{"id":"30120","prompt":"Generate one 4:5 vertical live-action photograph.\n\n[Person]\nUse the person in the attached image as the sole reference for identity. Maintain the facial features, age, skin, body type, overall balance, and personality visible in the attached image. Keep the hair color from the image, but prioritize the hairstyle specified below. Do not inherit the clothing, background, composition, or pose from the attached image; prioritize the scene below. Create a single finished photograph rather than a reference sheet or multiple cuts.\n\n[Hairstyle]\nGather long hair into a loose bun at a low position just above the nape of the neck. The volume should be a messy low side chignon or a low ponytail-style updo, shifted slightly towards the person's left shoulder from the lower back of the head. Do not tie it high above the ears. Do not leave the majority of the hair hanging long down the back. Avoid short bobs, high buns at the crown, stiff traditional Japanese styles, or a single straight braid.\nLeave thin, curled strands of hair on both sides of the face, softly framing from the cheeks to the outside of the chin. Also leave thin strands around the nape and ears, making fine flyaways glow golden in backlighting.\nAttach one small white flower decoration behind the person's left ear at the base of the low bun, with a thin white ribbon hanging shortly from it. Thin brown-toned sunglasses rest on top of the head. Small, swinging silver earrings.\nIn the final check, ensure these three points are visible: 'hair is loosely gathered low at the nape,' 'there are curled strands around the face,' and 'there is a white flower and thin ribbon beside the low bun.'\n\n[Scene]\nA sunny summer afternoon in a narrow alley of an old Japanese shopping district. Low wooden shop fronts, eaves, plants, and stone or tile paving stretching into the distance. A traditional street with a lived-in feel, not overly commercialized. The background behind the person is naturally blurred with a shallow depth of field, turning shop fronts and greenery into soft bokeh. Blur text on signs so it's illegible, and do not draw meaningful text or logos.\n\n[Expression/Posture]\nThe person from the attached image looks straight at the camera with a bright, natural smile as if handing a ramune soda to someone close. A joyful way of laughing with the mouth open slightly wide and eyes smiling too. Skin should have a realistic natural texture, avoiding excessive smoothing or doll-like expressions.\nThe person is slightly to the right of the center. Tilt the upper body forward slightly to create a sense of dynamic movement as if approaching.\n\n[Yukata]\nA summer yukata with a ground color of white to off-white. Large flower patterns are placed sparsely, with flowers in pale coral pink, salmon orange, light aqua, and minty turquoise. Include multiple flat, cute black cat silhouette patterns between the flower designs.\nThe obi belt is tied correctly around the waist. A calm color scheme featuring a black belt on top, a wider ivory to light beige in the middle, and a thin deep red accent visible. Ensure the collar alignment, sleeves, and obi structure are natural and consistent.\n\n[Pose and Ramune]\nThe person's right arm is extended largely towards the camera, offering an old-fashioned transparent glass ramune bottle. The arm and bottle appear large in the foreground with strong perspective. The bottle has a blue to turquoise cap, a narrow neck, and a unique shape where you can feel the marble stopper. Do not use ordinary PET bottles or water bottles.\nPlace the bottle and hand in the left foreground, slightly softer in focus than the face. Fingers should grip the bottle naturally without merging hand and bottle.\n\n[Basket]\nThe opposite left hand, next to the thigh, holds a small Japanese summer-style handbag.\nIt is not just a cloth tote bag. The exterior is a rigid, oval to small cylindrical lattice basket frame made of brown bamboo or rattan, with short brown handles. Inside the rattan lattice, a cloth drawstring pouch with a yellow and white gingham check pattern is clearly visible. Always maintain the two-layer structure of 'brown rattan basket outer frame + yellow and white gingham cloth inner bag'; do not replace it with just a soft cloth bag.\n\n[Composition/Camera]\nA close-up vertical snapshot. Light wide-angle equivalent to 24mm to 28mm. Slightly above or nearly at eye level. Emphasize the perspective of the extended arm and ramune bottle.\nWithin the 4:5 frame, include from a small margin above the head down to near the knees. The face is around the top third. The ramune bottle is in the front left and the basket is in the bottom right, both recognizable without being cut off too much. Maintain a natural snapshot feel while making the yukata, bottle, and basket identifiable.\n\n[Light]\nStrong summer backlighting from the top right background. Warm rim light on hair, cheeks, shoulders, and sleeves. The sky area in the background is bright and white, with subtle lens flare and bokeh. Keep the face bright with soft natural light, not crushed into darkness. Limit blowouts to the area around the light source in the background.\n\n[Finish]\nHigh quality but not overproduced, with an intimate realistic feel like it was taken with a smartphone or small camera. Clarify natural skin, fine hair, yukata weave, glass bottle, and bamboo or rattan textures. Colors should be fresh, with white, coral, light aqua, and yellow harmonizing in a summery way.\n\n[Completion Conditions]\nMaintain the identity of the person in the attached image. Do not include long hanging hair, short bobs, high updos, ordinary PET bottles, bags without a rattan frame, extra people, extra limbs or fingers, broken hands, merging of bottle and hand, messy yukata or obi, readable text, logos, watermarks, collage, illustrative style, or excessive CG feel.","promptEn":"Generate one 4:5 vertical live-action photograph.\n\n[Person]\nUse the person in the attached image as the sole reference for identity. Maintain the facial features, age, skin, body type, overall balance, and personality visible in the attached image. Keep the hair color from the image, but prioritize the hairstyle specified below. Do not inherit the clothing, background, composition, or pose from the attached image; prioritize the scene below. Create a single finished photograph rather than a reference sheet or multiple cuts.\n\n[Hairstyle]\nGather long hair into a loose bun at a low position just above the nape of the neck. The volume should be a messy low side chignon or a low ponytail-style updo, shifted slightly towards the person's left shoulder from the lower back of the head. Do not tie it high above the ears. Do not leave the majority of the hair hanging long down the back. Avoid short bobs, high buns at the crown, stiff traditional Japanese styles, or a single straight braid.\nLeave thin, curled strands of hair on both sides of the face, softly framing from the cheeks to the outside of the chin. Also leave thin strands around the nape and ears, making fine flyaways glow golden in backlighting.\nAttach one small white flower decoration behind the person's left ear at the base of the low bun, with a thin white ribbon hanging shortly from it. Thin brown-toned sunglasses rest on top of the head. Small, swinging silver earrings.\nIn the final check, ensure these three points are visible: 'hair is loosely gathered low at the nape,' 'there are curled strands around the face,' and 'there is a white flower and thin ribbon beside the low bun.'\n\n[Scene]\nA sunny summer afternoon in a narrow alley of an old Japanese shopping district. Low wooden shop fronts, eaves, plants, and stone or tile paving stretching into the distance. A traditional street with a lived-in feel, not overly commercialized. The background behind the person is naturally blurred with a shallow depth of field, turning shop fronts and greenery into soft bokeh. Blur text on signs so it's illegible, and do not draw meaningful text or logos.\n\n[Expression/Posture]\nThe person from the attached image looks straight at the camera with a bright, natural smile as if handing a ramune soda to someone close. A joyful way of laughing with the mouth open slightly wide and eyes smiling too. Skin should have a realistic natural texture, avoiding excessive smoothing or doll-like expressions.\nThe person is slightly to the right of the center. Tilt the upper body forward slightly to create a sense of dynamic movement as if approaching.\n\n[Yukata]\nA summer yukata with a ground color of white to off-white. Large flower patterns are placed sparsely, with flowers in pale coral pink, salmon orange, light aqua, and minty turquoise. Include multiple flat, cute black cat silhouette patterns between the flower designs.\nThe obi belt is tied correctly around the waist. A calm color scheme featuring a black belt on top, a wider ivory to light beige in the middle, and a thin deep red accent visible. Ensure the collar alignment, sleeves, and obi structure are natural and consistent.\n\n[Pose and Ramune]\nThe person's right arm is extended largely towards the camera, offering an old-fashioned transparent glass ramune bottle. The arm and bottle appear large in the foreground with strong perspective. The bottle has a blue to turquoise cap, a narrow neck, and a unique shape where you can feel the marble stopper. Do not use ordinary PET bottles or water bottles.\nPlace the bottle and hand in the left foreground, slightly softer in focus than the face. Fingers should grip the bottle naturally without merging hand and bottle.\n\n[Basket]\nThe opposite left hand, next to the thigh, holds a small Japanese summer-style handbag.\nIt is not just a cloth tote bag. The exterior is a rigid, oval to small cylindrical lattice basket frame made of brown bamboo or rattan, with short brown handles. Inside the rattan lattice, a cloth drawstring pouch with a yellow and white gingham check pattern is clearly visible. Always maintain the two-layer structure of 'brown rattan basket outer frame + yellow and white gingham cloth inner bag'; do not replace it with just a soft cloth bag.\n\n[Composition/Camera]\nA close-up vertical snapshot. Light wide-angle equivalent to 24mm to 28mm. Slightly above or nearly at eye level. Emphasize the perspective of the extended arm and ramune bottle.\nWithin the 4:5 frame, include from a small margin above the head down to near the knees. The face is around the top third. The ramune bottle is in the front left and the basket is in the bottom right, both recognizable without being cut off too much. Maintain a natural snapshot feel while making the yukata, bottle, and basket identifiable.\n\n[Light]\nStrong summer backlighting from the top right background. Warm rim light on hair, cheeks, shoulders, and sleeves. The sky area in the background is bright and white, with subtle lens flare and bokeh. Keep the face bright with soft natural light, not crushed into darkness. Limit blowouts to the area around the light source in the background.\n\n[Finish]\nHigh quality but not overproduced, with an intimate realistic feel like it was taken with a smartphone or small camera. Clarify natural skin, fine hair, yukata weave, glass bottle, and bamboo or rattan textures. Colors should be fresh, with white, coral, light aqua, and yellow harmonizing in a summery way.\n\n[Completion Conditions]\nMaintain the identity of the person in the attached image. Do not include long hanging hair, short bobs, high updos, ordinary PET bottles, bags without a rattan frame, extra people, extra limbs or fingers, broken hands, merging of bottle and hand, messy yukata or obi, readable text, logos, watermarks, collage, illustrative style, or excessive CG feel.","promptZh":"生成一张 4:5 的竖版写实照片。\n\n[人物]\n使用附件图片中的人物作为身份的唯一参考。保持附件图片中可见的面部特征、年龄、肤质、体型、整体比例和个性。保留图片中的发色，但优先采用下方指定的发型。不要继承附件图片中的服装、背景、构图或姿势；优先考虑下方的场景。创作一张完整的成品照片，而不是参考表或多张剪辑图。\n\n[发型]\n将长发在颈背上方的位置松散地盘成一个低发髻。发量应呈现为凌乱的低侧发髻或低马尾式盘发，从后脑勺下方稍微向人物的左肩偏移。不要扎在耳朵上方的高处。不要让大部分头发垂在背部。避免短波波头、头顶高发髻、僵硬的传统日式发型或单条直辫子。\n在脸部两侧留下细细的卷发丝，从脸颊到下巴外侧进行柔和修饰。颈背和耳朵周围也要留下细发丝，让细小的碎发在逆光下呈现金色的光泽。\n在人物左耳后方、低发髻根部别上一朵小白花装饰，并垂下一条细细的白色丝带。头顶架着一副棕色调的细框太阳镜。佩戴小巧的银色吊坠耳环。\n在最终检查中，确保这三点清晰可见：“头发在颈背处松散地盘起”、“脸部周围有卷发丝”以及“低发髻旁有一朵小白花和细丝带”。\n\n[场景]\n一个阳光明媚的夏日午后，位于日本古老商业街的一条狭窄巷子里。低矮的木制店面、屋檐、植物以及延伸至远处的石板或瓷砖路面。这是一条具有生活气息的传统街道，而非过度商业化。人物身后的背景通过浅景深自然虚化，将店面和绿植转化为柔和的虚化光斑。将招牌上的文字虚化，使其无法辨认，且不要绘制有意义的文字或标志。\n\n[表情/姿态]\n附件图片中的人物直视镜头，带着明亮、自然的微笑，仿佛正在将一瓶弹珠汽水递给亲近的人。笑容欢快，嘴巴微张，眼睛也在笑。皮肤应具有真实的自然质感，避免过度磨皮或像玩偶一样的表情。\n人物位于画面中心偏右。上身微微前倾，营造出一种仿佛正在靠近的动态感。\n\n[浴衣]\n一件夏日浴衣，底色为 白色至米白色。稀疏地分布着大型花卉图案，花卉颜色为 浅珊瑚粉、鲑鱼橙、浅水蓝和薄荷青色。在花卉图案之间加入多个扁平、可爱的黑猫剪影图案。\n腰间的腰带系法正确。配色沉稳，上方为黑色腰带，中间为较宽的象牙白至浅米色，并露出一条细细的深红色点缀。确保领口对齐、袖子和腰带结构自然且协调。\n\n[姿势与弹珠汽水]\n人物的右臂大幅向镜头伸出，递出一瓶复古的透明玻璃弹珠汽水。手臂和瓶子在前景中显得较大，具有强烈的透视感。瓶子带有蓝色至青色的瓶盖，瓶颈细长，形状独特，能让人感受到内部的玻璃珠。不要使用普通的塑料瓶或水瓶。\n将瓶子和手放置在左侧前景，焦点比面部稍微柔和一些。手指应自然地握住瓶子，不要让手和瓶子融合在一起。\n\n[篮子]\n大腿旁边的左手提着一个小巧的日式夏日风格手提包。\n它不仅仅是一个布制托特包。外部是一个由棕色竹子或藤条制成的坚硬椭圆形至小型圆柱形编织框架，配有短棕色提手。在藤编格栅内，可以清晰地看到一个 黄白格纹 的布制抽绳内袋。始终保持“棕色藤编篮外框 + 黄白格纹布内袋”的双层结构；不要将其替换为普通的软布包。\n\n[构图/相机]\n一张特写竖版快照。相当于 24mm 到 28mm 的轻型广角。视角略高于或接近视平线。强调伸出的手臂和弹珠汽水的透视感。\n在 4:5 的画幅内，包含从头顶上方的一小段留白到膝盖附近。面部位于上方三分之一处。弹珠汽水瓶位于左前方，篮子位于右下方，两者均可辨认且不会被过度裁切。在保持自然快照感的同时，使浴衣、瓶子和篮子清晰可辨。\n\n[光影]\n来自右上方背景的强烈夏日逆光。头发、脸颊、肩膀和袖子上带有温暖的轮廓光。背景的天空区域明亮且呈白色，带有细微的镜头光晕和虚化效果。保持面部明亮，光线自然，不要陷入阴影中。将过曝限制在背景光源周围的区域。\n\n[成品效果]\n高质量但不显过度制作，具有像用智能手机或小型相机拍摄的那种亲切的真实感。清晰呈现自然肤质、细发、浴衣纹理、玻璃瓶和竹藤质感。色彩清新，白色、珊瑚色、浅水蓝和黄色以夏日风格和谐统一。\n\n[完成条件]\n保持附件图片中人物的身份。不要包含长垂发、短波波头、高盘发、普通塑料瓶、没有藤编框架的包、额外的人、多余的肢体或手指、残缺的手、瓶子与手融合、凌乱的浴衣或腰带、可读文字、标志、水印、拼贴画、插画风格或过度的 CG 感。"}