体采用高对比度、窄体且具有雕塑感的结构：笔画粗壮，横竖笔画粗细对比明显，端点处呈现锐利或略微不规则的转角，转折生硬，内部空间狭窄但保持远距离识别度；无论文字系统如何变化，始终保持紧凑的字间距、强烈的行间距对比，以及从大标题到小注脚的阅读节奏，使标点、重音或其他文本标记服从于整体的几何轴线。图像仅保留少量足以支撑主题识别的形态，使用黑、灰、暖白多层叠加及硬朗轮廓，不添加柔和渐变、商业级润色或装饰性细节。保留适度的低清晰度复印痕迹、轻微错位、粗糙边缘、局部油墨不均和旧式印刷感，但不要凭空制造严重的破损；整体作品必须看起来像是一个由有限油墨、重复网点和手工排版完成的扁平化系统。"}