{"id":"29387","prompt":"9:16 vertical, high-completion green-blue landscape goddess gold-leaf mineral-pigment digital illustration, modern oriental gold-leaf mineral-pigment female illustration, exquisite oriental female digital painting, mineral-pigment layers, irregular real gold-leaf craftsmanship, combining oriental decorative flat aesthetics with a sense of depth and space.\n\nThe main subject is a clearly adult young oriental woman, visual age approximately 20–28, with the identity of a landscape goddess, whose temperament is cool, ethereal, noble, transcendent, quiet, and detached. The figure uses a half-body close-up and a slightly side-facing composition, with the body leaning toward one side of the frame and the face in a three-quarter profile, not looking at the camera, gaze naturally lowered, with a calm and restrained expression, as if looking at the mountains and rivers in the distance or lost in thought.\n\nThe figure has an exquisite oriental digital illustration face, a soft small oval face, a full forehead, slender and smooth facial contours, a delicate and three-dimensional mid-face, and a soft and clear jawline. The eyes are long and bright, with the corners slightly upturned, pupils containing restrained highlights, eyebrows finely and comfortably arched, the bridge of the nose delicate and smooth, the lip shape soft and exquisite, with the mouth slightly open, and overall the features are delicate, clean, restrained, and pleasant to look at, with the texture of a high-completion oriental semi-realistic digital illustration figure face.\n\nThe facial features emphasize soft and smooth oriental contours, long and bright eyes, a delicate bridge of the nose, soft lip shape, and a clean and transparent skin surface, retaining only the refined digital illustration-style facial sculpting, without using a noticeable 3D CG modeling feel, avoiding plastic highlights, waxy feel, heavy mural-like face, or rough grain covering the face.\n\nThe hairstyle is an ethereal half-pinned long hair, with jet-black long hair falling smoothly, clear bun structure, and some strands of hair gently blown by the mountain breeze, creating a natural sense of flow. The headwear is a restrained and exquisite gold-leaf flower branch headpiece, paired with white jade flower ornaments, emerald hairpins, fine small gold tassels, and jade earrings, with a light and layered structure that does not block the facial features, without excessive gemstone piling, and not turning into an opera-style large crown or a magnificent queen-style headpiece.\n\nThe makeup uses a jade-white transparent base, with the skin surface being delicate and clean, having a slight soft glow but without excessive skin smoothing; the eye makeup is light stone blue and pale green mineral eyeshadow, with a small amount of indigo blue added to the corners of the eyes and softly elongated, a very fine pale gold highlight used in the inner corner of the eye, a restrained and fine pale gold flower mark decorating the center of the forehead, and the lip color is between soft bean paste pink and light coral, with a delicate moist luster. The makeup is clear and visible, but not modern or influencer-style, and not heavy Western makeup.\n\nThe figure wears a layered ancient-style long dress of peacock green, emerald green, and moon white, with the inner layers being jade white and moon white silk, and the outer layer being high-purity peacock green and turquoise light gauze; the clothing has a waist-cinching structure, showing a natural and elegant body proportion. The fabric consists of silk, silk cloth, brocade, and light gauze, soft and draping, with natural folds and wide, light sleeves. The surface of the clothing incorporates green-blue landscape patterns, distant mountain patterns, flowing cloud patterns, mineral-vein-like gold threads, and local gold-leaf collages; the gold texture is naturally distributed along the edges of the clothing, sleeves, waist seal, and the outlines of the landscape patterns, but always maintains a real fabric feel, not turning into hard metal or armor.\n\nThe scene is a high mountain water pavilion and green-blue landscape hidden realm, with the figure standing by a waterside building or wooden railing, with layered distant mountains, emerald-colored peaks, clear lake water, waterfalls, streams, distant ancient pavilions, and a sea of clouds unfolding behind. The nearby mountains use rich malachite green, turquoise, stone blue, and deep ink green, the mid-ground mountain bodies retain clear hues and mineral pigment layers, and the distant mountains naturally recede through local clean thin mist, but do not fade into gray-white.\n\nThe background has a high-saturation green-blue mineral mineral-pigment texture, with the edges of the mountains, water flows, cloud vapor, pavilion outlines, and parts of the frame locally incorporating irregular gold leaf. The gold leaf shows real foil edges, particles, cracks, slight folds, mottling, and micro-relief undulations, and has levels of bright gold, warm gold, ancient gold, and dark gold. The gold leaf passes through the frame edges, mountain ridges, sea of clouds, clothing patterns, and architectural details like natural mineral veins and flowing mountain and river textures; it is not ordinary yellow outlining, and not cheap glitter.\n\nThe overall system uses a green-blue gold-leaf mineral-pigment scheme, high saturation, high contrast, and clear colors. The main colors are malachite green, emerald green, stone blue, turquoise, and deep ink green, with auxiliary colors of moon white, jade white, pale green, and a small amount of black-blue, and metallic colors of bright gold, warm gold, and ancient gold. The image establishes clear brightness zones: the character's skin tone, moon white lining, and local cloud layers are high brightness; peacock green clothing and green-blue mountain bodies are high-saturation medium brightness; black hair, wooden buildings, deep ink-green nearby mountains, and local structures form a stable dark part; gold leaf forms local high-brightness reflections. The bright parts are clear and transparent, the dark parts are rich and stable, and the intermediate colors do not turn gray.\n\nThe light uses soft side-front light to illuminate the character's face, creating delicate and clean light and dark transitions on the forehead, bridge of the nose, under the eyes, lips, and neck; at the same time, low-angle gold-leaf grazing light and slight side-backlight are used to sweep across the headpiece, hair strands, clothing gold threads, mountain ridges, and sea of clouds, causing the gold leaf to produce fine and bright metallic reflections. The figure's skin tone remains jade-white and natural, gold reflections do not contaminate the skin color, and the eyes retain clear and restrained highlights.\n\nThe composition has a modern oriental poster feel, with the character occupying the main visual area of the frame, the face located near the upper golden ratio, long hair and wide sleeves forming vertical flow lines, and distant mountains, lake surfaces, and pavilions extending into the depths of the frame. Irregular gold-leaf flow patterns and mineral mineral-pigment textures can be added to the edges of the frame as a decorative frame, but do not block the character's face.\n\nThe overall effect should be exquisite, magnificent, cool, ethereal, poetic, and restrained, with high-purity mineral pigment concentration, a sense of real gold-leaf craftsmanship, oriental landscape artistic conception, and high-completion digital illustration figure performance. Maintain the main style of ancient-style female gold-leaf mineral-pigment, without turning into ordinary ancient-style photography, obvious 3D CG character rendering, cheap immortal-hero game character art, opera crown palace posters, butterfly phantom queen themes, or stage-style warm gold dreamscapes.\n\nNegative constraints: underage, juvenile, child face, exaggerated anime big eyes, influencer face, Western plastic surgery face, obvious 3D CG, plastic skin, waxy face, heavy mural face, rough particles covering features, blurred features, dull eyes, gold pasted all over face, gold leaf covering face, ordinary yellow outlining, cheap glitter, overall yellowish image, overall grayish-green image, low-saturation gray-green filter, faded old painting feel, large area of gray-white mist, character and background merging in color, dark parts not deep enough, highlights not bright enough, opera large crown, gemstone headpiece piling, butterfly theme, strong glowing wings, stage spotlight, warm gold palace background, clothing armored, hard metal fabric, crowded background, architecture overshadowing subject, text, watermark, logo, finger deformity, limb errors, floating accessories.","promptEn":"9:16 vertical, high-completion green-blue landscape goddess gold-leaf mineral-pigment digital illustration, modern oriental gold-leaf mineral-pigment female illustration, exquisite oriental female digital painting, mineral-pigment layers, irregular real gold-leaf craftsmanship, combining oriental decorative flat aesthetics with a sense of depth and space.\n\nThe main subject is a clearly adult young oriental woman, visual age approximately 20–28, with the identity of a landscape goddess, whose temperament is cool, ethereal, noble, transcendent, quiet, and detached. The figure uses a half-body close-up and a slightly side-facing composition, with the body leaning toward one side of the frame and the face in a three-quarter profile, not looking at the camera, gaze naturally lowered, with a calm and restrained expression, as if looking at the mountains and rivers in the distance or lost in thought.\n\nThe figure has an exquisite oriental digital illustration face, a soft small oval face, a full forehead, slender and smooth facial contours, a delicate and three-dimensional mid-face, and a soft and clear jawline. The eyes are long and bright, with the corners slightly upturned, pupils containing restrained highlights, eyebrows finely and comfortably arched, the bridge of the nose delicate and smooth, the lip shape soft and exquisite, with the mouth slightly open, and overall the features are delicate, clean, restrained, and pleasant to look at, with the texture of a high-completion oriental semi-realistic digital illustration figure face.\n\nThe facial features emphasize soft and smooth oriental contours, long and bright eyes, a delicate bridge of the nose, soft lip shape, and a clean and transparent skin surface, retaining only the refined digital illustration-style facial sculpting, without using a noticeable 3D CG modeling feel, avoiding plastic highlights, waxy feel, heavy mural-like face, or rough grain covering the face.\n\nThe hairstyle is an ethereal half-pinned long hair, with jet-black long hair falling smoothly, clear bun structure, and some strands of hair gently blown by the mountain breeze, creating a natural sense of flow. The headwear is a restrained and exquisite gold-leaf flower branch headpiece, paired with white jade flower ornaments, emerald hairpins, fine small gold tassels, and jade earrings, with a light and layered structure that does not block the facial features, without excessive gemstone piling, and not turning into an opera-style large crown or a magnificent queen-style headpiece.\n\nThe makeup uses a jade-white transparent base, with the skin surface being delicate and clean, having a slight soft glow but without excessive skin smoothing; the eye makeup is light stone blue and pale green mineral eyeshadow, with a small amount of indigo blue added to the corners of the eyes and softly elongated, a very fine pale gold highlight used in the inner corner of the eye, a restrained and fine pale gold flower mark decorating the center of the forehead, and the lip color is between soft bean paste pink and light coral, with a delicate moist luster. The makeup is clear and visible, but not modern or influencer-style, and not heavy Western makeup.\n\nThe figure wears a layered ancient-style long dress of peacock green, emerald green, and moon white, with the inner layers being jade white and moon white silk, and the outer layer being high-purity peacock green and turquoise light gauze; the clothing has a waist-cinching structure, showing a natural and elegant body proportion. The fabric consists of silk, silk cloth, brocade, and light gauze, soft and draping, with natural folds and wide, light sleeves. The surface of the clothing incorporates green-blue landscape patterns, distant mountain patterns, flowing cloud patterns, mineral-vein-like gold threads, and local gold-leaf collages; the gold texture is naturally distributed along the edges of the clothing, sleeves, waist seal, and the outlines of the landscape patterns, but always maintains a real fabric feel, not turning into hard metal or armor.\n\nThe scene is a high mountain water pavilion and green-blue landscape hidden realm, with the figure standing by a waterside building or wooden railing, with layered distant mountains, emerald-colored peaks, clear lake water, waterfalls, streams, distant ancient pavilions, and a sea of clouds unfolding behind. The nearby mountains use rich malachite green, turquoise, stone blue, and deep ink green, the mid-ground mountain bodies retain clear hues and mineral pigment layers, and the distant mountains naturally recede through local clean thin mist, but do not fade into gray-white.\n\nThe background has a high-saturation green-blue mineral mineral-pigment texture, with the edges of the mountains, water flows, cloud vapor, pavilion outlines, and parts of the frame locally incorporating irregular gold leaf. The gold leaf shows real foil edges, particles, cracks, slight folds, mottling, and micro-relief undulations, and has levels of bright gold, warm gold, ancient gold, and dark gold. The gold leaf passes through the frame edges, mountain ridges, sea of clouds, clothing patterns, and architectural details like natural mineral veins and flowing mountain and river textures; it is not ordinary yellow outlining, and not cheap glitter.\n\nThe overall system uses a green-blue gold-leaf mineral-pigment scheme, high saturation, high contrast, and clear colors. The main colors are malachite green, emerald green, stone blue, turquoise, and deep ink green, with auxiliary colors of moon white, jade white, pale green, and a small amount of black-blue, and metallic colors of bright gold, warm gold, and ancient gold. The image establishes clear brightness zones: the character's skin tone, moon white lining, and local cloud layers are high brightness; peacock green clothing and green-blue mountain bodies are high-saturation medium brightness; black hair, wooden buildings, deep ink-green nearby mountains, and local structures form a stable dark part; gold leaf forms local high-brightness reflections. The bright parts are clear and transparent, the dark parts are rich and stable, and the intermediate colors do not turn gray.\n\nThe light uses soft side-front light to illuminate the character's face, creating delicate and clean light and dark transitions on the forehead, bridge of the nose, under the eyes, lips, and neck; at the same time, low-angle gold-leaf grazing light and slight side-backlight are used to sweep across the headpiece, hair strands, clothing gold threads, mountain ridges, and sea of clouds, causing the gold leaf to produce fine and bright metallic reflections. The figure's skin tone remains jade-white and natural, gold reflections do not contaminate the skin color, and the eyes retain clear and restrained highlights.\n\nThe composition has a modern oriental poster feel, with the character occupying the main visual area of the frame, the face located near the upper golden ratio, long hair and wide sleeves forming vertical flow lines, and distant mountains, lake surfaces, and pavilions extending into the depths of the frame. Irregular gold-leaf flow patterns and mineral mineral-pigment textures can be added to the edges of the frame as a decorative frame, but do not block the character's face.\n\nThe overall effect should be exquisite, magnificent, cool, ethereal, poetic, and restrained, with high-purity mineral pigment concentration, a sense of real gold-leaf craftsmanship, oriental landscape artistic conception, and high-completion digital illustration figure performance. Maintain the main style of ancient-style female gold-leaf mineral-pigment, without turning into ordinary ancient-style photography, obvious 3D CG character rendering, cheap immortal-hero game character art, opera crown palace posters, butterfly phantom queen themes, or stage-style warm gold dreamscapes.\n\nNegative constraints: underage, juvenile, child face, exaggerated anime big eyes, influencer face, Western plastic surgery face, obvious 3D CG, plastic skin, waxy face, heavy mural face, rough particles covering features, blurred features, dull eyes, gold pasted all over face, gold leaf covering face, ordinary yellow outlining, cheap glitter, overall yellowish image, overall grayish-green image, low-saturation gray-green filter, faded old painting feel, large area of gray-white mist, character and background merging in color, dark parts not deep enough, highlights not bright enough, opera large crown, gemstone headpiece piling, butterfly theme, strong glowing wings, stage spotlight, warm gold palace background, clothing armored, hard metal fabric, crowded background, architecture overshadowing subject, text, watermark, logo, finger deformity, limb errors, floating accessories.","promptZh":"9:16 竖构图，高完成度青绿山水女神金箔矿物颜料数字插画，现代东方金箔矿物颜料女性插画，精致的东方女性数字绘画，矿物颜料层叠，不规则真金箔工艺，结合东方装饰性平面美学与空间纵深感。\n\n主体为清晰的成年东方年轻女性，视觉年龄约 20–28 岁，身份为 山水女神，气质清冷、空灵、高贵、超脱、静谧且疏离。人物采用半身特写及微侧身构图，身体倾向画面一侧，面部呈四分之三侧脸，不直视镜头，视线自然下垂，神情平静克制，仿佛在远眺山河或陷入沉思。\n\n人物拥有精致的东方数字插画脸型，柔和的小鹅蛋脸，额头饱满，面部轮廓纤细流畅，中庭精致立体，下颌线柔和清晰。双眼细长明亮，眼角微翘，瞳孔内含克制的亮光，眉毛修剪得体，鼻梁精致平滑，唇形柔美精致，微张，整体五官精致、干净、克制且耐看，具有高完成度东方半写实数字插画人物面部的质感。\n\n面部特征强调柔和流畅的东方轮廓、细长明亮的双眼、精致的鼻梁、柔和的唇形以及干净通透的皮肤表面，仅保留精致的数字插画风格面部雕刻，不使用明显的 3D CG 建模感，避免塑料高光、蜡质感、厚重的壁画感面部或覆盖面部的粗糙颗粒。\n\n发型为灵动的半盘长发，乌黑长发顺滑垂落，发髻结构清晰，几缕发丝被山风轻轻吹拂，营造出自然的流动感。头饰为克制而精致的金箔花枝发饰，搭配白玉花朵点缀、翠玉发簪、细小金流苏及玉质耳坠，结构轻盈且有层次，不遮挡五官，无过度堆砌的宝石，不变成戏曲式大凤冠或华丽的皇后式头饰。\n\n妆容采用玉白通透底妆，皮肤表面细腻干净，带有微弱柔光但无过度磨皮；眼妆为浅石青与淡绿矿物眼影，眼角加入少量靛青并柔和拉长，眼头使用极细的淡金高光，额间饰有克制精致的淡金花钿，唇色介于柔豆沙粉与浅珊瑚色之间，带有细腻的润泽感。妆容清晰可见，但不现代、不网红风，亦非厚重的欧美妆。\n\n人物身着孔雀绿、翠绿与月白色的叠层古风长裙，内层为玉白与月白丝绸，外层为高纯度孔雀绿与绿松石色轻纱；服装采用收腰结构，展现自然优雅的身材比例。面料由丝绸、绢布、锦缎与轻纱组成，柔软垂坠，褶皱自然，袖口宽大轻盈。服装表面融入青绿山水纹样、远山纹、流云纹、矿脉般的金线以及局部金箔拼贴；金纹沿服装边缘、袖口、腰封及山水纹样轮廓自然分布，始终保持真实布料质感，不变成坚硬的金属或盔甲。\n\n场景为 高山水榭与青绿山水秘境，人物立于水边建筑或木质栏杆旁，身后展开层叠的远山、翠色峰峦、清澈湖水、瀑布溪流、远方古亭与云海。近处山体运用丰富的石绿、绿松石色、石青与深墨绿，中景山体保留清晰的色相与矿物颜料层，远山通过局部干净的薄雾自然退远，但不泛灰白。\n\n背景具有高饱和度的青绿矿物颜料质感，山体边缘、水流、云气、亭台轮廓及画面局部融入不规则金箔。金箔呈现真实的箔边、颗粒、裂纹、细微褶皱、斑驳与微浮雕起伏，具有亮金、暖金、古金与暗金的层次。金箔穿插于画面边缘、山脊、云海、衣纹与建筑细节中，如同自然的矿脉与流动的山河纹理；非普通黄色勾边，亦非廉价闪粉。\n\n整体系统采用青绿金箔矿物颜料配色，高饱和度、高对比度，色彩清晰。主色为石绿、翠绿、石青、绿松石色与深墨绿，辅色为月白、玉白、淡绿及少量黑蓝，金属色为亮金、暖金与古金。画面建立清晰的亮度分区：人物肤色、月白内衬与局部云层为高亮度；孔雀绿服装与青绿山体为高饱和度中亮度；黑发、木质建筑、深墨绿近山与局部结构形成稳定的暗部；金箔形成局部高亮度反光。亮部清晰通透，暗部丰富稳定，中间色不发灰。\n\n光影使用柔和的前侧光照亮人物面部，在额头、鼻梁、眼下、唇部与颈部形成细腻干净的光影过渡；同时使用低角度金箔侧逆光扫过头饰、发丝、衣纹金线、山脊与云海，使金箔产生细碎明亮的金属反光。人物肤色保持玉白自然，金光反射不污染肤色，双眼保留清晰克制的亮光。\n\n构图具有现代东方海报感，人物占据画面主要视觉区，面部位于上方黄金分割点附近，长发与宽袖形成竖向流动线条，远山、湖面与亭台向画面深处延伸。画面边缘可添加不规则金箔流纹与矿物颜料质感作为装饰框，但不遮挡人物面部。\n\n整体效果应精致、宏大、清冷、空灵、诗意且克制，具备高纯度矿物颜料浓度、真实的金箔工艺感、东方山水意境以及高完成度数字插画人物表现。保持古风女性金箔矿物颜料的主风格，不变成普通的古风摄影、明显的 3D CG 人物渲染、廉价仙侠网游角色美术、戏曲凤冠宫廷海报、蝴蝶幻影女王主题或舞台式暖金梦境。\n\n负面约束：未成年、幼态、童颜、夸张动漫大眼、网红脸、西式整容脸、明显 3D CG、塑料皮肤、蜡质脸、厚重壁画脸、覆盖五官的粗糙颗粒、五官模糊、眼神呆滞、满脸贴金、金箔遮脸、普通黄色勾边、廉价闪粉、整体发黄、整体灰绿色、低饱和度灰绿滤镜、陈旧古画感、大面积灰白雾气、人物与背景色彩融合、暗部不够深、高光不够亮、戏曲大凤冠、宝石头饰堆砌、蝴蝶主题、强发光翅膀、舞台聚光灯、暖金宫廷背景、服装盔甲化、硬金属面料、背景杂乱、建筑喧宾夺主、文字、水印、Logo、手指畸形、肢体错误、浮空配饰。"}