{"id":"31330","prompt":"Goal: Create a vertical comparison image showing the same white Toyota Celica GT-Four in three stacked photographic panels, comparing three realism styles: a real car, a real car photographed to look like a miniature, and a plastic model photographed to look like a real car.\n\nCanvas: Portrait 3:4 composition, 768 × 1024 style, divided into exactly 3 equal horizontal panels separated by thin white divider lines. No captions or overlay text outside the car details.\n\nSubject: A white Toyota Celica GT-Four ST205 shown from a front-left three-quarter angle, low stance, white multi-spoke wheels, large rear wing, hood vent, round twin headlamps, front bumper fog lights, side decal reading “GT-FOUR,” and a Japanese license plate with the visible number 22-31. The car should remain visually consistent across all three panels.\n\nSetting: Nighttime urban industrial road scene in Japan, wet asphalt after rain, reflective puddles, concrete pillars, chain-link fencing, bridge or elevated roadway structures, and warm streetlights receding into the background with bokeh.\n\nPanel 1: Top panel shows the real full-size car photographed naturally. Sharp, realistic automotive photography, crisp body details, accurate proportions, deep reflections on wet pavement, moderate background blur, cinematic night lighting.\n\nPanel 2: Middle panel shows the same real car but photographed to look miniature. Use tilt-shift depth of field, stronger blur at foreground and background, slightly toy-like scale illusion, softened details, shiny wet road reflections, and a more diorama-like feel while still using the same viewpoint.\n\nPanel 3: Bottom panel shows a plastic scale model of the same car photographed to look like a real full-size car. Keep the car highly realistic but subtly model-like in the surface finish and fine details; use shallow depth of field, realistic reflections, convincing low-angle automotive composition, and the same wet night street environment.\n\nVisual style: High-quality photorealistic comparison, cinematic contrast, glossy white paint, warm orange and cool blue night tones, realistic lens bokeh, no people, no extra vehicles, no logos or watermarks. Maintain exactly 3 panels and exactly 1 car per panel.","promptEn":"Goal: Create a vertical comparison image showing the same white Toyota Celica GT-Four in three stacked photographic panels, comparing three realism styles: a real car, a real car photographed to look like a miniature, and a plastic model photographed to look like a real car.\n\nCanvas: Portrait 3:4 composition, 768 × 1024 style, divided into exactly 3 equal horizontal panels separated by thin white divider lines. No captions or overlay text outside the car details.\n\nSubject: A white Toyota Celica GT-Four ST205 shown from a front-left three-quarter angle, low stance, white multi-spoke wheels, large rear wing, hood vent, round twin headlamps, front bumper fog lights, side decal reading “GT-FOUR,” and a Japanese license plate with the visible number 22-31. The car should remain visually consistent across all three panels.\n\nSetting: Nighttime urban industrial road scene in Japan, wet asphalt after rain, reflective puddles, concrete pillars, chain-link fencing, bridge or elevated roadway structures, and warm streetlights receding into the background with bokeh.\n\nPanel 1: Top panel shows the real full-size car photographed naturally. Sharp, realistic automotive photography, crisp body details, accurate proportions, deep reflections on wet pavement, moderate background blur, cinematic night lighting.\n\nPanel 2: Middle panel shows the same real car but photographed to look miniature. Use tilt-shift depth of field, stronger blur at foreground and background, slightly toy-like scale illusion, softened details, shiny wet road reflections, and a more diorama-like feel while still using the same viewpoint.\n\nPanel 3: Bottom panel shows a plastic scale model of the same car photographed to look like a real full-size car. Keep the car highly realistic but subtly model-like in the surface finish and fine details; use shallow depth of field, realistic reflections, convincing low-angle automotive composition, and the same wet night street environment.\n\nVisual style: High-quality photorealistic comparison, cinematic contrast, glossy white paint, warm orange and cool blue night tones, realistic lens bokeh, no people, no extra vehicles, no logos or watermarks. Maintain exactly 3 panels and exactly 1 car per panel.","promptZh":"Goal: Create a vertical comparison image showing the same white Toyota Celica GT-Four in three stacked photographic panels, comparing three realism styles: a real car, a real car photographed to look like a miniature, and a plastic model photographed to look like a real car.\n\nCanvas: Portrait 3:4 composition, 768 × 1024 style, divided into exactly 3 equal horizontal panels separated by thin white divider lines. No captions or overlay text outside the car details.\n\nSubject: A white Toyota Celica GT-Four ST205 shown from a front-left three-quarter angle, low stance, white multi-spoke wheels, large rear wing, hood vent, round twin headlamps, front bumper fog lights, side decal reading “GT-FOUR,” and a Japanese license plate with the visible number 22-31. The car should remain visually consistent across all three panels.\n\nSetting: Nighttime urban industrial road scene in Japan, wet asphalt after rain, reflective puddles, concrete pillars, chain-link fencing, bridge or elevated roadway structures, and warm streetlights receding into the background with bokeh.\n\nPanel 1: Top panel shows the real full-size car photographed naturally. Sharp, realistic automotive photography, crisp body details, accurate proportions, deep reflections on wet pavement, moderate background blur, cinematic night lighting.\n\nPanel 2: Middle panel shows the same real car but photographed to look miniature. Use tilt-shift depth of field, stronger blur at foreground and background, slightly toy-like scale illusion, softened details, shiny wet road reflections, and a more diorama-like feel while still using the same viewpoint.\n\nPanel 3: Bottom panel shows a plastic scale model of the same car photographed to look like a real full-size car. Keep the car highly realistic but subtly model-like in the surface finish and fine details; use shallow depth of field, realistic reflections, convincing low-angle automotive composition, and the same wet night street environment.\n\nVisual style: High-quality photorealistic comparison, cinematic contrast, glossy white paint, warm orange and cool blue night tones, realistic lens bokeh, no people, no extra vehicles, no logos or watermarks. Maintain exactly 3 panels and exactly 1 car per panel."}